Use Of Juxtaposition In Romeo And Juliet

Dramatic Irony: A dramatic action/situation where the audience knows the outcome of but the characters does not. Thesis: In William Shakespeare’s Romeo and Juliet, Shakespeare uses Dramatic Irony to enhance suspense within the audience to create anticipation while using irony to add a certain mood. 3C’s Function: In Act II, Scene II, Juliet is on her balcony expressing her feelings and the things she wishes, “O Romeo, Romeo!

In the play Romeo and Juliet a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths reunite their feuding families. Shakespeare uses literary devices throughout the play which serve to amuse, guide, and hypnotize the viewer of this production. In the play Shakespeare uses puns which are used to release tension because romeo and juliet is a tragedy with a lot of serious moments. He also uses metaphors which explain the relationship between romeo and juliet. In the movie ratatouille there are a lot of puns to lighten in up the mood in serious scenes to make the movie more kid friendly.

Romeo and Juliet is one of the most famous pieces written by William Shakespeare, which it’s theme is based on fate and foolishness. According to the evidence found through the text, Shakespeare makes it seem that Romeo and Juliet’s death was brought by fate and condition, though as well by foolishness. By analyzing the prologues, Romeo’s foreshadow in Act I and Juliet and Friar’s understanding of foolish behavior will bolster the author’s portrayal that their deaths was beyond their power. Even if they contributed to it with some foolishness, it was ultimately a matter of pure fate.

Romeo and Juliet by William Shakespeare is a poem about love v. lust, the role of fate, the role of women, love vs. hate, and the manipulation of time. Minister Lawrence assumes a noteworthy part, he is a minister/priest who is a nearby friend of both Romeo and Juliet, he is to Blame in Shakespeare 's Romeo and Juliet, as an individual from the Order of St. Francis, a gathering of savvy and liberal ministers, Romeo and Juliet trusted Friar Laurence totally, swinging to him for exhortation, and arrangements. Monk Lawrence assumed a key part in the marriage, arranging and demise of Romeo and Juliet. His endeavors to make the best decision were honorable, but since of lack of common sense they would soon prompt the inescapable disaster. Monk Laurence weds Romeo and Juliet even though he trusts that the marriage will wind up in disaster.

Metaphor “Peered forth the golden window of the east. ”(Act 1, Scene 1) Benvolio uses this metaphor when he is revealing the location of Romeo to the Montagues. He is comparing how the sun looks like a golden window. The sun is in the direction of East.

Anita Brookner, a British award-winning writer of novels, wisely said, “The essence of romantic love is that wonderful beginning, after which sadness and impossibility may become the rule.” In Act Three, Scene Three of William Shakespeare’s Romeo and Juliet, Friar Laurence, a Franciscan that plays the part of an adviser to Romeo and Juliet, sees Romeo crying over Romeo’s banishment and how Romeo cannot see Juliet as often anymore. In this monologue, Friar Laurence wants to stop Romeo from suiciding and being gloomy by using insults and bringing up Juliet; directly and indirectly. Friar Laurence attempts to settle down Romeo by name-calling. For example, afterwards, Friar Laurence shouts, “Unseemly women in a seeming man! /

Shakespeare used literally devices for Romeo and Juliet's feelings toward one another in the balcony scene. Shakespeare uses a metaphor of Romeo calling Juliet the sun. Then Juliet calls Romeos hands and lips holy palmer. Romeo says Juliet has pilgrims and lips but Juliet says lips are to be used in prayer. Romeo also calls Juliet a saints lips and hands and that she kisses by the book.

In Williams Shakespeare’s play Romeo and Juliet, the star crossed lovers share their differences, but love brings forth their similarities. Romeo is portrayed as irrational when he is affected by love. Following their first meeting, Romeo instantly falls for Juliet despite the feud between the two houses. He climbs over the orchard walls, and protest for them to “find me here// My life were better ended by their hate, //Than death prorogued, wanting of thy love” (2.2.80-83).

At the beginning of the play, the young lovers' behavior reverses common gender conventions – Romeo acts in a way that his friends call feminine, while Juliet exhibits masculine qualities. Romeo is by no means an archetypal Elizabethan man; he is disinterested in asserting his physical power like the other male characters in the play. Instead, Romeo chooses to stew in his pensive melancholy. On several instances, Romeo's companions suggest that his introspective behavior is effeminate. On the other hand, Juliet exhibits a more pronounced sense of agency than most female characters in Shakespeare's time.

In the 1960s portrayal of Romeo and Juliet, the two characters are barely able to stay away from each other, much less have a proper conversation without yielding to physical affection. Much of their time together is spent hugging, kissing, and practicing oblivion to the world around them. Romeo drones on about Juliet’s beauty in multiple scenes, reflecting that “The brightness of her cheek would shame those stars . . ” (Shakespeare 2.2.19-20) and “ . . . Beauty too rich for use, for earth too dear” (1.5.54).

In this passage, Shakespeare utilizes metaphor and negative diction to characterize Romeo as a person who is conflicted and frustrated by love, which ultimately reveals the theme that love is uncontrollable, conflicting, and short-lived. Towards the end of act 1 scene 1, Romeo still has a big crush on Rosaline, but Rosaline has no feelings for him. Hence, Romeo experienced a sense of depression and is conflicted by love. In this passage, Shakespeare uses numerous metaphors. “Love is a smoke raised with the fume of sighs.”

The definition of Irony is involves an outcome that is the opposite of what you expect. There are 3 types of Irony and they are important literary devices of the play Romeo and Juliet. Dramatic Irony, Situational Irony, Verbal Irony are the 3 types of Irony in the book. Today, I will talk about these Irony and what effect they have on the play and its audience with each 3 examples of the book.

Romeo’s Attributes and Flaws When Shakespearean Theater comes to discussion many minds immediately refer to the iconic tragedy of Romeo and Juliet. It is a play that persuades the a person to think of one's own true love and the heart to indulge in the game that comes with the players. One of the main characters, Romeo, is a man that is complex and possesses a variety of attributes that highlight his flaws and strengths. At times he can be a very sweet and gentle lover, but one the other hand he can be a brash and impulsive young fool who makes questionable decisions.