The artist, Thomas Cole, was an American painter born in England during the 19th century. Cole became famous for his paintings of landscapes, including The Oxbow. The 130.8 by 193 centimeter painting was done in 1836 using oil paints on canvas. Painted originally in the United States, the symbolic piece now resides in the Metropolitan Museum of Art located in New York City. The painting by Cole obviously depicts a landscape, especially one of the iconic bend in the Hudson river, but in fact there is much more to the piece. It is filled with distinct uses of line, space, shape, color, and value. The variation between the right and left sides of the painting are what most stands out, and symbolically show the contrast of the sublime to pastoral. In The Oxbow, line, shape, and color all aid in the symbolic contrast of the iconic painting. …show more content…
The most dominant lines in the piece are that of curves and diagonals, allowing for a sharp sense of rhythm and movement throughout the painting. The most vivid line would be the curve in the river. The curve in the river shows grace and peace within the movement. In contrast, the diagonal lines of the trees and clouds directly across the painting, show rigid and harsh movement and energy. Another distinct line is the diagonal splitting the two sides. This diagonal again displays movement, drama, and motion but by cutting the piece into two differing sides and emotions, the left of untamed nature and the right of man-made
Thomas Cole was originally born in Lancashire, England in 1801. In 1818 he and his parents moved to America. Cole’s father wanted him to be a lawyer. However, Cole self-thought himself in the art where he found his true passion on painting. Cole always found picturesque landscapes for which showed interest at an early age.
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
The subject of the painting is a depiction of a mountain landscape. Near the bottom of the picture plane in the foreground there’s a canal through the mountain side. If you look closely you can see someone in the water climbing up the rock. The overall theme of the piece seems to be very peaceful and exciting. Hassam uses a few visual elements of form to support his painting.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the
The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
Sakoto Fujikasa featured work of artistry displayed within the Harn Museum is know as “Stream.” This piece in particular demonstrates a medium that has been contorted to displays various ripples and waves to resembled that of flowing water. Hence, the name “stream” best befitting it’s whimsical nature. However, at a deeper interpretation of her piece, it can be seen that there is a hiding meaning.
All three artists uses the lines in weird directions such as crisscrossing and diagonal placements in both artworks. In the Blue (Crest), used different tints of blue and Vertigo, used different tints of orange giving two different views of the artwork. The blue used in In the Blue (Crest) helped with portraying the feel of water and the orange just seems as a color placed in the painting of Vertigo, even though with the lines it helps represents the chaos in the picture. They both were similar besides the dimensions, In the Blue (Crest) did give a different feel since it was three dimensional than the two dimensional
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
This painting shows George Washington, then a general in the American Revolutionary War, crossing the Delaware River with his troops on the night of Dec. 25, 1776. The crossing immediately advanced Washington 's surprise attack on the Hessian forces in the Battle of Trenton. Although the painting portrays a historic part of the American Revolution, it was spuriously painted by Emanuel Leutze, an artist born in Germany. Moreover, where the original was actually painted.
Finally, a man’s portraits in the bottom right of the painting. This painting is supposed to represent the bible story, Noah’s Ark. There are four prominent art and design elements that were utilized in this painting: lines, shapes, light and value, and color. The first element is directional lines. Directional lines are used to guide the viewers eye to the main piece of the painting. In this case, the lines starting from the top right of the painting are directional.
This also found on some parts of the chair. Theses conflicting uses of lines give the audience a sense of chaos and confusion in the world around the man. Van Gogh, predominantly known for his color usage also
The line quality in the man’s shirt behind his left arm shows that he is bending his elbow holding something. Another example of line quality would include the woman’s right arm showing that she is bending her elbow as well. Carl Bloch uses value in the painting considering he darkens the outside of the picture and the individuals behind them to show some emphasis on the three individuals sitting at the table. The shapes included in this picture would consist of the “normal” shape of a human and the shape of the cat behind the woman at the table; although, it does