Chapter 5 Sacred power of violence in popular culture. “So, the violence is not simply a matter of retaliating against those who perpetuate evil (though such revenge can be sweet), it is a matter of serving a greater divine purpose. Ultimately that divine purpose makes the use of violence a moral (because commanded-implicitly of explicitly-by God) action.” (Bain-Selbo pg. 74)
In the book, Fist, Stick, Knife, Gun: A Personal History of Violence, by Geoffrey Canada, the author provides an insight of the violent acts throughout his life. Geoffrey was a young child in the Bronx when he was made aware of violence. His father was
All throughout his essay he uses juxtaposition to compel the audience the consequences for violent and the benefits for non violent methods. He states “When victory comes through
Violence is a constant, a catalyst for the cycle of life and death that has existed since the beginnings of life. However, humans have now, and have been, using violence for senseless pain and suffering. __ In James Gilligan’s novel, Preventing Violence, Gilligan discusses that a major cause of violence is feelings of shame, which usually roots from social factors and views of masculinity. Shame, the most common feeling behind violence, is feeling a lack of self-pride and humiliation.
1. Ishmael Beah’s violent experiences educated me about what the intended outcomes or aftermaths of violence are. One of these is causing unrest and coercing the government to change policies and abide to their terms. Another one is making people afraid and thereby establishing dominance. Another effect it can have is making people feel ashamed of their own powerlessness of being unable to save themselves, their families, and their friends.
Often times, mindless conformity leads to senseless violence that could have been avoided with just a little more thought. In order to justify hateful and exclusive acts, the actions of people in minorities are often taken
Butterworth. " Muhammad Ali's fighting words: The paradox of violence in nonviolent rhetoric." Quarterly Journal of Speech 97, no. 1 (2011): 50-73. Mazrui, Ali A. "Boxer Muhammad Ali and soldier Idi Amin as international political symbols: the bioeconomics of sport and war." Comparative Studies in Society and History 19, no. 2 (1977): 189-215.
Violence is a terrible thing, but is also essential in life. Without violence, there would be no such thing as reality, and no such person a real person. We walk in a world of two types of people: real and unreal. The real people have seen and experienced violence. They no longer see the world through eyes that see the wonderful and the paradise, but rather through eyes that “might never see it right again.
Violence is an action that people despise but is mostly always used when one well being is threatened. The book “the outsiders” it is about a boy named ponyboy who is in a gang and struggles with his differences from the rest of the gang. The text “fist stick knife gun” talks of a boy and his brothers who use violence to get a jacket back from a boy who stole it from them. Both the authors use the protagonist conflict in their life to connect to the theme violence leads to more violence. In both “Outsiders” and “Fist stick knife gun” the authors uses POV of the characters to develop the theme of violence never ends it's like a cycle.
While literature doesn’t always transform a person radically, violent passages in books can lead to aggressive acts in real life. The type of violence found in books and committed by criminals can be defined as anything which causes harm, such as hostile
Today, many of our perceptions are deceived by systemic stereotypes, often fogging our own ability understand ourselves. This is what suppresses the main character, and a group of other members, in David Fincher’s Fight Club. In the film, both male and female characters are stereotypical and overly sexualized. The film is extremely generalized and Fincher accomplishes this by presenting the characters with no desire to come against the reality of gender norms. The conventions that are held as a standard in the film are the orthodox characteristics of how men are supposed to appear.
Springer (2009) believes that violence is a gross stereotype which is associated with the depiction of the culture in the context of 'war in terror '. African, Asian and Islamic cultures are said to be highly violent. Thus, any discourse that suggests violence should be viewed as contextually specific, because it is bound to particular places in which the culture of violence is formed. Therefore,
Violence plays a key role in many novels; without it, may books would be bland and less effective at conveying a message. In the work Fahrenheit 451, the author Ray Bradbury used violent scenes to help establish the character and nature of the firefighters, and to show the difference between then and now.