The silver jewel encrusted Viking- themed vase designed by George Paulding Farnham for Tiffany & Co., especially for the Pan American Exposition of 1901 in Buffalo, New York stands alone in a centrally located glass case in the American Silver Gallery located on the fourth floor of the Dallas Museum of Art in Dallas, Texas. Standing only eight inches high, the intricate details of the vase draws the viewers in and keeps them there as the eye runs over the delicate scroll and serpentine patterns of silverwork, colorful enameling and strategically placed garnets and citrines. Engraved, chased, and etched, the interlacing Celtic-like scrolls and knots wrap delicately and symmetrically around the vessel. Serpentine handles flank the widest and uppermost portion of the vase while twin stylized bird head figures frame the rim. In the center of the vase …show more content…
More than likely, it was not intended for home use or decoration, but was created to attract attention and to be admired, showing what was humanly possible within the jewelry design of the time. It was created to distinguish its designers and to win awards, and that it did. Kevin W. Tucker, The Margot B. Perot Curator of Decorative Arts and Design at the Dallas Museum of Art, declared, “This exceptionally powerful yet diminutive vase reflects the great expertise of Tiffany & Company’s designers and silversmiths in fashioning precious and highly refined objects reflective of a variety of artistic influences popular at the turn of the twentieth century – and at a level of quality easily rivaling and often surpassing the efforts of their European contemporaries.” Today, Farnham’s Viking themed vase is exactly where it belongs, in a glass case of its own, in the most perfect light, for all to
When a genuine Norse coin dating to the early 11th century was found among Native American ruins in Maine in 1957, it seemed to offer an intriguing piece of evidence that Vikings did indeed travel further south than Newfoundland long before the time of Christopher Columbus. And it could be so – but experts have their doubts. The fact that the ‘Maine Penny‘ was the only Norse artifact found at the site seems to indicate that it came to the site through native trade channels from Viking
On Friday, October 2nd, I visited the Wittliff art collection at Texas State University. I was very excited at how much art I was going to see as I made my way to the 7th floor of the Alkek Library, which is where the Wittliff art collection is located in. Sadly, with all of the artwork that was displayed, I was having trouble deciding on which art pieces to write this critique on. However, two certain 2-D pieces caught my eye. Out of all of the displays in the art collection, I ended up choosing Keith Carter’s photograph and Kate Breakey’s painted photograph.
Dale piece the Persian ceiling is a beautiful piece the bright colors and the unusually shaped objects are just breath taking some pieces where flattened out and many of the shapes resemble jellyfish and other sea animals and it’s so amazing because it’s all glass nothing else. The glass used in the Persian are small, dense, and rare core-formed vessels that appeared during 1500B.C. in Egypt and again in 1300B.C. in Mesopotamia. Another pieces that I admire is the sculpture honoring Harriet Wyche. The sculpture is made of rose-colored Polyvitro, a material that Chihuly Studio creates by casting a special formula of polymer resins and dyes using molds formed from large “chunks” of glass. The Polyvitro elements are crystal-like in shape, and individual masses are attached to a central armature of powerful-coated, exterior-grade stainless steel to create a tower that is over eight feet tall.
The Ardnamurchan Viking Ship Burial consisted of a Viking ship that was 5m long and 1.5m wide. 200 rivets and fragments of mineralised wood was all that remained of the vessel. The remains of a Viking were found within the boat. The remains consisted of two teeth and two small fragments of bone. Found with the body were weapons, including a sword with a decorated hilt, an axe, a spear and a shield.
Holden Caulfield’s constant questioning of the ducks at the pond, a recurring motif in The Catcher in the Rye, a novel by J.D. Salinger, gives a clue as to what is inside Holden’s mind. But many commonly perceive this clue, as a clue that Holden is trying to stay away from adulthood and its obligations. Throughout many parts of the novel, this perception that Holden does not want responsibilities can be applied, but is not accurate. While it may seem like Holden does not want the responsibilities of adulthood, he is actually afraid of not knowing what the future brings him.
The Orlando Museum of Art, also known as OMA, is a hub of Central Florida when it comes to pulling in remarkable works of art for the public eye to pay patronage to. Today I visited such a place for the annual Antiques Vintage and Garden Show, which took place between February 19th through the 21st. Included in the price of a ticket was also admission to The OMA’s current exhibitions, which included Women of Vision: National Geographic Photographers and their other running exhibits, which contained an array of work, ranging from Pre-Columbian sculptures to more contemporary works of the 21st century. The specific exhibit which held my interest most was the Pre-Columbian, Mesoamerican gallery titled “A Trek from North to South”, which was organized by geographic locations in Latin America. Since my girlfriend, Illiana, bought me tickets to the show for a
On our field trip to the Getty villa this semester, we had to choose an art piece that stood out to us among the many there. The task at hand seemed easier than it was, as there were many art pieces that held my attention. One thing I kept in mind was that many of the Greek art pieces were either recovered from the bottom of the sea or were Roman duplicates. This meant finding background and details about them would be challenging. Of the art pieces, the Statue of Hercules or the “Lansdowne Herakles” was the one that I chose to write about.
Even when they tried to make these places relevant to history, they do a well, not so good of job. For something to properly preserved and have the background information on it is if someone died there. Unless you are in a museum which technically that’s their main job. What happens when that piece is in the open for the public to see? On most artifacts like that, you’re lucky to even get a plaque that has the name of what this item is.
In Mrs. Myers Honors Math class we started an assignment called The Stained Glass Art Project. We started off by watching a video on artistic choice that talked about color choices, lines, forms, shapes, textures, value, and space. After that, we were all given the same equations and were told to make points out of them. We chose 0, 2, 4, and 6 for the x-axis and we kept them the same for all the eleven equations.
The ark of the covenant is one of the most sought after archaeological and religious artifacts of all time. The artifact is an ornate chest made of gold plated wood with two gold angels on the top of it. The ark supposedly contained the tablets that had the ten commandments written on it. No one is sure where the ark of the covenant is or if it is even real. Where is the Ark of the Covenant?
Name- Venkateswara Epithet- Śrīnivāsa, Bālājī, Venkata, Ramana Gender-Male Weapon- shankha, Chakra Instrument- None Lord Balaji is shown as decorated with a tilakam on his forehead. There is a ‘Shanku’ or ‘Conch’ on his left shoulder and Cakra or Disc on the right . Goddess Earth or ‘Bhudevi’and ‘Sridevi’ or thye Goddess of Wealth are placed at the heart,His left hand is shown as in receiving posture whereas the right hand shows the bestowing posture.
Oftentimes, when choosing art to exhibit, Dennis and the museum as a whole try to incorporate different styles, different cultures, and different art forms in order to appeal to as much of the community as they possibly can. The Jules Collins Smith Fine Arts Museum in particular is there to serve the community, to broaden the horizons of the surrounding population, and to make each and every culture, ethnicity, and gender feel at home and welcomed within the museum’s
A fine example was Sottsass’ 1981 Beverly cabinet that sported green and yellow snakeskin pattern laminate doors with brown tortoiseshell bookshelves at a topsy-turvy angle and a bright red bulb. Another example was Sottsass’ eccentric Carlton bookcase, which was displayed in the Memphis’ debut exhibition in 1981, with angled shelves and bookends in primary colors, posing and underlying question: Why does a bookcase need to look a certain way? It was obvious that within the design world, Memphis was a
King Arthur’s servants and kitchen staff had transformed the normally cold and sterile space into a warm and inviting banquet hall, and it was stunning. Thick cream- and scarlet-colored tablecloths adorned each table. Hundreds of candles situated in bowls filled with harvest grain cast a romantic glow about the chamber. Dozens of garlands of ivy, holly, and red roses adorned the walls, and twenty or thirty huge and lavish baskets, brimming with colorful flowers, hung down from the rafters.
JUICED UP !" Adam Orange was a citric cajoler of circumstance. Happenchance had him selling lemons in a mosque on St. Swithin 's Day, not a very wise move considering his ankles had become snipped by malignant marzipan-chasing ombudsmen looking for salvation in their lunch hour. Over in Hull, northern England, hoary pendants had become irredeemably irreversable due to the colour of their fragmented formulae. Not only were they now translucent, but they had built up a fibric undertone crusted way beyond its disposition.