Films are immortal the people who make them however are not. As time passes fads, trends and even people fall out of fashion. The films Sunset Boulevard and Hugo both use visual symbolism to demonstrate the characters having become trapped in the past. In Sunset Boulevard this can be observed through the images of the bars on the doors and windows, the microphone at the film set and the spiraled staircase in Norma’s home while Hugo uses the train station, the motif of clockwork and the automaton to illustrate its point. Wilder’s film Sunset Boulevard tells the twisted tale of an aged silent film starlet unable to come to terms with the loss of her fame. It is clear from the start of the film that the actress, Norma Desmond, is not quite in …show more content…
A series of events leads him to cross paths with the famed but forgotten filmmaker George Melies. A number of characters in this film are trapped by their pasts including the characters of Hugo and Melies. Much like Sunset Boulevard the imagery of the main setting is representative of the characters being left behind as the world moves forward without them. The majority of the film takes place within a train station which serves as both a home to Hugo and contains the toyshop Melies owns. Day after day the film’s protagonists remain within the walls of the train station, a place that is by definition meant to transport people. Hugo, Melies and even the station officer are stuck in the same place without any intended destination while the rest of the world moves forward on the trains. The image of clockwork is another motif throughout the film that is representative of the characters mental state. The clocks are symbolic of the characters being held in the past. Hugo remains anchored to a time where his father was alive while Melies lost his purpose when his studio and films were destroyed. There are many shots where we see Hugo peering through the face of a clock. In this sense he is physically being trapped and isolated by time, a clear visual symbol for the struggle he is facing in his life. Much like the image of the
First, in Sunset Boulevard, the butler Max told Norma what she wanted her to hear, which caused her to be unable to see reality. An example of Norma’s inability to see that she is no longer popular. Norma will not accept that the movie business has moved on and has gotten better with time and technological advancements, “I am big! It’s the pictures that got small” (Wilder). Norma continually claims that she is still a star and that the movie business got worse with the installation of sound.
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
In Sunset Boulevard (Wilder 1950), the space of mise-en-scene is used to ‘guide the audience 's attention across the screen, shaping the sense of the space that is represented and emphasising certain parts of it ' (Bordwell 2001, p.176). For instance, when Joe Gillis is escaping the repo men at the beginning of the clip, the main focus is the speeding cars coming from the background to the foreground of the shot. Another notable scene is when Norma Desmond 's character lifts the rug and the chimpanzee 's arm flings out and swings back and forth, it instantly captures the audience 's attention. This is done because ‘moving items draw the audience 's attention more quickly than a static item does ' (Bordwell 2001, p.176). This method of presenting action corresponds with the structure of classical Hollywood as it was ‘designed for on-screen events to
Superior writers use a vast number of well-used elements. It is key to use exceptional elements if you thrive to be a great writer. An example of a writer with higher-level elements is Ray Bradbury. Bradbury has a famous short story called "The Pedestrian. "
Alfred Hitchcock used various symbols throughout the film Psycho to allow the viewer to get an insight of what is happening in the film. Symbolism is an exceptional way to entice the viewer as it creates suspense and makes it better to understand the film. Alfred uses paintings as a symbol, which can be seen in multiple scenes, to symbolize a certain character in the film to the painting and foreshadow events in the film. This allows the viewer to get more detail on the character’s personality and what is about to happen.
In the film Sunset Boulevard many characters struggled with wishes, lies and dreams of fame and fortune. The film states the corruption in Hollywood and that people will do anything to get ahead. With hope and delusion each character tries to gain happiness, while only being self-destructive and isolating themselves. The characters ultimately deny their problems and confuse those around them. One character in the film who struggles with her wishes, lies and dreams is, Norma Desmond, a washed up actress.
The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.
In the film Sunset Boulevard many character struggled with wishes, lies and dreams of fame and fortune. The film states the corruption in hollywood and that people will do anything to get ahead. With hope and delusion each character tries to gain happiness, while only being self-destructive and isolating themselves. The characters ultimately deny their problems and confuse those around them. One character in the film who struggles with her wishes, lies and dreams is, Norma Desmond, a washed up actress.
Both bright and cold, and clocks striking 13 can also be seen as paradoxical concepts. As more often than not cold days are often cloudy, and as we also all know, clocks certainly do not have 13 hours. The image he portrays, of a bright cold day and a clock striking 13 can be considered paradoxical because the images are to a certain extent absurd. As well I think this paradox helps to draw out the theme concerning the paradox of totalitarian governments, expeditiously with the clock hitting 13 as it represents how Oceania is under such strict control by
Authors use Imagery, Simile and Metaphor to put a clear picture in the reader's head. In the “Pedestrian” Simile, Imagery and metaphor are used to put a clear picture in the reader's head as well as developing the mood at the same time. In the "Pedestrian" Bradbury uses imagery, simile and metaphor to develop the futuristic setting and the mood so that the reader better understands where Mr.Mead is and what he see's.
If you have ever read Ray Bradbury then you know he is very skillful in writing stories. Every word contributes to the story in an important way. In The Pedestrian, Ray Bradbury uses symbolism, repetition, and metaphors to show what it feels like to be lonely. In this world of the future most are not outside or being active because they rather be inside watching tv. In fact, no one is around outside on this cold november night.
The clock is black because black symbolizes death, which can mean that the clock could also mean one’s time left until death. The next example is Prince Prospero; his name representing prosperity. By hiding in his abbey and building iron gates, he symbolizes human desire to escape death. As he tries to hide from death, it is ironic that death walks undetected into his abbey that was so heavily guarded. The final example of
Along with this, the symbols reveal how they reflect on the people themselves. Poe’s themes of humans cannot control death, creation to death, and anticipation are epitomized through the ebony clock and the seven
Even though, as the two start to find success in their careers their relationship starts to take a downwards spiral. The film story and location is set in a modern-day musical that is set in Los Angeles. The film was shot on location in many scenes and shot on the Warner Bros. Studios. Chazelle states it’s an homage to musicals of the 1950’s and the pictures of Fred Astaire and Ginger Rogers. The film uses a wide range of vintage type of film making from the use of film reels rather than digital film, to the use of cinemascope and widescreen, and the use of filming in actual locations and time.
In the movie ‘In time’ directed by Andrew Niccol, Niccol aims to to show and represent the instincts and flaws of human nature. The main character Will Salas, loses his mother to the system his society runs on. The system is made up of the death of poor people so that the wealthy can live forever. During the scene of Will and Sylvia Running to the next time zone and Leon chasing them, Niccol’s aim is shown through the use of camera angles such as- tracking, wide and mid shot etc. Gestures and facial expressions, lighting and colour, Music and sound.