Victor Frankenstein Film Analysis

However, upon realizing had created an abomination as he finished, he flees, “…now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). After a long and grueling process, Frankenstein regarded the creature as horrid, malicious, heartless, inhuman, and uncouth – simply, a monster. He wanted to create life so bad that it became an obsession for him as he would go to any extreme to reach his goal.

Victor Frankenstein chooses to create this monster to help mankind transcend death, but also because he is so fascinated in the science department. On page 77 of the novel, Victor states “and make myself useful to my beings” (77), which backs up the fact that he does it for the good of humanity. At the very beginning of the novel he talks about his enthusiasm and fascination with science. Hence, it was the combination of Victor 's obsession with creating life and the many new discoveries taking place around him such as chemistry that made Victor suppose that he could use all the resources he did to construct his monster.

An eye for an eye or the law of retaliation is the principle most people live their lives by. As Gandhi once stated, “an eye for an eye only ends up making the whole world blind” (Gandhi). For the characters in Frankenstein, this concept is apparent as the main character, Victor, creates a monster and instantly abandons him which sets off the chain of events revolving around revenge. Throughout the novel, the creature and Victor engage in a recurring cycle of vengeance, but these acts of revenge are bittersweet as in the end it destroys both of them. In the novel Frankenstein, Mary Shelley reveals how revenge consumes and destroys those who surrender to it.

This is everything that Victor Frankenstein wanted and more. He created life, he beat death, but was that worth the monstrosity that he created? Victor did nothing but question his belief and sacrifices he made. “I had

The first thing we see, is that the director has changed the name of the main character with his friend. In the book, the main character is named Victor Frankenstein, but in the movie he is called Henry Frankenstein and his friend is shown as Victor Moritz. If someone read book as a first, and later saw the film, he may feel a little bit confused. This change, could take place by the fact that director wanted to soften the image of the main character, which was portrayed as an insane, desire to compare himself with the god man, the name Victor in itself sounds rather scary and very seriously, and the name Henry sounds friendly and nice for the ear.

In the film “The Curse of Frankenstein”Victor Frankenstein was different from the character in Shelley’s novel. He was not as bad as the he was in the film. He did not focus on killing people to achieve his goal. The only close similarity to the original story is the monster with ugly and horrible appearance. Frankenstein the monster awakes from the moment was found to be very aggressive and evil.

Oftentimes people are too afraid of what people might think to show their full potential. This is not the case for Victor in Mary Shelley’s novel Frankenstein. In Frankenstein we see the journey of Victor and his creation as they separately get rejected and misunderstood by society. Mary Shelley’s Frankenstein supports Emerson’s ideas of self-reliance because Victor shows that fearless people can achieve greatness.

A Key Passage Analysis: The Ascent is Precipitous… This passage taken from Mary Shelley’s horror novel, Frankenstein, on page 66-67 describes the atmosphere and ponderings of Victor Frankenstein as he solitarily ascends to the summit of Montanvert. After feeling grievance and despair as he blames himself for the death of both his brother, William and his servant, Justine, Victor attempts to find solace in the majesty of nature to repair his emotional state. However, his descriptions of the environment are somewhat grim and bleak, contrasting the pleasant and peaceful mood that being in the natural world typically evokes.

Frankenstein seems to show a prejudice towards his own creation; though he purposefully made the monster large to make it easier to add smaller things—such as nails and eyelashes—he chooses to look at his newly-awakened creation with repugnance. “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) This disgust motivates him to run away, thus abandoning his monster.

In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.

In Mary Shelley’s Frankenstein, Victor Frankenstein brings his creation to life and has to endure the repercussions of his actions. While Victor is in fact human, the question of whether the creature or Victor is more human still stands. Humanity is demonstrated as compassionate in the book and monstrosity is the opposite. The creature is more human because of his developed personality and desire to be human. Victor, although born into a humane family, evolved into everything bad about humanity; he developed obsession, resentment, and manipulated life to conform to his idealities.

Mary Shelley’s novel Frankenstein, is one of the most important and popular novels in the Romantic genre to this day. The novel was originally controversial because it touched on many fragile subjects such as the human anatomy and the development of science. The structure of Frankenstein begins as an epistolary, narrative story told by Robert Walton to his sister in England. Walton’s letters tell us that he is exploring, searching for what lies beyond the North Pole, and he eventually connects with Frankenstein. Shelley creates the protagonist, Dr. Victor Frankenstein, who has a fascination with life and death.

Victor Frankenstein can be compared with Eve from Paradise Lost. Victor and Eve both have a strong ambition for searching for an expansion of knowledge. They are also both tempted to expand their knowledge by an

Throughout Frankenstein, Shelley uses Victor to warn the reader of the dangers of aspiring to godliness, and the consequences one faces in the aftermath doing so, even going as far as to compare Victor to Satan, tempting the crew of Walton’s ship, in the book’s final pages. The Victor Shelley creates is very similar to the Satan created by Milton in his book, Paradise Lost, which explores the biblical tale of Adam and Eve. In Frankenstein, Victor speaks of his desire to create the Creature, saying, “I deemed it criminal to throw away in useless grief those talents that might be useful to my fellow-creatures.” (152). Shelley’s diction choices, such as the word “useless” exemplify Victor’s excessive hubris, portraying him as a man who creates his Creature for, in his mind, the good of society.

When he finally creates the creature, he runs, consumed by “breathless horror and disgust” (Shelly 35). He - in his sickly state - failed to see the true nature of what he has made, and immediately regrets it. Furthermore, when the creature confronts Frankenstein, Frankenstein shows cruelty to his creation, screaming, yelling and flat out refusing to listen to it, “ Begone! I will not hear you.”