Undocumented Film Analysis

In the passage “Leave Your Name at the Border” the author Mr. Muñoz states that he is a Mexican-American from Dinoba, California, a small town near Fresno. The author primarily focuses on how

Argumentative works are written to persuade the audience that the writer’s idea is valid, or more valid than someone else’s. Ethos, pathos, and logos are three types of persuasion that are used to persuade the reader to feel a certain way on array of topics from minor affairs to contentious matters. Immigration, for example, has become a controversial topic that many have strong feels about on both sides of the argument. “My Life in the Shadows” by Reyna Wences debates for support of immigration reforms, while “Unskilled Workers Lose Out to Immigrants” by Steven A. Camarota argues that immigration should be restricted. Based her use of ethos, pathos, and logos, Wences does a better job in convincing her readers that immigration reforms should be backed.

In the article, Two Sisters, Two Americas, the author, Brooke Ross, informs readers of the Saravia family’s story and the effects of being a “mixed-status family” with worries of being deported. A mixed-status family is a family with a combination of illegal immigrants, and citizens living in the United States. A path to legalization should be created for people who are already here illegally, but border security should be tightened to prevent more people entering the US illegally.

The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature

In Leo R. Chavez’s ethnography, The Latino Threat: Constructing Immigrants, Citizens, and the Nation, the claimed problem of Latino immigration, specifically Mexicans, is tackled using interviews, statistics, and other works of literature. Chavez’s ethnography not only discusses Latino immigration but Latino invasion, integration, organ transplants and even Latina fertilization. One of Chavez’s big topics is on how the media influences the public to believe that Latinos are planning an invasion or take-over in order to gain the land that was originally Mexico’s. The topic of Latina reproduction and fertilization comes up multiple times through Chavez’s ethnography. Another main topic that plays a part in Chavez’s argument is the Latino role in public marches and the citizenship aspect of their actions. Chavez even discusses the role that children of

One of this week’s readings focused on Ch. 5, “Caged Birds,” in Professor Lytle Hernandez’s book City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles, 1771-1965, and this chapter was particularly interesting because it further explained the development of immigration control in the United States. As a continuation from the last chapter, there was a huge emphasis in the Chinese Exclusion Act of 1882 and the Geary Act of 1892. This essentially prohibited Chinese laborers from immigrating to the United States, as well as eventually requiring these people to comply with regulations. “Caged Birds” encapsulates the events afterwards, as the book heads well into the early-1900’s. The disenfranchisement of immigrants develops towards further exclusivity because “[by] 1917, Congress had banned all Asian immigration to the Unites States and also categorically prohibited all prostitutes, convicts, anarchists, epileptics, ‘lunatics,’ ‘idiots,’ contract laborers, and those ‘liable to become public charges’ from entering the United States” (Hernandez 132). This is significant because it is a reinforcement of the exclusive lifestyle of the patriarchal

At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago. Emilio Estevez’s purpose in creating this film was to show how different types of people with different backgrounds can mesh together and motivate each other. In The Way, Emilio Estevez uses the literary devices such as characterization and conflict to get

In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue

The first of two essay questions focuses on Leo Chavez’s book , “The Latino Threat”. The questions and statements that will be answered include “ What is the Latino threat?, ‘How does he define citizenship?” ,“Identify and discuss two examples of the Latino threat” and “ Identify one policy recommendation and discuss whether you think it is achievable”.

Hispanic Americans, or Latinos, are a very large and diverse ethnic group in the U.S. Altogether, they make up about 44 million people or 15% of America’s population. Individuals who make up this category can identify with various nationalities and backgrounds. However, the 2010 U.S Census – as stated in the textbook -- reported that 75% of its total Latino respondents identified being of Mexican, Puerto Rican, or Cuban origin. According to the lecture notes, 65% of Hispanics claim to be Mexican Americans, while 8.5% are Puerto Ricans and another 3.5% are Cuban Americans. These are the three most common Hispanic origins and the rest of the Latino population identifies with other Hispanic nationalities. Of the three common nationalities that

In the film Documented and The New York Times article “My Life as an Undocumented Immigrant,” Jose Antonio Vargas describes his experience as an undocumented immigrant in the United States and provides a passionate argument for creating a pathway to citizenship for others like Vargas, who are undocumented as well. Although both the film and article give the viewers and readers an insight into Vargas’ difficult journey, a particular scene in the film sends an unspoken message about the United States as a whole. In Documented, the scene in which Jose Antonio Vargas attends a Mitt Romney campaign rally is detrimental to the immigration debate because it demonstrates the need for Americans to be educated about undocumented

The American Dream differs from person to person. Every dream consists of striving towards success for a better future. In The Tortilla Curtain, T.C Boyle delves into what the American Dream is to the middle class American family, the Mossbacher’s, and to the illegal immigrant family, the Rincon’s. Throughout the story, it becomes apparent that that the ability for the poverty-stricken Rincon family to achieve their dream is unrealistic. The American Dream is presented to be close to unobtainable to those who need it the most through the use of the coyote, the Arroyo Blanco community, and Cándido’s luck.

The increasing numbers of Latino youth who obtain college degrees are become active in politics, with the biggest trend of Latino population is youth and growth we can only hope for even more support in politics. “For the first time ever, Latinos accounted for one in ten votes cast nationwide in the presidential election, and Obama recorded the highest ever vote total for any presidential candidate among Latinos, at 75%” (Barreto and Segura 145). The Latino vote is becoming a crucial element to politics because of their size in population. . “While turnout declined nationally from 2008 to 2012 (by 2%), among Latinos there was a 28% increase in votes cast in 2012 (from 9.7 million to 12.5 million) and Obama further increased his vote share among Latinos in 2012 compared to 2008” (Barreto and Segura 145). In recent polls

The Devil’s Highway, by Luis Alberto Urrea is the true story of 26 men who attempted to cross the Mexican border through the bleak Sonora Desert in May of 2001. Urrea describes the lives of the men who attempted to cross, what happened to them, and the response of the people working on the border and who encountered them. He explores the issue by describing both the personal experiences of people trying to emigrate from Mexico to the U.S., and of people working on the border. The story was made both realistic and compelling through the information gathered and research conducted for a full year prior to writing the story.

In Ramos myth these elements can be identified: The act is the deterioration of the field of journalism, and the scene is in the present because the act is still occurring. The agents are Jorge Ramos, and through the speech the graduates, whose agency, or ability to communicate the truth is being taken away. The purpose is to ensure the discipline of journalism does not fade away, and in the terminology of Burke, the community persists. In Burke 's framework the act is always the central term but Ramos reinterprets the boundary between agent and scene ambiguously. As Burke argues