Hamlet is the prince of Denmark but he can not control himself; he crazily holding a knife and expresses his opinion that he was struggling weather to live or to die. A prince’s mission is to protect his people and manage his country but Hamlet acts as lunatic talking about death. However, Hamlet’s action represents his country which corrupting from inside to outside. “Heaven make thee free of it! I follow thee.
A lot of people want something someone else has. In hamlet some sins are even multiplied together, for example the ghost wants his revenge on claudius and he also wants his crown back which is both wrath and envy. Throughout the play the seven deadly sins will appear frequently. Claudius, before the play even began wanted to be the king of denmark. In the graveyard scene the ghost tells hamlet that claudius, filled with envy and wrath came into the orchard where king hamlet slept and poured poison into his ear killing him.
However, Hamlet soon discovers that Claudius has been lying to him, and Claudius’ real motive is to kill Hamlet in order to exterminate all possible threats to his reign. Claudius’ role play affects the entire country of Denmark, and he convinces the people that he is the rightful king, when he is not, and has murdered his brother for the throne. Gertrude, too, takes on a role; throughout the play, she seems oblivious to her wrongdoings. She claims that she loves Claudius, and did not just marry him for political reasons. However, in in act 5, scene 4, Gertrude finally admits that she has wronged her son and her first husband, and in her conversation with Hamlet, she says, “O Hamlet, speak no more.
He said it is not his place to do so and that heaven will judge her when it comes time. The ghost also tells him that he fell asleep in the garden and Claudius poured poison in his ear to kill him. Hamlets fear about his uncle was true after all. “O my prophetic soul!” he cries (1.5.40). After finding out all this information, Hamlet was in a dark spot that lead him to acting insane to investigate the accusations that his father had made.
This type of propaganda technique is very effective because it motivates the subjects by fear. No matter what the pigs do wrong, it will be always be looked on as being right. On page 96, the text says, “‘It’s no longer needed, comrade,’ said Squealer stiffly. ‘Beasts of England was the song of the Rebellion. But the Rebellion is now completed.’” The pigs take something very valuable away from the animals on Animal Farm.
Hamlet, by William Shakespeare’s most notorious play, depicts the story of a young man who lives in Denmark and sets out to avenge his father, killing his uncle who is now king, which was told to him by his father’s ghost: “The serpent that did sting thy father 's life/ Now wears his crown” (1.5). The play is set up to make a cast of characters, through foils, give the character of Hamlet more life and thus enhance the play. Fortinbras and Laertes are the predominant foils to Hamlet; they will be analyzed and compared in the following essay, weighing out the importance of this foil effect to the plot & the effect of the play. Prince Fortinbras of Norway and Laertes depict the exact opposite of Hamlet’s character. All of these characters seek revenge for the death of their fathers by taking the matter into their own hands: Fortinbras seeks war against Denmark (former King Hamlet killed Fortinbras’ father), while Laertes returns from Paris to Eslionor to fight for his dead father 's honor.
With his father just being murdered by his uncle Claudius and Polonius banning the relationship between him and Ophelia, the only thought running through Hamlet’s mind was anger and revenge. The acts of violence throughout the play comes in three different forms; murder, suicide, and combat. Polonius is unexpectedly murdered, Ophelia goes mad and commits suicide, and Hamlet provokes a battle with Laertes that ends poorly for both men. All three of these violent acts can be traced back to clouded judgements, indecisiveness, anger, revenge, and heartbreak. Shakespeare created such acts of violence to keep the readers on their toes and informed, but also to invoke questions.
A character having an ability to be an influence of fatality is a dangerously powerful trait to have. The victim’s life is placed into the hands of the influencer. This power of fatality can be seen within Robert Frost’s poem, “Out, Out,” when a personified buzz saw cuts the hand off the boy using it. This injury causes him to die. This power of fatality can also be seen in Nathaniel Hawthorne’s short story, “The Birthmark,” a scientist, named Aylmer creates a risky and unreliable potion that was expected to remove his wife’s birthmark but, it ultimately kills her.
Through a series of prophecies, Oedipus learns that he himself killed the king, who is his father, and married his mother, the queen. This drives him to become a blind beggar when his wife/mother commits suicide. Throughout the play, one can see that Oedipus’s fate was determined by forces outside his control, as seen by his lack of agency over the events leading to his eventual fate. The intractable gods’ manipulation in Oedipus’s fate is clearly shown by the various prophecies delivered by various oracles and prophets in the play. The first word of god in Oedipus the King commands the citizens of the plague-infested city to “drive out, and not to leave uncured within this country, a pollution we have nourished in our land” (96-98).
Just like flowers decay, the lives of Denmark are slowly decaying without warning. The imagery of decay illustrates how the citizens of Denmark are not the same people after the death of the king. Secrets and betrayal is lurking the streets of Denmark and Shakespeare makes the secret of Denmark feel real in the character’s lives. Shakespeare uses Hamlet’s world to show the imagery of decay: “Something is rotten in the state of Denmark (I, IV, 90).” Everything in Denmark especially the relationships is crumbling to pieces throughout the play. The motives of the citizens are not trustworthy or good intentions at all.
Juliet’s tragic downfall began when Romeo killed Tybalt, banishing himself to a lifetime of separation from her. Emotionally demolished by his sentence, Romeo says, “ Ha, banishment? Be merciful, say ‘death’”, indicating that Romeo would rather die than be banished from Verona. Romeo’s banishment by the Prince then causes Juliet and the Friar to come up with the idea to drink a potion that portrays Juliet to be as still as death. Once Romeo believes that Juliet is no longer alive, he makes another rash decision to bribe an apothecary for poison.
Unfortunately in the end Willy receives appreciation for his inner talents rather than his skills being a salesman. This goes to show how one will never get attention from others by pretending to be who they are not. Furthermore, the author reinforces Willy 's talent with his hands when he plants seeds in his garden prior to committing suicide. The planting of the seeds can be considered a form of symbolism and Willy 's acceptance that life would go on without him. The seeds Willy plant also represent the legacy he leaves behind as a handyman rather than a salesman.