ipl-logo

Violence In Martin Charles Scorsese

1062 Words5 Pages

“Taxi Driver”, “Raging Bull”, “The Last Temptation of Christ” and “The Departed”- this is only a short list of movies which were directed by a talented Italian-American screenwriter, Martin Charles Scorsese. With more than 50 years of film directing experience, with lots of rewards, including Oskar, he remains to be one of the most influential and recognized film producers around the globe. From very young age Mr. Scorsese was very passionate about film making and at the age of 26 he already debuted in the film industry with his movie “Who's That Knocking at My Door?”. That movie did not bring him that much of the recognition , but that was the first time when he showed his unique style in storytelling on public. For the next ten years …show more content…

I saw a great deal of violence, I saw a great deal of emotional and psychological violence, spiritual violence that way. A thing like that leaves an impression on you, it doesn't leave you.” is a popular statement which Martin Scorsese made to BBC reporter in the 1980’s and it shows that one of the reasons why Martin Scorsese uses violence in most of his films is because of his experiences, his observations of endless violence in society and desire to show violence as a representation of a social context of his movies( Deforest, n.d.). This excessive violence makes him recognizable as any other film director as scenes of violence we see very frequently. For example, in his movie “Mean Streets” the last scene which is full of violence is shown in such a way, that camera comes really close and goes away so viewers could see the full terrifying picture of the police with the crashed car . Another film with Scorsese’s exceptional style is the “Taxi Driver” with Robert De Niro as a main character. Mr. Scorsese does not give us the information about the main character’s past but instinctively makes us think that all of the violence and main character’s violent thoughts are based on his past experience and society in which he was raised. In Martin Scorsese’s movies violence is described as a part of a society and portrays violence as something that we can not escape

Show More
Related

  • Summary Of The Race Beat By Gene Roberts And Klibanoff

    1378 Words  | 6 Pages

    These violent incidences evoke certain emotions in the audience reading this book today in addition to those exposed to it back then. Television broadcasts were primarily responsible for displaying public violence and they had a great affect on viewers and ultimately the

    Read More

  • More Joy In Heaven Analysis

    541 Words  | 3 Pages

    ‘Take a look at yourself in the mirror over there’. . . see what I mean. Violence - all violence, a sour full of violence. You’re going around with a bomb in your pocket’” (110).

    Read More

  • Quentin Tarantino's Use Of Ultra-Violence In Neo-Noir Films

    466 Words  | 2 Pages

    The use of ultra-violence in films is a common thing in modern films and it is mostly used as an attraction to make a film action packed. In neo-noir films, however, the use of ultra-violence signifies a deeper meaning. It is used to portray a very surreal environment in which we live in. The violence in films such as Kill Bill by Quentin Tarantino might seem excessive to most, but it only serves to illustrate just how horrifying the reality can be in patriarchal hierarchical societies ruled by a single “god”. In this essay, I will discuss how the attempted murder of The Bride by Bill, the rape of The Bride by the male nurse in the hospital, and the rape and murder of O-Ren Ishii’s mother by Boss Tanaka shows how Tarantino wants us to understand how women are treated by men in the traditional realist world.

    Read More

  • Violence In Sir Gawain And The Green Knight

    1114 Words  | 5 Pages

    In 2003, the motion picture, Kill Bill Volume 1, debuted in theaters. Set to a backdrop of bloodshed and violence, the film offers 112 minutes of savagery, as the main character attempts to get back at every person who has wronged her in the past four years. Kill Bill is only one of the many films in which violence is the number one attraction. “Kill or be killed,” seems to be the overarching motto, as millions of moviegoers flock into theaters each weekend to watch as characters fight to the death. In contrast, violence portrayed on the silver screen is no longer acceptable outside of the theater.

    Read More

  • Fist Stick Knife Gun: A Personal History Of Violence

    360 Words  | 2 Pages

    In the book, Fist, Stick, Knife, Gun: A Personal History of Violence, by Geoffrey Canada, the author provides an insight of the violent acts throughout his life. Geoffrey was a young child in the Bronx when he was made aware of violence. His father was

    Read More

  • Cinematography In Raging Bull

    1097 Words  | 5 Pages

    The film “Raging Bull” made in 1980 by Martin Scorsese was based on a self destructive, highly emotional boxer named Jake La Motta as he battles through life. As his fierce attitude and violent temper takes him to the top of ring it ruins his family and life outside of boxing. Throughout the film we discussed the importance of the cinematography through out the film and why it played such an important role in developing “Raging bull”. Also the theme of anger and violence is displayed throughout the film. Jake never changes, from start to finish he is an emotional wreck, isolated and quick tempered.

    Read More

  • Comparing Violence In Thank You, M Am And Harrison Bergeron

    934 Words  | 4 Pages

    NWA (National Wrestling Alliance) is one of the most watched programs on television where people are ripping at each other to compete for money. People around the world seem to enjoy violence. Writer’s use violence in their pieces to draw outsiders in because there is a common interest, which is violence in this case. The principal characters in the short story’s “Thank you, M’am”, “Harrison Bergeron”, and “The Cask of Amontillado” show a universal flaw. Violence is common in the personalities of the leading characters in these short stories.

    Read More

  • John Steinbeck's Of Mice And Men: Analysis

    955 Words  | 4 Pages

    Anyway, this research will focus only on three aspects - conscience crisis, violence, and fate and destiny. These aspects will be discussed in three separate chapters under the umbrella of the selected novels of John Steinbeck’s Of Mice and Men(1937) , The Grapes of Wrath(1939) , and The Pearl (1947) and Cormac McCarthy ’s Blood Meridian (1985) , No country for old men( 2005) , and The Road (2006) . The investigator has adopted the sociological methodology throughout the thesis. Furthermore , the second chapter - conscience crisis, will be divided into two parts ( man’s inhumanity to man and greed ). “The phrase (Man 's inhumanity to man) is first documented in the Robert Burns poem called Man Was Made to Mourn, Samuel Von Pufendorf also wrote in 1673, More inhumanity has been done by man himself than any other of nature 's causes.”

    Read More

  • Once Upon A Time In America Movie Analysis

    2271 Words  | 10 Pages

    “Leone’s original version tells this story in a complex series of flashbacks, memories, and dreams.” – Roger Ebert “Sergio Leone was known for his Westerns, but his last film and one of his greatest was set in New York City” – Martin Scorsese ‘Once upon a time in America’ is the immortal work of the famous Director. The film, which touches the most important questions of life, such as love, friendship, duty, death, betrayal, happiness and unhappiness, education and outlook. This film is an entire cinematic heritage.

    Read More

  • Analysis Of Henry Hill In Goodfellas

    1058 Words  | 5 Pages

    What Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.

    Read More

  • The Role Of Violence In Richard Wright's Black Boy

    1487 Words  | 6 Pages

    With violence progressing from teachings, movies and entertainment as well as environments it's important to realize there's one of two outcomes; an endless generation of people who have been taught violence and will teach others or a drive and determination to allow yourself to be better and to influence those around them in environments for the

    Read More

  • Goodfellas Film Analysis

    1008 Words  | 5 Pages

    The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters

    Read More

  • Auteur Theory In The Film 'The Godfather'

    1514 Words  | 7 Pages

    As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence to draw in casual viewers, but he draws in critical viewers by having the film become a social critique of society. Auteur films are meant to give us a view of the world. In addition, the film draws parallels between the mafia and the police, by essentially stating that our society is corrupt.

    Read More

  • Essay On Violence In The 20th Century

    767 Words  | 4 Pages

    The 20th century labelled, “the most violent century in human history” (golding). To explain the violence of the 20th century if one must look at all events of the intentionally harm done to others. This includes the violence caused by the two hundred and fifty-six wars inluding World War One and two, The Vietnam War, The Cold War which where almost 108 milion human lives have persihed and others haunted by the gruesome details that occurred during these events. One must also look at the the violence caused by seven genocides including the Holocaust, Armenian Genocide and Rwandan Genocide which killed eighteen million people.

    Read More

  • Violence In Schindler's List

    1687 Words  | 7 Pages

    Midterm Assignment When one thinks of a violent film I feel as though a Tarantino movie comes to mind instantly. However, in this instance I chose a different violent film. In this assignment, I will be talking about the violence in Steven Spielberg’s 1993 film, Schindler’s List. As most people probably know by now, Schindler’s List is about the Holocaust committed by Adolf Hitler and the Nazi German army.

    Read More

More about Violence In Martin Charles Scorsese

Open Document