Victor Frankenstein him self represent the ego the pursuer of his own wishes and ends, the experimenter who uses reason even whilst feeling guilty about it. Freud defines his concept in just these terms “The ego represents what may be called reason … in contrast to the id, which contains the passions” (Freud) even though Victor preferred isolation on people he is not happy and he blames his family for being far away from him and he blames them for the calamity that happened.
Thus we can say that victor Frankenstein has an evil side in his personality, and we can say that doppelganger is what runs victor life. Victor is the true monster of the story and he himself realize that, he realize his vanity and maybe he tries to warn his people by his isolation but it ended by the murder of them all. Then he tries to kill the monster after it ends by killing all his family, but the only way of killing the monster and destroying his is by his own death, as they are one person one cannot survive without the other. This part of victor death is shown at the end of the novel as he is dead the monster disappeared.
The reality of the monster has been the dark and savage side of victor, all his suppressed feelings was shown thorough this creature, and by this way they complete each other and cannot live without the other. As victor lived isolation alone and the denial statue he lived in made him monster, although we know that the creature that wants to behave well never let a chance
In the novel Frankenstein by Mary Shelley there are many similar characteristics between Victor Frankenstein and the monster that he creates. Victor and his creation both let their emotions get in the way of their actions, act revengeful, are isolated from society, and are very intelligent. From the beginning, the lives of Victor and the monster are very similar. They both grow up without a strong role model figure, and are forced to quickly grow up. Since they both grew up in similar settings, they react similarly to different situations.
Sacrificing. Suffering. Despising. The novel Frankenstein by Marie Shelly tells the story of Victor Frankenstein, a young scientist who creates a grotesque creature in an experiment trying to invent life of his own. Victor regrets his action so turns the creature lose to the world and closes himself in his abysm of thoughts.
Is Victor the Ruling God? One does not simply “play God” in this world, that role is more than just a dress up and act thing. Many people say that Victor in the novel Frankenstein tries to “play God” which is absolutely true. As the novel progresses the characteristics of the creator “playing God” become more obvious to the eye of the reader. Victor “plays the Lord” when he creates the creature, when he decides what to do with the orders of the creature, and when the monster creates the connection when reading the book Paradise Lost.
The knocking stopped suddenly although it’s echos were still in the house. “I’m sorry” The words resounded through the room, giving off an eerie atmosphere. Mrs.White slowly turned around, a mix of both fear and desperation in her eyes. “You didn’t” she whispered, as tears threatened to fall.
Poet Mary Oliver once wrote, “Someone I loved once gave me a box of darkness. It took me years to understand that this too was a gift.” Darkness is usually framed as being corrupting and evil in life, the little known truth is that Darkness can also be a force healing and development as seen in Frankenstein , A Tale of Two Cities, and Cannery Row. Frankenstein is the tragic story of Victor Frankenstein and his monster.
Frankenstein’s Monster as a Tragic Hero Aristotle once said that "A man doesn 't become a hero until he can see the root of his own downfall" (Carlson). In Frankenstein, many argue that Victor Frankenstein himself is indeed the tragic hero of the novel. I believe that the creation of Victor Frankenstein (the monster) is the actual tragic hero. There are several components to being a tragic hero, two of the most important are their tragic flaw, and the component of a tragedy or a tragic ending to the story. Mary Shelley’s Frankenstein is without a doubt tragic through many characters in different ways, but in my eyes, the creature is the character that sticks out with the most characteristics of a tragic hero.
Emily Littles Teacher: Toni Weeden Honors Senior English 17 November 2017 The Story In the novel Frankenstein the creature is a figment of Victor's imagination. Mary Godwin, not Shelley at the time, wrote Frankenstein about a nightmare that she had one night, “The dream was a morbid one about the creation of a new man by a scientist with the hubris to assume the role of god.” (Mary Shelley, Biography).
In 1818 Mary Shelley wrote Frankenstein, a novel that follows Victor Frankenstein, an ambitious man on his journey to defy the natural sciences. In Volume I of the novel, Victor discusses his childhood, mentioning how wonderful and amazing it was because of how his family sheltered him from the bad in the world. “The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me” (35). When Victor brings up his childhood, he suggests that parents play a strong in how their kids turn out, either "to happiness or misery" (35). In particular the main character was sheltered as a child to achieve this “happiness” leading to Victor never developing a coping mechanism to the evil in the world.
Finally, Victor shatters his life when he ultimately causes his own death. As a result of his mind being consumed with grief and revenge, he becomes morose, melancholy, and eventually lifeless. Victor allows the monster to rummage his head, and he permits his creation to drive him crazy; consequently, he slowly kills
This caused a lot of anger for the monster, and he would then release this anger onto Victor to make him pay for abandonment. In the end Victor’s death was “caused by his creature” or really by “his own vengeful pursuit of it” (Lowe-Evans). The monsters death was through “self-immolation” because of the murders he committed to get back at Victor (Lowe- Evans). Both man and monster life was ended in cruel
A human being is born neither good or bad. They are simply brought into the world without knowing anything. However, as they grow up, they will eventually create a mindset that has been developing from their various experiences in their lives. For example, a baby who was raised up in a hard-working environment, will eventually develop that same quality as they grow up. In the novel, Frankenstein, we are able to see how a person’s character/personality is developed by the problems and experiences they have encountered.
Character Development: Characters go through changes throughout the storyline to build on personality (not changing personality, but, for example, using what is established as their personality to deal with challenging situations, giving the characters experience. Character Motivation: The motives (reasons) behind a character's actions, thoughts, feelings. Mood: The feeling a work wishes to rouse in an audience. Plot Development: How a story progresses, usually in this order: Exposition, rising action, climax, falling action/resolution.
Victor also has a very important relationship with the monster. The monster has no relationship with Victor besides a need for revenge. When Victor created the monster, he looked on him in disgust. He abandoned his creation after looking upon the creation with horror. This feels the monster with loneliness and rage, so he goes and lives on Felix’s farm.
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Mary Shelley’s Frankenstein Critical Analysis About the author Naomi Hetherington is a member of the University of Sheffield, the department of lifelong learning. She is an early researcher in sexuality, religious culture, the 19th-century literature, and gender. She holds a BA in Theology and religious studies, an MA and a Ph.D. in Victorian Literature. She currently teaches four-year pathway literature degree at Sheffield University for students who have already attained foundation degrees. Among the books, she has written the critique of Frankenstein.