Vanity Fair Analysis

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Behold! Here comes another A-star two-volume classic and yet another meandering review from a blabbermouthy armchair critic. Okay it’s getting meandering already. It’s been several months since the last time I got down to writing a review, and at present I feel like purging myself of all the accumulated thoughts I’ve had on Vanity Fair for some time now. Overall feelings-wise, the case of Vanity Fair is pretty much similar to that of Wuthering Height. I felt struggled to carry on turning each page only to realize soon after I had just finished reading such masterpieces.
Matter-of-factly it is my dad who recommended this novel to me with an intention to better my manner and ettiquete. By the same token, it was natural for me to expect some …show more content…

Some readers might express sheer disgust and ferocity towards Rebecca Sharp; or heartfelt sympathy and pity towards, say, Amelia Sedley. However, only by shifting the angle did I realize that Rebecca could not climb that high but for Geogre’s betrayal, Amelia’s short-sightedness or Sir Pitt Crawley’s indulgence etc.; and that Amelia couldn’t have lived such a miserable life if she gave up on her George idolatry and her underlying desire of keeping William Dobin for her own. Likewise, another character whom readers might be biased towards is William Dobin. Not an aristocrat by birth, he seems to be the only beloved character with much redeeming qualities like integrity, stalwartness and enthusiasm. However, personality-wise William and Amelia are not very different, both of whom were so lost in illusions created by themselves. One cannot help but feel exasperated with his utter effemination to Geogre and complete unbearable dedication to his best friend’s wife. All in all, no single characters in Vanity Fair are there for us just to love or to hate. Representing different fragments of a repulsive aristocratic lifestyle, each of them is just a small cog in the wheel that might get crusted at any given moment, even at the pinnacle of their life. It was the satire vibe Thackeray meant to

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