Use Of Verbal Irony In The Cask Of Amontillado

In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”.

Poe’s stories “Cask of Amontillado” and “The Tell-Tale Heart” display the dark romantic theme of a man’s soul by the development of the setting, plot, and characterization. As both stories begin, the initial device used to advance the theme is setting, which remains grim and sinister throughout the duration of both stories. Accompanying these physical details is the plot, each of which includes the murder of an innocent man. Most notably, the characterization of each piece’s narrator allows the audience to fully understand their internal struggle and its final resolution. While “Cask of Amontillado” contains an overall intriguing and unexpected plot as well as setting, the narrator’s characterization proves this story to conclude in a less

In the “Cask of Amontillado” Montressor is a very angry and vengeful man. He says that he was insulted by Fortunato, but fails to give a reason as to why or how. He begins to enact his revenge by luring Fortunato in with the rare wine and when his “friend” Fortunato is drunk, he t proceeds to bring him deeper and deeper underground, while telling him to turn around repeatedly. Once he reached a place where no one can hear them, Fortunato walked into what he thought was another corridor, but it would turn out to be his grave! For as soon as Fortunato hit the wall, Montressor chains him against it.

Everybody will eventually want revenge on an old friend or just someone they know. Montressor, similar to many people in the world, wants revenge on one of his old friends, Fortunato. The story opens with, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge” (Poe 212). In this statement, Montressor tells the reader what the cause of his revenge against Fortunato is. “The Cask of Amontillado”, written by Edgar Allen Poe, tells the story of how Montressor brings Fortunato into the catacombs to bury him alive.

One form of irony present is situational irony. Situational irony can be defined as expecting one action to happen but the opposite occurs. Poe uses a play of words in a way a few times throughout. The title itself hints us the plot of the story. “The Cask of Amontillado” contains the word “cask” which is means a barrel of wine.

Poe carries verbal irony throughout the rest of the story, as well; Montresor refers to Fortunato as “my friend” in many instances, however, the reader knows

Edgar Allan Poe’s short story “The Cask of Amontillado” is the narrative of a man named Montresor who seeks vengeance against a man named Fortunato. Fortunato insults Montresor. Next, Montresor meet Fortunato at a carnival, eventually luring him into the catacombs of his home to bury Fortunato alive. Moreover, different types of irony are portrayed in this short story. Dramatic irony consists of the character in the story knowing less about his or her situation than the reader.

The author's choice of words helps create the mood of shock because he describes Montresor’s actions after Fortunato gets a sense of what is being done to him. The author’s description keeps readers in shock because they can’t believe how cold Montresor was. Even though he never showed the side of him, he had it all along. The author’s use of words in the description makes the readers feel like they are in the story wondering what will happen next. Poe wanted the reader to understand what was going on in the “Cask of Amontillado”, so he wrote a detailed story choosing words that connected with his readers.

In the short story ,”Cask of Amontillado,” there are many examples of irony used by Poe throughout the story. In the story, the Narrator’s biggest challenge is to get revenge on Fortunato for “one thousand injuries,” but he has to plan how he’s going to do it successfully without getting caught. When the Narrator randomly runs into Fortunato, the author states that, “My dear Fortunato, you are luckily met.” (Poe 59). This is an example of verbal irony because the Narrator didn’t mean it was lucky for Fortunato because he was just telling us how he vowed revenge on him.

“The Use of Irony in "The Cask of Amontillado" Edgar Allan Poe is a phenomenal writer and makes many points in his writings. There are three different ways in Poe 's writing of "The Cask of Amontillado" that irony is used: verbal, situational and dramatic. Verbal irony can be seen when Montresor first sees Fortunato at the carnival. Situational irony is also used and can be seen between the meaning of Fortunato 's name and his destiny, as well as Montresor 's response to his own. The last way irony is used is dramatic irony, this can be seen by any reader, this occurs when Montresor tells Fortunato he is also a mason.

In the short story by Edgar Allen Poe, there are countless examples of irony to convey Montresor’s unlawful act, while applying an additional layer of irony to sabotage his revenge. An example of situational irony Poe uses in the story is simply the name Fortunato. Fortunato is an Italian name that means good fortune or luck. This is an example of situational irony because his name means the complete opposite of what he actually was.

In Edgar Allan Poe’s “A Cask of Amontillado,” Montresor is a diabolical character set on revenge for an injustice he perceives as unforgivable. While the nature of such injustice is never justly stated, it is clear Montresor takes his family motto “Nemo me impune lacessit” (Poe 16), to heart. “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge” (Poe 14). This final injury, although never stated, is the unraveling of Montresor and at length he would be avenged (Poe 14). Hatred and revenge are the driving factors of Montresor’s disquiet and he cannot rest until Fortunato has been dealt the punishment he believes he deserves.

The Cask of Amontillado by Edgar Allan Poe is about a vengeful, manipulative person named Montresor who is plotting to take the life of his friend Fortunato. This story is good for different reasons, one being the plot construction that hooks the reader from the beginning. Another is the three different types of irony he uses: verbal irony, dramatic irony, and situational irony. Edgar Allan Poe has a way of writing that pulls the reader in from the beginning. The first few lines of the story “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed my revenge.”

Montresor asks Fortunato to use his expert wine test tasting skills to tell if a bottle of wine is authentic or not. Since Fortunato is an arrogant person, he does not suspect or have any suspicion to his ‘friends’ request. Once Montresor and Fortunato make their way down deep into the catacombs, Montresor tricks Fortunato into a corner. Then, Montresor handcuffs Fortunato to the wall. Fortunato is fasten to the wall with no escape.

The first-person point-of-view found in Poe’s "The Cask of Amontillado" is essential in creating the central theme of the story. This style of narration is also important in this particular story, because when a murderous protagonist, Montresor, is allowed to tell the story from his own perspective, the reader obtains a disconcerting look into his mental composure from the initial conjuring of his plan to the end result. The style of narration develops the unsettling tone of the story by allowing the reader to become personally acquainted with the thoughts and intentions of the protagonist. The first person point of view allows certain ironies to become evident, and furthermore, “The Cask of Amontillado” would not have been as psychologically powerful were