“Shane” is an Old Western movie that represents the western lifestyle and perspective of manhood. It was one of the unsurpassed movies produced in 1953. The movie’s plot revolves around farmers’ who try to save their own land from a dominant cattle rancher called Fletcher and a rider called Shane tries to stand by one of the farming families to keep their rights. This creates tragic events and conflicts between the family members themselves, and the family members with Fletcher and his men. The perception of being in danger is haunting the family from all sides and this is what led them to be very cautious with who they deal with and who they let in their farm.
This character will normally enter the story first. At that point enters the adversary. This character is ordinarily portrayed as the "awful fellow" or the "scoundrel." Enemies are indeed captivating and convey an ethical clash to light, which subsequently puts our saint at a fork in an ethical street. These characters serve to show viewers wrong from right.
The imagery was developed and retained by Artworks form famous artist such as Albert Bierstadt who captured the wild, unique and vast environments of the west. Many were captivated by these canvasses giving them an urge for exploration soon after the portraits were replaced by photography as that were implemented on newspapers, magazines, and postcards and there were the main items that embedded the imagery of the old west as they gave a more definitive contrast of how the west actually looked. Other artworks also gave an impact of the imagery of the west such as Wild West Shows. During the frontier One of the popular entertainment was the Buffalo Bill’s Wild West Shows. The shows offered entertainment to selling natural remedies sold by natives Indians who were employed by them.
It’s how the protagonist and antagonist operate within the plot. This is proven by how “the protagonist is the character who has compelling positive goals in the narrative and the antagonist is the character whose compellingly negative goals directly conflicted with those of the protagonist”(Magliano
The addition of this information is to make the movie more interesting, but at the same time it takes away from the historic aspects of the middle ages for example. The postmodern approach has been put into place to make it seem more relevant to the ideas that are currently going around (Race, 1-3). This can make it seem so the film will fit better with society and make it more appealing to those who may watch the movie. In the movie “The 13th Warrior” Ahmed Ibn Fahdlan, a poet is traveling North as an ambassador along with the warriors. At the beginning of the movie, he describes how he fell in love with a woman that already had a husband.
Over the years, literature and arts have had a significant impact and influence on culture. Through unique styles, authors have been able to construct literature that directly affects the lifestyles of individuals during that period. To fully appreciate the literature that influences culture the most, it is crucial to isolate them. Thus, the Western Canon was created to contain all the literature that has been proven to be essential to western culture. The Western Canon includes a wide range of genres ranging from works of Shakespeare to more modern works.
Bernard Evslin’s Heroes, Gods and Monsters of the Greek Myths and Burton Raffel’s Beowulf provide the reader with heroes who are morally questionable. In a typical myth, the hero of the story often makes many ambiguous choices that seem admirable on the surface, but develop in an unsettling manner. The hero is generally guided to an adventure and along the way commits many sins of goodness. Oftentimes, these heroes will never be able to overcome their obstacles; and therefore become fundamentally flawed. They are often looked up to as role models, but in essence these “heros” are representations of evil.
Iago: elusive or illusive? The most profound and intriguing characters in Shakespeare’s plays, at least in the tragedies, are the villains. Don John in Much Ado About Nothing has far fewer lines than the other main characters, yet it is his actions that create consequential events the whole play revolves around. But unlike the comedies, the tragic villains (villains of the tragedies) are more than mere blocking forces. They are the manipulators, the inciters of the actual tragedy and therefore much more intense and curiously evasive.