As a fantasy writer, I earn my keep with the use of tropes. They are my bread and butter. They settle onto my characters like long lost lovers. Some of the most beloved characters in literary history fall into one trope or another. My favorite is the magical girl, the dark lord, and the femme fatale. Catwoman is possible the first name on anyone’s lips when you think of femme fatales, but Catwoman is just a persona slapped on top of a trope. The Oxford Dictionary defines a trope as “a commonly recurring literary and rhetorical devices, motifs, or clichés in creative works.” Fantasy tropes are those literary tropes that occur in fantasy novels, television shows, radio shows, cartoons, and the list really could go on forever. There are dozens upon dozens of tropes available for use in any number of ways by authors. Wikipedia has devoted considerable space to the topic. However, the use of tropes that victimize women is a dizzyingly popular choice that authors have been milking since the written word was pressed into a book. This raises question on whether fiction is art that is imitating life? What happens when we apply the beloved tropes from …show more content…
The damsel in distress trope has prevailed through the ages. It has survived Greek tragedies to Percy Jackson to The Girl who played with Fire. These stories are spoon-fed to our children through children 's books and more popularly, Disney and Pixar movies. Disney continues to set forth the ideal that females, like Cinderella, Snow White, Beauty, and Rapunzel, are just waiting for a strong man to rescue them. In today 's libraries there exists scores, upon scores of books featuring, the typical female victim, or the distressed damsel. She is often terrified while being terrorized by one male character that then has to be eventually rescued by
The temptress archetype can be characterized as a woman with sensuous beauty, this woman is one to whom the protagonist is physically attracted and who ultimately brings about his downfall.(“Archetypes Note”). “She could have lied about everything, but it didn’t stop his heart from beating loudly in his chest… Her words had taken hold in his mind, and he felt compelled to follow them”(Lu, 110). Madeleine reveals a secret to Bruce, however knowing she’s a liar he still has an overwhelming feeling of following her words, and looking for what she says. This later leads to Madeleine's escape from Arkham Asylum.
Her knowledge will be more important than physical prowess in situations when someone is ill or injured. In “Talking about Books: Strong Female Characters in Recent Children’s Literature.” Pat Heine, explores how female characters should be willing to stay with others for reasons that make sense. Female characters should not be staying with a love interest due to
Throughout literature and other works of art, women have been compartmentalized to fit into specific character types. Many of the archetypes put in place for women have been confining mainly due the roles and opportunities set in place for women at the time of the work. In the stories of Macbeth by William Shakespeare and Medea by Euripides, the female protagonist breaks the common mold for women during their respective time periods. Both works leave the audience to question precisely what the authors were trying to convey. In both Macbeth and Medea, the female protagonists, Lady Macbeth and Medea respectively, were portrayed as power, strong, and for the most part independent women.
Many of the women in these stories are portrayed as strong, independent women who, in many cases, are the hero themselves. Women in Chrétien and La Motte-Fouqué’s stories are given strong roles in order to highlight and emphasize the important virtues of peace, bravery, and power which ultimately transfers the role of the hero from men to women. In order to understand why the women in Yvain and The Magic Ring are considered to be the true heroes, the definition of a true hero must first be fully defined. Many will describe a hero as a character who performs deeds to remove people from danger.
She discusses misrepresentation with a list of “ten enlightened sexism…pretense of simple, depicting reality.” (198) which reinforces these pop culture into own ideals of what gender roles should be in our society.
While she uses different qualities of folktales, the archetypical Innocent, Vilain, and
Overall, heroes can represent or reflect the ideals of a culture. Valued characteristics in a given culture are often recurring amongst the heroes of said culture. This can be demonstrated through the literature in Georgia. For example, The Knight in Panther’s Skin includes several heros which all show love and sacrifice. There can be outliers which break this pattern but as a general trend.
In 2009, drill rapper King Louie began using the idiom Chiraq to describe the violence and warfare like conditions of Woodlawn, a neighborhood on the Southeast side of Chicago ravaged by disinvestment and urban decay. Created as an amalgamation of Chicago and Iraq, the term was used in an insular capacity by the rapper as well as other black youth in the immediate area including the Dro City Gang, a faction of the ill-famed Gangster Disciples. Chiraq as an expression evoked similar corollaries of the war metaphor, a literary trope used to heighten attention to and incite deep concern for a professed societal problem often with very little context behind the issue itself. Additionally, the renaming of geographical places in rap music and Hip
A book editor for mass-market books and a female magazine writer, Danuta Kean (2012) found a startling trend of women writers producing more horrific violence novels that some men authors have. Confronted with the question about the trend, some women writers argued that they simply wrote about the fear that only women feel, like the fear of being raped that men do not understand. Unlike the current trend and the freedom that many women writer enjoy, Cherry character in the The Outsiders novel represents the transition of a woman’s writer views on their own roles and expectations in the
At the same time, the Hero’s archetypes will be determined in Cinder through the Hero’s Journey. Female empowerment is vital as females are generally belittled. This study aims to give readers a whole new perspective on females also being capable to handle a male’s role. 1.6 Definition of Terms Archetype: Universal, archaic patterns and images that derive from the collective unconscious and are the psychic complement of instinct.
Lady Macbeth and Medea are therefore considered tragic heros because they put their loyalty above their own self-worth. Ultimately, this ideal encompasses how femininity is controlled by men, because the actions of the Macbeth and Jason were the cause for Lady Macbeth and Medea’s
Princesses’ in Disney movies are tied down to a recurring theme: the princess that must be saved from the evil woman by the charming prince. A significant contrast to the usually weak and easily persuaded figure of the father. Even though the women are portrayed as weak, nobody stops to think how strong they have to be to carry the responsibility of an entire household on her shoulder, while the men always seem to be traveling or ill. Fairytales are based on a patriarchal way of thinking and as time passes by, it’s proven to be detrimental to society Women and men are constantly being bound to a series of stereotypes.
Triumph over Trifles The struggles of women have subsisted in countless pieces of literature. Stereotypically speaking, women are not always seen as strong leading characters. Often women are found confined in stories as they are in life. Literature frees women in a way that real life simply cannot. Female authors as well as characters gain that feeling of freedom, due to the less constricting binds of literary writing.
When we think about the villains Disney cinema produces, the first image that comes to mind is the powerful women who use their magic to cast spells, summon forces greater than life, and enhance their agency. Often, identifying the villain in Disney films is easy, since they differ considerably from gender conforming characters due to their physical features, abilities, and style of dress. When examining the villain, one of the characteristics that stand out, is the villains’ dehumanization and non-heteronormativity. As a result, the villains’ stories may not adhere to idealistic social norms, but it’s their own just the same.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.