idea, situation, person, or object. Whether the image is a figure of speech, such as a metaphor or simile, or merely a concrete vivid detail makes little difference. What matters is the
“fabricated” activities, including speech in drama need to be “authenticated” by an audience or reader as credible activity in the dramatic world in which it functions. Therefore, dramatic action becomes meaningful in relation to the “authenticating conventions” which are invoked in a play, which are drawn from the social world of affairs in which dramatic activity is embedded. On the other hand, we should not consider dramatic speech only as an extension of everyday speech into drama. Despite the interdependence
other association. A critical approach to drama written in verse requires the knowledge of not only of metre but also the function and purpose of the various figures of speech. These should never be only decoration because they are one of the means by which the playwright can develop and express his meaning. The various figures of speech have often been made interchangeable, thus a satisfactory definition of them is difficult to provide. There is a tendency to include symbols, similes, and metaphors
other association. A critical approach to drama written in verse requires the knowledge of not only of metre but also the function and purpose of the various figures of speech. These should never be only decoration because they are one of the means by which the playwright can develop and express his meaning. The various figures of speech have often been made interchangeable, thus a satisfactory definition of them is difficult to provide. There is a tendency to include symbols, similes, and metaphors
other association. A critical approach to drama written in verse requires the knowledge of not only of metre but also the function and purpose of the various figures of speech. These should never be only decoration because they are one of the means by which the playwright can develop and express his meaning. The various figures of speech have often been made interchangeable, thus a satisfactory definition of them is difficult to provide. There is a tendency to include symbols, similes, and metaphors
ultimate source of the energy that creates and sustains the world. (Frontline vol 20) One of the entities he talks about in his speech in Chicago during the Parliament of Religions in Chicago was the soul and how science is nothing but finding of unity. Hindus believe soul is a circumference whose circumference is nowhere; death means change of this centre from body to body (speech) which essentially means the soul is eternal as it is not created and things that are not created cannot
This is widely depicted in the song “Can the Circle Be Unbroken” which discusses the suffering and grief associated with the death of the narrators mother. This song successfully generates lament from the audience through its lyrics which ultimately paint a story. One may see this as the author states “But I
Many people have different adjectives and phrases to answer the question “what is resilience” but each answer is the same. People know what it means to be resilient, but there are not many resilient people in the world. Not many people could get beaten, verbally abused, and come back against all the odds. To be resilient people need to keep their dignity and their pride and that is exactly what Louis Zamperini, Ed Roberts, Jason Zimmerman, and Frederick Douglass did. These four men had all the odds
In seeking to explore contemporary attitudes towards the Catalan language and contemporary Catalan identity, it is necessary to give some of the history of the language, territory and people. To begin with, Catalan is spoken not only in Catalonia, but also in the Balearic Islands, and Ibiza within Spain. It is also the official language of Andorra, the traditional language of French Roussillon and the city of Alguer in Sardinia. Furthermore, the Statute of Autonomy of 2006 defines Catalan as Catalonia’s
“Dumas again addresses the question of spiritually by explaining the lives of a group of urban youths who have lost their leader. The spiritual power of music also the focus in “will the circle be unbroken,” but this time the religious ritual portrayed is not one that shares any connection with Judeo-Christian religion origin: it is a purely African American rite that draws and the cosmic forces of balck music to build a protective wall for African