The imagery that Larson used to describe the way that Holmes feels about Chicago and why depicts to the readers the way Holmes mind works. Instead of loving the city for the character and freedom it brings like the many others that come to Chicago, Holmes reveals his lustful intentions to the readers by imagining the way “smoke… could envelope a woman and leave no trace” which he believes gives him many opportunities to carry out his malevolent plans (Larson 62). Larson’s use of not only visual imagery but smells as well shows the readers Holmes is obsessive over his agenda and how a “blade thin track of perfume” was a temptation to him(Larson 62). Because Chicago had become a place for people to come and start over, there were many young women
Larson is able to convey to his readers how innocent Holmes was trying to be by using an interesting word choice towards his
On the other when you are reading about Holmes, the reader has no idea what Homes is intending to do. This is why Larson decided to have a more colloquial diction in the chapters on Holmes. This makes readers curious when turning to pages and finding themselves on the chapters on Holmes. Another way Eric Larson manipulates language in order to connect to readers is figurative language. Larson makes it so that the hotel that Holmes is in charge of is intended as a symbol for himself.
Holmes knew that he had to start somewhere in this new place and he wasted no time by manipulating Mrs. Holton into giving him the information he needed to weasel the store from underneath
Just this quote alone describes how twisted his mind was. The imagery used drew me in because it described how calm he was yet right on the edge of crazy. It makes you wonder how the killer can be so sensitive one moment and then so violent then next. The author used a lot of descriptive words throughout the book especially when the victims dead bodies were described how they were found. Things get carried away during the robbery when he realizes there is no money in the house.
This passage occurs as more and more people begin to disappear from Holmes’s hotel in the midst of the World’s Fair including waitresses, stenographers, and even a male physician. Larson's purpose in this passage is to depict Holmes's insanity and psychopathic tendencies as he murders several guests at his hotel. Employing a vivid sense of diction, Larson details Holmes’s methods of murder; he uses words such as “gorging,” “proximity,” “death,” and “panic,” to characterize Holmes’s preferences, including the fact that he avoids bloody murder (like the notorious Jack the Ripper) and enjoys being near his victims while they are on the brink of death. When he murders, Holmes feels a sense of, “possession,” over his victim and believes it is “satisfying.” The vault in which Holmes murdered most of his victims “deadened,” most of the sound- but not all, and when his hotel was full of guests Holmes would, “settle,” for more silent means, explains
You've heard of Dracula, the vampire who sucks humans' blood to death, and you've heard of the apocalypse, where the world is basically ending. Would you ever think these two completely different things have the same characteristics? Well, I'm going to show you in the passages, "Dracula", by Bram Stoker, and "Station Eleven", by Emily St. John Mandel, show how these two authors' use of sensory details helps create the mood. The two passages have similar moods because of their similarities in sensory details, but they also have differences between them. Some moods portrayed in the passages by the sensory details were ominous, edgy, and creepy.
For example, “The acclaimed biographer … evokes a claustrophobic, paranoid Salem, a joyless stratified society where citizens lived in the dark, literally and figuratively” (Kingston 1). This shows the skill in Schiff’s writing. She masterfully portrays a Salem that is not often seen. It is also said that “Schiff's exhaustive account of wilful blindness and human treachery can be exhausting, even claustrophobic to read” (Kingston 1). Her writing is vividly descriptive and gives illumination to the details of the time.
Capote paints a vivid picture of Smith's life and emotions, making the reader more invested in his story and more likely to sympathize with him. One of the most prominent examples of imagery used to evoke empathy for Smith is the use of the "death house. " The "death house" is a symbol of the grim reality of the death penalty and the dehumanizing nature of the criminal justice system. The imagery of the cold, sterile, and oppressive environment creates a powerful emotional impact on the reader, increasing their proclivity to sympathize with Smith as a victim of circumstance. Another example of imagery used to evoke empathy for Smith is the use of the "cold blood" of the title.
The World Fair has been changing the economy as we know it since the World’s Columbian Exposition in Chicago, 1893; where the first ferris wheel in America had been put on display over the time period of May 1, 1893- October 30, 1893. It accumulated 1.5million dollars, about 40.7 million in today’s money, from the 27 million people that visited over the course of the several months. Proceed forward to May 27, 1933 to find yourself at the Century of Progress, otherwise known as The Chicago’s World Fair, to celebrate the city's centennial. The theme of the fair was technological innovation with their motto annunciating “Science finds, Industry applies, Man adapts”, showing how the Industrial Revolution of 1820 had affected the economy and social
Wright creates and revisits the existence of “a whore’s lipstick” on the trampled grass. The lipstick is red, a color symbolic of passion and rage and bloodshed. The narrator analyzes the lipstick as belonging to a prostitute, due to the fact that the woman in question is concerned about her appearance during a horrific, brutal murder. Makeup is used to change one’s appearance, and the narrator feels an inexplicable rage towards the woman and her lipstick in this context, possibly because the victim of the lynching was killed for his own appearance. The symbol of the discarded lipstick exemplifies the callous nature of the witnesses that the persona is able to interpret from the aftermath of the
In The Jungle, the amount of crime and corruption happening around Chicago in the early 1900s seems questionable. In my history class, I have never heard of how “tens of thousands of votes were [being bought] for cash”, just so a certain politician could win an election (Sinclair 303). Sinclair then went on to accuse the meat packing industries’ rampant corruption by invoking pity for Jurgis’s father, Dede Antanas. A feeble old man who could not find a job against the multitude of competition in Chicago, he found a poorly paying job as long as he was “willing to pay one-third of his wages for it” (Sinclair 73). Furthermore, Sinclair’s portrayal of Chicago in the late 19th century at times seems exaggerated.
This paragraph employs robotic imagery most heavily and also uses loaded diction more than others. This section even goes so far as to call Worth’s body in intensive care as, “a nightmare of tubes and wires, dark machines silently measuring every internal event, a pump filling and emptying his useless lungs.” This section channels the intensity of an event like this and the fear one and one’s loved ones feel when the shade of fatality affects a person. Imagery also plays a large part in this section and places the reader in the situation John Jeremiah Sullivan was in through imagery like “The stench of dried spit”. This passage’s imagery challenges the reader to undergo the stale smell described and to witness the machine that Worth is connected to.
For instance, “That slanting mark on the water refers to a bluff reef which is going to kill somebody’s steamboat one of these nights, if it keeps on stretching out like that; those tumbling ‘boils’ show a dissolving bar and a changing channel there…that tall dead tree, with a single living branch, is not going to last long, and then how is a body ever going to get through this blind place at night without the friendly old landmark?” (44-51). Here, the reader is able to comprehend that by contemplating about the negative aspects of the river and how it would result in certain obstacles for a pilot of a steamboat, Twains initial view of the Mississippi River was ultimately diminished. Therefore, the author contemplates whether possessing knowledge about the beauty of an aspect and its true connotation truly belittles it compared to only seeing its beauty without thinking. Likewise, Twain contemplates the position of doctors relating their possible viewpoints towards a patient with his circumstances.
This first sentence in the passage immediately makes the reader wonder about the setting and what’s going on. In other words, the author W.W. Jacobs grabs the reader’s attention by making the readers think and be curious about
In both passages, the smells are used to orient the characters in a direction; the repairman, Stuart Little, and Montag each move follow the appealing smells of nature, which ultimately provides them with both physical and mental direction.