Under The Feet Of Jesus Analysis

As a young child, after being told of how poor her houseboy Fido was, Adichie did not believe his family could also be hardworking. “Their poverty was my single story of them. ”(Adichie) She also details how later, on a trip to Guadalajara she was overwhelmed with shame because her only image of Mexicans was the “abject immigrant” due to the “…endless stories of Mexicans as people who were fleecing the healthcare system, sneaking across the border, being arrested at the border, that sort of thing.” (Adichie)a She was caught by surprise when she saw Mexicans happy and at work in the marketplace.

The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.

In Viramontes’ novel Under the Feet of Jesus, the author composes symbolic representations about the daily life of a migrant worker. Symbols used throughout the novel was the barn as a figure to represent a church, Petra’s statue of Jesus that symbolized her faith in Christianity and the baby doll with no mouth that represented the views on silence. The author uses symbolism to get her message across on how the difficulties of migrant workers. The symbols, the barn, Jesus statue, and the baby with no mouth represent the migrant workers’ stance on faith.

However, Esperanza’s negative view of herself slowly changes as she begins to focus on her larger community and her place within it. Through this, Cisneros shows that knowing and accepting where we have come from is an important part of growing up and determining who we are. In the beginning of

A texan woman, named Sandra Bearden was looking for a maid to complete housework and look after her son, so she traveled into a poor village in Mexico and met Maria. Maria, being only twelve years old, saw this as an opportunity to move to the U.S. and receive better education which produced a better life. Sadly, Maria’s dreams were crushed because Sandra began to take advantage of her both physically and mentally. Her punishments for not working included: pepper spray in the eyes, a bottle broken against her head, jamming garden tools up her private areas,

Instead it can be a way in which the person can develop in the future. Within Esperanza’s family, members often repeat the pattern of falling short of success, never making it out on their own and being able to support themselves. A constant reminder of this lifestyle lays in Esperanza’s name, as it is shared between her, and her great grandmother. In the HOMS, the grandmother is described as a wild horse of a woman, until she gets married and loses her freedom. Esperanza notes,” I have inherited her name but I will not inherit her place in the window,”(11).

Esperanza acquires a sense of who she is as a young woman. These characters aid in her decided stance on gender roles and how she wants to evade them as she starts to build her own life. Through Esperanza’s narration, the darkness that correlates with the roles of women is brought into light. The gender roles found in the book are still issues today. Such ideas ruin much of society because people have yet to question and altar them.

In Mexican American society , women are deemed inferior to men, evident in traditional family roles, the male is the head of the family who provides for the family , while the woman stays at home to look after the children she is expected to provide for her husband . In the third vignette of ‘The House on Mango Street’ titled ‘Boys and Girls’ the reader is informed of the division between men and women when Esperanza refers to herself and her sister Nenny , and her brothers, “They’ve got plenty to say to me and Nenny inside the house. But outside they can’t be seen talking to girls”. The male dominance begins at a very young age.

The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros

Societal expectations are a part of everyone’s life, male or female. From the day people are born, there are roles they are expected to assume-- wife, homemaker, father, provider, mother and many others. While these aren’t necessarily negative, the stigma of not fulfilling these roles can be unpleasant. While the roles we are supposed to choose aren’t always clearly defined, the judgement that comes from choosing to take certain actions in life, like settling down or becoming a mother is palpable. Throughout The House on Mango Street, Esperanza’s view of the world is largely shaped by the people around her, which are her neighbors, family, and friends.

The Story of the Vargas Family “Rosa Vargas’ kids are too many and too much. It’s not her fault, you know, except she is their mother and only one against so many” (Cisneros 29). In the novel The House on Mango Street, the author, Sandra Cisneros, touches on the many negative consequences of a single, impoverished mother raising an overwhelming amount of children. Poverty, discrimination, parental and neighborly responsibility, and respect are all issues and social forces that act upon the family; their presence or lack thereof cause several grisly occurrences to take place. Poverty was almost like a curse given to Rosa Vargas by her husband, who “left without even leaving a dollar for bologna or a note explaining how come” (29).

In the excerpt from the novel Under the Feet of Jesus by Helena Maria Viramontes the protagonist Estrella goes through various changes as an outcome from prior experiences. To convey those changes Viramontes uses some literature elements such as tone and paradox.

In the except from the novel “ Under the feet of Jesus” by Helena Maria Viramontes shows the development of Estrella from being angry to understanding what she needed to do to succeed. The author uses figurative language and selection of detail to show the changes Estrella’s character went through, which reveals that knowing what things are is beneficial.

Her personal experience is socially and theoretically constructed and emotions play an essential role in the process of identity formation. Her identity is not fixed, which is portrayed by inquisitiveness that her own mother and Aunt thought she was possessed, enhanced and made this story an enriching experience. The family is the first agent of socialization, as the story illustrates, even the most basic of human activities are learned and through socialization people

For a nine-year-old who wants nothing more than to make her mother proud this was exciting. In the beginning, we can see her excitement and desire, “in the beginning I was just as excited as my mother, maybe even more so.” (Tan). However, as we follow the story we see her excitement quickly fade to sorrow and anger. The high expectations immigrant families place on their children is still a very relevant social issue and can be witnessed throughout the United States.