He threatens Frankenstein by telling him “I may die, but first you” which shows that the creature is not afraid of dying as long as he can inflict as much pain as possible on Frankenstein first (Shelley 123). This alone is a monstrous way to act and it shows that the creature felt compelled to take on the role that society gave him. The consequences of the creature being villainized because of his appearance ended up threatening the lives of Frankenstein and everyone he
The monster gives Victor one chance to fix their relationship, but Victor choses his life over the monsters. “I thought with a sensation of madness on my promise of creating another like him, and trembling with passion, tore to pieces the thing on which I was engaged. The wretch saw me destroy the creature on whose future existence he depended for happiness, and, with a howl of devilish despair and revenge, withdrew” (Shelley 171). Victor doesn’t want to create “another like him” but he doesn’t realize that the only way the monster acts the way he does, is because Victor was never there to help him through life. Victor could help the monster by making a companion for him, but instead Victor got married to his own.
He presents the idea that monsters help people to practice unnatural scenarios that reflect moral difficulties in society. Two Gothic, fiction novels that feature monsters are Bram Stoker's Dracula and Mary Shelley's Frankenstein. Both novels relate to Asma's idea about the significance of monsters. However, the novels are greatly comparable. There are distinguished similarities and differences between the conflicting themes of religion and science in Bram Stoker's Dracula and Mary Shelley's Frankenstein.
“You may render me [Victor] the most miserable of men, but you shall never make me base in my own eyes,” Victor says to the monster, meaning that the monster can do whatever he wants, but he will not allow him to make Victor lower himself more than he already has, but this is exactly what the monster does when he convinces Victor to make him a female companion. This is a prime example of a minor character foil contrasting a main character; the monster takes complete control over Victor and dominates his character, ultimately turning himself into a more prominent aspect of the storyline. The author most likely does this in order to employ a drastic shift in the meaning of her novel. As the novel started, it was portrayed that Victor would be a rising character and achieve great things, but with the creation of the monster, his character ultimately became his own
Cohens essay discusses how people that break stereotypes are viewed as outcasts. This leads society to view people who step outside the social norms as monsters. His statement “This refusal to participate in the classificatory “order of things” is true of monsters…”(6 Cohen) backs up Cohen’s idea of people who break social norms are treated as monsters. This is why Ava who takes control over the men, is perceived as a monster.
However, Victors reckless and unthoughtful actions pushes the monster into a state of rage and hatred that overrides his ability to stop from exacting revenge on Victor. Victor initially creates the monster thinking that it will be an amazing creature, built from the best human body parts Victor could procure. After he views the outcome of his work he is repulsed by it and abandons it, hoping that it would cease to exist. Not only did the monster survive, but it learned to speak, write, and read. After reading the book Paradise Lost, the monster thinks of its own situation and states the following:
Sticks and strangling will break bones, but words will leave irreparable emotional scars. In Mary Wollstonecraft Shelley’s epistolary novel, Frankenstein, the estranged Victor Frankenstein deprives his re-animated ‘creature’ of a name. The cruel manner Victor treats his “Adam” (Shelley 119) by withholding a name pushes the Creature further away from the belonging he so desperately seeks (148). As atrocities occur at the ashen hands of the Creature, names like “monster”(118) and “wretched devil”(118) bombard him from those he would seek refuge with . Nameless, the Creature is dehumanized and consequences of a negative perception, internally and from society, persist.
Consequently, the creature does not have strongly developed morals and decides others should suffer as he suffers from their ill formed assumptions based on his
Ambition is what drives one to achieve their goal; this can ultimately cause a result that is beneficial or disastrous. In Mary Shelly’s, Frankenstein, it is Victor’s stubborn mindset that drives him insane to the point where he eventually lands himself in his grave. It originally starts when Victor becomes ambitious to search for knowledge so that he could go against nature and create a manmade creature to attain fame. The fact that Victor did not think of the consequences leads him to suffer the aftermath.
It’s said was born curious in science and the creation of life. In the novel, he stated, "The world, was to me a secret which I desired to divine”; "Curiosity, earnest research to learn the hidden laws of nature … are among the earliest sensations I can remember" (31); and "It was the secrets of heaven and earth that I desired to learn" (33) these quotes show just how curious he is and emphasizes just how long he has been curious about the creation of life. Elizabeth’s sickness, causing her to almost face death, also provoked his construction of the monster. Before his mother caught the Scarlett Fever, Elizabeth was sick. When Victor was young, he was given Elizabeth as a gift from his parents and for her to have almost died made him realize he had to do something to cheat death.
Many of the advantages are that we can now successfully avoid illness and diseases because we can take out the gene that engenders it. Frankenstein is an example of a disadvantage of using genetic engineering. Victor Frankenstein is the creator of a monster who learns that because he is ugly and everyone hates him, he can kill Victor’s friends and family for making him the way he is. Victor creates the monster in order to destroy the meaning of death but the actions he takes after creating the monster leads to many more deaths than expected. Victor’s thoughts after bringing the monster to life were, “A mummy again endued with animation could not be so hideous as that wretch.
Consumed with the idea of creating life, Victor did not think of the effects his actions would create. The creation of Victor’s monster completely changed Victor both mentally and physically. It also changed society because the monster was the reason why specific people were killed. The chain reaction that was started created a whole new world of chaos. The only thing that saved the rest of the world was the fact that Victor kept the secret of life to himself.
How do male character shape or influence the texts in The Crucible and Frankenstein? “Power is nothing unless you can turn it into influence” (Unknown), it is human nature to want power and influence. The male characters in the following texts have achieved this goal. Society has portrayed males as dominant figures. Males govern the better positions in society whereas females generally do not.
Victor is the true monster in Mary Shelley’s Frankenstein. He is the reckless scientist who unleashed a creature on society that was helpless to combat the horrors and rejection that society placed on him due to his differences. Victor’s goal to generate life causes a great deal of pain through his ambition, selfishness, and hostility, both to himself and others. As a result, these acts caused him to become alienated from his friends and family, and turned him into the true monster in Frankenstein. Victor Frankenstein is The Modern Prometheus, for he made the knowledge of creating life assessable, and by doing so, he is cursed to endure the ratifications of his