Behold! Here comes another A-star two-volume classic and yet another meandering review from a blabbermouthy armchair critic. Okay it’s getting meandering already. It’s been several months since the last time I got down to writing a review, and at present I feel like purging myself of all the accumulated thoughts I’ve had on Vanity Fair for some time now. Overall feelings-wise, the case of Vanity Fair is pretty much similar to that of Wuthering Height. I felt struggled to carry on turning each page only to realize soon after I had just finished reading such masterpieces.
Matter-of-factly it is my dad who recommended this novel to me with an intention to better my manner and ettiquete. By the same token, it was natural for me to expect some
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Some readers might express sheer disgust and ferocity towards Rebecca Sharp; or heartfelt sympathy and pity towards, say, Amelia Sedley. However, only by shifting the angle did I realize that Rebecca could not climb that high but for Geogre’s betrayal, Amelia’s short-sightedness or Sir Pitt Crawley’s indulgence etc.; and that Amelia couldn’t have lived such a miserable life if she gave up on her George idolatry and her underlying desire of keeping William Dobin for her own. Likewise, another character whom readers might be biased towards is William Dobin. Not an aristocrat by birth, he seems to be the only beloved character with much redeeming qualities like integrity, stalwartness and enthusiasm. However, personality-wise William and Amelia are not very different, both of whom were so lost in illusions created by themselves. One cannot help but feel exasperated with his utter effemination to Geogre and complete unbearable dedication to his best friend’s wife. All in all, no single characters in Vanity Fair are there for us just to love or to hate. Representing different fragments of a repulsive aristocratic lifestyle, each of them is just a small cog in the wheel that might get crusted at any given moment, even at the pinnacle of their life. It was the satire vibe Thackeray meant to
The author uses intense imagery like, “...take the life of a man he had yet to meet.” (1) and dramatic words such as, “...a deep, slow breath, considering what he would have to do.” (1). The use of diction builds a suspenseful environment for the reader as it ignites curiosity in “...what he would have to do.” (1).
If the first page is intriguing, one will continue to read and the novel in a way lives on, but if it fails to make the reader want more it will be closed and in a way it’s the end of the journey. With so much pressure put on the first page, it must convey an extraordinarily
For instants, Wolff creativity causes readers to feel sorry towards the main character. But after we meet an ironic, depreciate, book critic, Anders,
Mabel’s entire stay at the party consists of her encountering other partygoers whose compliments she either dismisses as lies or whom she secretly chastises for failing to compliment her”(March para. 4). Mabel feels that she is so low, and incompetent, that she relentlessly tries to find flaws in others, whether believing the flaw is lying to her about her appearance or failing to compliment her; either
We had already acquired the habit of doubting ourselves as well as the place we came from” (pg 96). Although all four sisters were beautiful individuals, America’s perception of “beauty” caused self doubt in the young girls. They were too busy trying to look like something they were not to enjoy their true
The late 19th century was a monumental era for the city of Paris. As the city kept growing and increasing in popularity around the globe, the city itself was being modernized from its dated medieval layout. These modernizations had a direct impact on the culture of the city, the lifestyles of its inhabitants, and the prominence of the city across the world. Paris’ inhabitants were as social as ever, and often enjoyed themselves at cafés and bars. This modernization acted as a perfect catalyst to support the surging wave of capitalism across Western Europe.
In Gary Lane’s essay, “Seymour 's Suicide Again: A New Reading of J. D. Salinger 's 'A Perfect Day for Bananafish,” he states that, '“Muriel is basically simple--and basically corrupt” (Lane). Her role in comparison to her complex husband, Seymour Glass is one
The original essay derives from the English Journal, which contains various reviews for books that have had a great influence. The intended audience for the source is for all readers of the book
He is not interested in the novel until his instructor mentions the critics of the novel and where it should end. Similar to these critics, the class debates whether Twain’s ending draws away from his critique of Racism and Graff found that even famous authors were capable of mistakes that could be found at his level. Now that the author has controversies to watch out for, he is able to draw a personal engagement form the books he reads as the arguments of critics guided his reading. Due to the controversy over Twain’s novel, the author then has a realization that reading and intellectual discussion could have an effect on his life, and he became less embarrassed about doing such
Miranda Devine’s opinion piece ‘Modest Middleton Girls Impeccable’ published in the Sunday Herald, May 8th, 2011, argues that todays society had become “pornified” and role models such as The Middleton sisters are bringing back “sexiness by implication”. A patronising tone is adopted when Devine refers to the “over-peroxide” and “over-cleavaged” appearance of Generation Y girls. But when the author talks about the Middleton's sisters, she uses juxtaposition by adopting a more sensitive tone of appreciation and respect, commenting on the modesty and classiness of Kate and Pippa. Devine attempts to get her readers, older people in particular, to re-evaluate dressing and popular fashion culture, by commenting on the desirability of a female that
Thus, this is the value of Mark Twain 's novel— its ability to spark discomfort in its reader. The
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
The essay through a literary analysis and a close reading of the text ought to bring out this
The confusion made me read the whole story in order to understand the role of the two main characters who are mysterious, romantic, and wise. And also to identify the situation of the story through its setting which is confusing, imaginable, and dull. A teenage bodiless and genderless character
Wilde’s representation of the British upper class, its values and opinions, is presented most notably through Lady Augusta Bracknell. She is a dignified aristocratic residing fashionable London society circles. On the surface, she is very typical Victorian woman. As a mother to Gwendolen Fairfax, she has a great authority over her controlling her life. She has even a list of ”eligible young man” whom she is ready to interview in order to select a suitable partner for her daughter.