Art, no matter what form it’s in, is something everyone can identify with. Whether someone is walking through the Louvre in Paris, admiring Leonardo Da Vinci’s “Mona Lisa,” or attending “Swan Lake” on Broadway in New York City and watching Odette turn into a beautiful woman, the interpretation of art is so varied in the eye of the looker. Alfred Eisenstaedt captured “V-J Day in Times Square,” on August 14th in 1945, a candid moment in black and white when a US Navy sailor grabbed an unknown woman and kissed her after the United States announced its victory over Japan. This photograph captures spontaneity, emotions and history. First, this photograph captures spontaneity. For example, Moments before President Harry S. Truman announced The United States won the victory over Japan in 1945, George Mendonsa, wearing his tailored, dark navy blue sailor uniform and white cap, who was actually on a first date seeing “A Bell for …show more content…
This photograph captures history. To explain, when Altred Eisenstaedt originally took this picture, he was unaware of what an impression it would have on our country. How one depiction of a celebration could bring so many people together.To emphasize, for years reporters searched and analyzed the picture trying to unravel the identity of the “kissers.” Several men and woman came forward claiming to be the sailor and nurse from 1945, but none were a match. Life Magazine reprinted the image in several different articles and finally in a 1980 issue, George Mendonsa saw the iconic, black and white photo from 35 years prior and knew it was him instantly. He told a reporter “it was like looking through a mirror.” (Mendonsa, George, The True Story Behind the Iconic V-J Day Sailor and Nurse Smooch, The New York Post). Also, Greta Zimmer saw the same issue and remembered that day as if it had just happened. Out of all the photos that were taken during that time, this photo is the most recognizable and captures the most history from World War
Coming Suddenly By To The Big Apple After my English teacher assigned my class “Coming Suddenly To The Sea” by Louis Dudek. As Spring Break homework. I was not incredibly excited. To me, it was at first, just another poem exhausted with an adjective and a guy excited about finding seaweed. Definitely not what I wanted to reflect upon or relate to while on holiday.
Joe Rosenthal is a photographer whose photo, Raising the Flag on Iwo Jima, has become one of the most recognizable photos in American history. It became so famous that it won a Pulitzer Prize the same year it was taken, used to create the Marine Corps War Memorial, and used as the photo for a war-bond poster in 1945 which raised $26 billion (Pulitizer). As such, I argue that this photo illustrates the brutality of the fighting that occurred on not only Iwo Jima, but throughout World War II, and also makes a strong argument for the theory of liberalism. However, first it is important to identify what exactly makes this photo so revered and why it was selected.
The image shows the victory of the United States, which ultimately led to
The image on page 42 was taken by photographer Joe Rosenthal. It featured a scene where U.S. Marines raised the American flag on the Pacific Island of Iwo Jima in 1945 on February 25 (Muller 42). According to the text below the picture, on the day it was taken, 7,000 American lives were lost in trying to capture the island from Japanese troops (Muller 42). The overall purpose of the image is to convey the message that America is strong, united, and resilient. When looking critically at various elements of the image, one can see aspects of ethos.
This image represents how the Germans were always creeping up in the water and attacking U.S. supply ships. The portrait also tells the people viewing it to buy liberty bonds to help support the war. Document 12, “Rivets Are Bayonets,” 1918, shows an average man loading a rivet with the war scene behind him. The background shows the American flag in a yellow sky which represents the constant gunfire that shows in the sky. Also, the shadow of the man is showing the men what they should be doing.
For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
Within the illustration you can see two different ages represented. An old man, portrayed with glasses and walking frame, and the fallen soldiers forever young in the prime of was once their lives. The cartoon represents these soldiers, still marching alongside their veteran mate and comrade represented in the centre of the illustration. The illustration clearly represents two separate viewpoints. In the mind of the veteran, he is surrounded by his friends whose spirit lives on in him, whilst the media only see him walking by himself.
“Wait For Me Daddy”: Analyzing National Gaze in an Iconic Canadian Photograph The photograph known by the name “Wait For Me Daddy” is arguably one of the most recognizable images of Canadian history. The black and white image depicts a small family being torn apart by the Second World War, as a mother runs after her young son while he reaches for his soldier father. Behind them stretches a long line of other soldiers who are going to war. The “Wait For Me Daddy” image involves the intersection of nuclear and national families, as well as national values and emotions which are represented visually.
With war photography a photo isn’t just a image it is a trace of reality, an experience that was captured ,or even a moment. War photography is like an art that gives importance to real life events and also makes them worth remembering after you take them. When you take a photo it 's about telling the reality of that photo, about showing what others may not see, to make them aware of it though the images come from the media. However, when the photo serves as informing the world we find ourselves facing the world to see if it 's true or if it 's not true. If people could be there to see it for themselves, the fear and grief for just one time in their life, they would understand that nothing is worth letting things get to the point to where people get hurt but everyone can’t be there, so that 's why photographers go there to show them, to reach out, or to grab them and make them realize what 's happening to the world or to even pay attention to what is going on, to create a powerful picture to overcome the effects of the mass media and to shake people out of their indifferences that they have against each other.
A photograph can mean so much to different people, but it’s ultimate purpose is to capture an important moment in someone’s life and be able to hold onto a physical copy of a memory. Photographs enact a certain nostalgia for the past, the good times or perhaps an important person or location; it’s a memory you want to last indefinitely. It’s a subject many people don’t touch on when they examine a film like Blade Runner (1982), but director Ridley Scott’s film does place an emphasis on the importance of photographs and what they can mean to people. The film depicts photos as a gateway to nostalgia, the immortalization of important figures and how photographs can deceive their owners. When you hold onto a photography they are generally a preserved version of a past memory that is important or a time of happiness.
As many as 13 photographers were commissioned by the FSA and produced well over 270,000 images (prints and negatives) during this time span. Not only did the FSA provide visual proof of the social and economic problems facing America, these photos are significant for they exposed the disparities of living in America and helped shape policy and social reform after the First World War. They set a precedent for a new genre of storytelling that combined visuals with words, and collectively remembered for documentation of strife and discontent in America. The FSA photos and documentaries are part of history and continue to be included in numerous photo books, magazines, newspapers, news services, museums, and exhibits as one of the most convincing examples of documentary photography. In retrospect, this form of visual advocacy served a higher purpose that elevated art as a form of social awareness and brought legitimacy to social reform and to the masses.
First, the black and white picture makes an appeal to emotion. The monochromatic colors help to evoke a nostalgic and sentimental feeling while also giving it a sense of timelessness. That probably explains why this photo still persists in people’s memories after so many passing years. Furthermore, the placement of the soldiers and flag in the middle create a central focal point for the viewers. The eyes are following the straight pole of the flag downward into the ground and from there the rubble surrounding the scene become much more noticeable while also indicating the devastation of the battle.
Another thing that changed my mind was how willing some of these men were to sacrifice their lives for the artwork, like the disgraced British man sacrificing himself to try and save the Madonna. Afterward, Stokes is asked by President Truman if he thought the Madonna was worth his life, and he resolutely said that it was worth it, making a clear case for this line of reasoning. If one person is willing to risk their life for a piece of art, than obviously it is worth the value of their own life in that person’s eyes, like the First Lady saving original portraits of past Presidents from burning during the War of 1812. The examples listed paint a very clear picture that if a piece of artwork is worth risking a life over, than it can be worth a human