1.0 Introduction
As cities and regions engage into a global competition for investments, jobs, well-paid and educated residents, tourists, and high-profile amenities, recent urban development policies put much emphasis using events (Brenner and Keil, 2006). Those events are seen to be orchestrated by the city authorities and politicians to promote specific agendas of economic growth, infrastructure projects and place branding. The competition between cities to become the host of events are on the increasing trend especially among the emerging nations. This paper aims to have an more in-depth understanding the role of events in urban governance and interurban competitions and the effects on policies and strategies that local and central government
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With the vast media coverage and strong branding power, world-class events, perceived as an unparalleled source of recognition and prestige for host cities, allowing them to make their mark on the world stage and to advertise their best assets. Once selected, future host cities go to great lengths to manipulate urban reality. Cities invest in spectacular urban projects that will attest to their economic performance, organizational efficiency, and cultural sophistication, while aspects of urban reality that suggest backwardness or decline are left out or often hidden, because they may tarnish the city’s carefully constructed image. Berlin and New York City are both well known for their local arts and culture and the attractions they provide. Both cities are hosts to a variety of internationally renowned cultural festivals such as the Tribeca Film Festival or the Berlinale, the Armory Show or the Berlin Biennale. In both cities, spectacular urban events were driven by an image imperative, pursued as a way to improve their country’s position on the global geographical stage, to further their integration into the league of ‘Advanced” nations, and to strengthen their stature as rising economic powers (Jakob D …show more content…
This function has intensified in the last twenty years as cities compete to be recognised globally for inward investment, tourism and people. Cities have to find ways to position themselves in global markets by formulating strategies and policies that aim at enhancing their economic competitiveness as well as conveying positive messages about the liveability of a place. Such strategies, also known as location policies are identifying, developing and exploiting its place-specific assets that are considered most competitive. For the case of Cardiff Festival, Cardiff Council can be seen to be seeking to engage its destination image by leverage on cultural events to position itself over other cities in order to compete for tourists, investment and
I conducted a telephone interview with Tammy Hubert the morning of Thursday, October 29, 2015. She works at a local Portland agency called, Central City Concern. The agency is a large company and has numerous services to offer the community. Tammy works in the CCC Recovery Center. Working at Central City Concern is a newer job position for her as she was just hired with the company in June of this year.
Defining the community of Austin requires the consideration of many aspects, which seems nearly impossible. Since livemusiccapitol.com considers Austin the live music capitol, the audiences may assume music festivals provide one aspect of the community of Austin. With Austin City Limits (ACL) and FunFunFun Fest (FFF Fest) music festival occurring annually, in the fall, and at Austin, what festival defines Austin better to understand the real experience of an Austin music festival? In ACL’s advertising commercial, FFF Fest’s advertising commercial, and author Brian Audette’s article the argument of which music festival provides the real Austin music festival experience for the audience to attend establishes through the rhetorical strategy
Per the U.S. Agency of Labor Statistics, the meeting, tradition, and event organizer calling is anticipated to grow to 33 percent from 2012-2022, which is much quicker than the normal development rate of all occupations (11 percent). 7. Large occasions, for example, the Olympics and Super Bowl can animate framework advancement in urban areas, prompting expanded property estimations also, enhancements for nearby streets and highways. 8. The meeting and occasion industry is viewed as an early adopter of natural stewardship.
In the initial creation of the White City the designers’ primary reason for the fairs grand size was to exceed the large success in Paris that had overshadowed even the most renowned pieces of American architecture. Larson used that phenomenon as “…a world`s fair so big and glamorous and so exotic that visitors came away believing that no exposition could surpass it.” (26). Larson`s use of the words glamorous and exotic make France`s fair appear to be the upmost success of architecture of the time period. Readers now have a standard set in their mind that nothing could possibly compare to the success of the French, and the world`s fair had to face this unobtainable guideline set by Paris`s feat.
The daily contact between European people in the cities and
If you had been a reformer during this era (remember planning as a profession did not yet exist), what type of progressive era urban reform would you adopt and implement? Why? Would it engage with the good government movement or not? Why? What lessons, if any, would your response then provide for your planning practice today?
The history of both cities has had profound impacts on the social and economic development
A Parisian or Viennese citizen in 1800 would have a difficulty recognizing his or her city in 1900 for several factors. The population growth during the time period was growing at an exponential rate. The streets, housing, sewer system, and working conditions were simply getting repulsive. The expansion of the population was growing at a higher rate than the city could grow upward or outward. At this time, there were no amenities such as the parks, clean sewer, and expansive boulevards that would come later.
The best art represents an individual point of view that is critical, imaginative, and eye-opening. This kind of ingenuity requires freedom and independence on the part of the artist.” This complies that an artist will not create a piece that will please everyone with a limited amount of money. Art requires “freedom” and only that will allow an artist to produce a breathtaking piece that everyone will love and appreciate. Since the city needs to use the money for
The late 19th century was a monumental era for the city of Paris. As the city kept growing and increasing in popularity around the globe, the city itself was being modernized from its dated medieval layout. These modernizations had a direct impact on the culture of the city, the lifestyles of its inhabitants, and the prominence of the city across the world. Paris’ inhabitants were as social as ever, and often enjoyed themselves at cafés and bars. This modernization acted as a perfect catalyst to support the surging wave of capitalism across Western Europe.
Those two cities were London and Paris. By the end of the 19th century, several cities had a population over a million people. Those cities included New York, Chicago, Philadelphia, Berlin, Tokyo, St. Petersburg, Moscow, Buenos Aires, and Osaka. In “Edison Newsreels: San Francisco Earthquake aftermath”, it showed big groups of people, overly crowed, on the streets of San Francisco. Cars were trying to weave through all these groups.
The people in charge of this large task, Daniel Burnham and John Root, put together many architectural wonders to show to the entire world the extravagance of Chicago. Before they could do this, Chicago had to compete with other cities throughout the United States for the right to host the World’s Fair, such as New York City or Washington D.C. Along with their civic pride, many citizens of Chicago were arrogant about building the world fair instead of other cities. The world fair, with all its glory, was an exhibition of arrogance, hidden in a layer of city pride.
There is the idea of a city, and the city itself, too great to be held in the mind. And it is in this gap (between the conceptual and the real) that aggression begins” is central to Saunders’ essay, due to the fact that this quote illustrates Saunders’ message that people tend to have misconceptions generated from their own limited experience and misconceptions can easily lead to conflicts and aggression if handled
A shock city is the urban place that represents a massive and rapid changes in social, economic, and cultural life (urbanization) due to many factors, including new models of transportation such as railroads, industrialization, and other factors. The first city that was considered the “shock city” was actually Manchester, England. It grew very quickly, and it was the world’s first industrialized city and the home of the cotton industry, cottonopolis - a metropolis centered on cotton trading. Same as Manchester, Chicago was also the “shock city” of North America because of its rapid growth. Both cities were industrial cities, Chicago rose from a struggling village sunk in the middle of a grassland creek to a metropolis city.
In each of these case studies she investigates several urban projects. For example, in the New York chapter, she analyzes three development projects of Battery Park and Yankee Stadium mostly by considering the contribution of these projects to affordable housing and provision of inclusive public space. She then concludes that New York is diverse, but its policy and planning has led to inequity and a lack of democracy. This problem city is contrasted in her book by framing Amsterdam,as a Utopia where where her criteria of a just city are all met. When reading these chapters it can be inferred that Fainstein believes if a city has a egalitarian political culture, adequate welfare for all, and inhabitants can live in harmony and tolerance that the city will be just and successful.