The year 2015 has been quite a memorable year for the LGBTQ community. There have been many Life-changing decisions made that will affect millions of people within the United States and the rest of the world. Caitlyn Jenner -who became a symbol of masculinity and strength at the 1976 world Olympics-, graces the cover of Vanity Fair’s July issue. She poses in a cream coloured satin bustier with arms held behind her back to show a softer, more delicate side. Her womanly features are accentuated such as her chest area. She faces the camera with a sexy pout that restates her femininity. The cover is simple yet bold. The background is silenced and draws attention to the center. The image was taken against the wall in a corner to provide a sense …show more content…
People of all ages will be intrigued by the story of former Gold-medallist, turned reality star, turned face of the transgender community. The older generation who watched and rooted Bruce on to win the Gold back in 76’ as well as our newer generation who may have only known him as Kim Kardashian’s step-father. The intended audience is meant for teens and older. I believe that Vanity Fair targeted the mainstream population in order to grasp as much attention from this cover as possible. They reimagined a popular figure in order to reach new limits of participation. It was not only Vanity Fair doing all the work, once this cover was available; it was news everywhere on social media, television, radio shows, and print. Since many people in the LGBTQ community may be going through similar struggles as Caitlyn, Vanity Fair targeted them and used this cover as a symbol of hope and acceptance. There may not be many stereotypes presented in this cover, but one that came to mind was how, in order for Caitlyn to be recognized as a women, she had to be half-naked and seducing. As I mentioned above, she is dressed quite sultry and submissive. All of her past masculinity was stripped of her in order to ensure no reminders. I think that this is the most obvious way to approach a transgender cover, but I would have preferred if her past accomplishments were included since they were a part of her identity for so long. The
The overall tone she uses towards the notion is somewhat disgust and contempt. She describes the matter as “there are worrying signs that battle to put gender and sexuality at the forefront of all teaching and learning is going too far.” The use of scare quotes throughout the piece suggest that the words should not be taken at face value. It is often used to suggest disbelief or actual disagreement with the words as they are being used, as if the words don’t actually exist. Examples comprise “cisgenderism”, “heterosexism”, “transgender” and “gender dysphoria”, all of which are genuine words in the oxford dictionary.
Bruce’s manipulation of how objects appear in a sexual, mental, and sacrificial sense points to a strong desire to hide and distract society in any way possible from the truth he knows–real identity of the objects or, in this case, his homosexuality. Historical restoration becomes his way to distract himself from thoughts and actions that are shamed upon by society–homosexual relationships–and enabling himself to fit in with society’s beliefs. When Alison and Bruce are eating at a luncheonette they see a woman dressed in men’s clothes and Bruce
Each author has written about their experience growing up with prejudice in their style. Both essays are concerned with what society thinks of them. Boylan is concerned with what society will think when they find out she is transgender. Ever since she was a child, she has wanted to join the girls but was always left out. She wants
Steven Seidman’s Revolt Against Sexual Identity provides anecdotes that describe the liberation that comes with rejecting these norms, “...her identities as transgender, female,
In the entertaining article “Turning Boys Into Girls”, Michelle Cottle enlightens the readers of how unrealistic depictions in media and advertisements are increasing men’s attention to self image in order to show the damaging effects media has when targeting the insecurities of men and women. Michelle Cottle utilizes relatable language to inform the readers of the effects the media has on men’s body image and how it “levels the playing field” for women. Cottle writes words like “beef-cake” and “whippersnappers” to appeal to younger males. The word choice implements a conversational tone that youth will find easier to relate to. She targets young men and boys to reinforce how damaging media and advertisements are.
She frontloads the paper with many quotes and ideas from sources such as a fashion photographer Sante D’Orazio, Ron Crocco the principal of St. Augustine Catholic High School, and Lyn Mikel Brown the co author of Packaging Girlhood: Rescuing Our Daughters from Marketers’ Schemes”. Although there are too many quotes that hides George’s voice, they also give her credibility on the topic, making her ideas seem more reliable to the audience by providing a credible source. Since the audience is well educated, they are more likely to believe what experts would say on the topic of sexualized clothing rather than the editor of the
Greendale review talks about how the story helps “raise awareness about the unprecedented level of violence inflicted on transgender people.” This story is set to show the need for representation of the transgender people. The scene in which the reviewer uses to describe the mistreatment of the agender community was the scene in which Richard sees Sasha sitting on the bus.
Alison and Bruce’s individual analysis shows contrast between the daughter and her queer father that carries significance that shines light on their complicated relationship before he got hit by a truck. As a young girl, Alison didn’t understand why her father did the things he did. Often, she would sit back and watch her father as he worked hard on the interior design of their home. On occasion, her father would make her and her brothers help him move items around.
This causes her series to appear to mock male scrutiny, as she looks different in each photo, yet still seems to adhere to the stereotypes placed on
The pressures of disabling the patriarchy and accommodating it to fit everyone has been the basis of my childhood. From growing up in a Hispanic culture to exploring the American culture I have learned to love, it’s difficult not to notice the differences between each culture. I had always been a fan of media and the females I saw on television were one of the first perceptions of women I had. The way females were treated in the shows and movies I watched reflected the Hispanic culture I grew up in, so I never questioned the credibility. I am immensely proud of my hispanic culture and the traditions it brings along with it, but I started to notice the harsh gender restrictions that were present.
Rihanna defended the former NAACP president, Rachel Dolezal, for lying about her racial identity and pretended she was black. The 27-year-old said it all on her interview with Vanity Fair’s November cover story. According to Vanity Fair, Lisa Robinson had a talked with the fashion designer, which the hitmaker revealed her opinion for the ex-Africana studies instructor. “I think she was a bit of a hero, because she kind of flipped on society a little bit.”
And I can 't do that any longer" Caitlyn opens up about when she knew she was a woman on ABC news. Her identity was female, but her body was male; "My brain is much more female than it is male... It 's hard for people to understand that, but that 's the way my soul is. " Being a transgender woman in today 's society while we are still fighting for transgender rights, Caitlyn experiences discrimination such as mass media and
In this essay, I will explore the themes of various poems from “Kinky”, by Denise Duhamel. The poems “The Limited Edition Platinum Barbie” and “One Afternoon When Barbie Wanted to Join the Military”, reflect upon the oppressive beauty standards and gender expectations in our culture and hyperbolize them to a dystopian point. Duhamel uses Barbie as a metaphor throughout these poems, and addresses our culture’s misogyny, while making Barbie a first person character and giving her a voice. The poem “The Limited Edition Platinum Barbie” critiques our culture’s narrow standard of beauty. Our society is consumed by the fantasy and perfection of the idealized body.
Figure 1 displays a simplistic background with minimal cover lines and the central focus of a woman who is depicted as being passive and docile. This is evident in the way she shies away from the camera by creating a sophisticated ambience about her. The costuming shows a limited amount of skin, allowing the face to become the focus of the cover. The long sleeves and the high neck collar connotes a conservatism - something which women were expected to follow due to the male perception of an ideal wife. This enforces the targeted audience during the timeframe to use the magazine as the main beauty standard.
There are no images that feature the real skin, curves, or hair of a woman that has not been significantly altered. This retoucher wants people to realize that the ‘perfect’ models they see on the Internet or on magazine are far from perfect, but the industry has gone so off base that it does not matter anymore. They just redefine look and create images with their own idea of perfection (4) With that being said it makes it clearer as to why the standards of beauty is set at a very high bar as it is not even real. How can women want to compete with a standard of beauty that only came to be because of technology?