The Way Home Analysis
The movie “The way home” is a simple yet realistic portrait of unconditional love which passes through generations in family. It was written and directed in 2002 by Lee Jeong Hyang - one of the few successful Korean female writers and directors in Korean filmmaking history.
‘The way home’ is true to life from the settings to the acting. The movie was shot in the faraway Jeetongma village in South Korea with the total population of eight people. All the fields, the old wooden house or the muddy roads are captured exactly the same on screen and off screen. Even more surprising, the actress who played the grandmother is just a local villagers that the director met by chance. This explained the lifelike feeling of the story in order to deliver the hidden message closer to the heart of the audiences.
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His mother was struggle to find a job after divorce, so she had no choice but sent her son away temporarily. The generation gap between the grandma (77 years old) who can not speak, and the spoiled young grandchild created several conflicts in their daily life. However, the infinite love and care of grandmother gradually changed how Sang Woo see, think and behave. I watched ‘The way home’ for the first time a few years ago. And two more times after, but still, each time it brought me to tears. Personally, I was impressed with how the filmmaker portrayed the psychological development occurred in Sang Woo. From being a selfish child, he learned to behave nicely and care for people around. Another factor that inspired me was the the natural sounds go along with the lighting, which brought a vintage and nostalgic vibe for the film. From my own cinematic experience, ‘The way home’ is a touching story with the ability to evoke our childhood
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