Voice In The Woman Warrior

Woman go through a lot to be judge, belittled, or stressed. Woman shouldn’t be afraid to express their selves and feel like they don’t have enough power not to say a word. We all should be equal and shouldn’t be judge for our genders. I honestly feel like any women who went through the things Asante went through and is able to make a better person out of their selves and as strong as the next person. This author MK Asante wrote this book to let viewers see no matter what situation you’re in you can always get out and make yourself

Kingston reveals another example of how defying gender roles can lead to a better life in her story “Shaman.” As her mom is

One thing Perdue could have done to have taken this book to the next level, is include more insight from specific Cherokee women. With their insights, it would have given more of a direct insight as to actual stories making the book more interesting. If she had included more examples of Cherokee women today and how they demonstrated strength this book could have been better. Also, Perdue’s analysis reveals the burden of her politics. It is evident that at times she uses communitarian and the female centric nature of Cherokee society to criticize modern American gender relations and society.

Octavia Butler is an Afrofuturist, science fiction author who writes many dystopian stories that allude to questions about gender, social structures, and an individual’s ability to control her body and sexuality. When people think of speculative and science fiction they tend to think of nerdy white men writing stories about space and light sabers, but Octavia Butler challenges this stereotype herself by being one of the few African American women in this genre. In Octavia Butler’s speculative fiction short story “Speech Sounds” there is a reversal of gender roles and a strong idea of feminism that is portrayed through the main character Rye. There is also the use of simile and metaphor to help point out flaws in the social structure of the story and the world of the reader.

In her essay, “Where I Came from is Like This,” the author Paula Gunn Allen effectively utilizes ethos, logos, and pathos to convince her audience, women studies and ethnic scholars, of her claim that the struggles of American Indian women have had with their identities. Gunn Allen uses all three modes of persuasion to describe the struggles of American Indian women. She uses ethos to strengthen her credibility, logos to logically explain the issue, and pathos to emotionally explain the struggles of American Indian women have had with their identities. With ethos she tells us where she is from and how she got her information, which makes her more trustworthy and believable.

Instead of accepting her mother’s perspective, Kingston merges reality with fantasy as she explores the possible personalities of her estranged relative. Instead of complying with the cultural belief that one must not bring dishonor to one's family, Kingston explores what would cause someone to “drown herself in the drinking water” (16). This strong language is a metaphor that suggests than women are destroyed by the very same thing that allows them to live. This dichotomy is presented in “White Tigers” as some talk-stories depict “swordswomen jump over houses from a standstill” (19) while others communicate that women must be demure. This inconsistent portrayal of gender roles depicts the narrator's struggle with identity.

There daughters were always ashamed of and resented their mothers, especially while they were young. The daughters felt this way because of the way their mothers raised them. The mothers were very hard on their daughters, and pushed them towards successful, sometimes causing their daughter to feel overwhelmed. The mothers wanted their daughters to keep their Chinese heritage and culture, but also take advantage of the opportunities they have in America. The daughters were often ashamed of their Chinese heritage, and the way that their mothers acted.

Prior to the rise of these activist women were expected to marry, cook, clean, and birth children. All these things were seen as traditional values and a societal norm. However, as time went on more women started to challenge these norms and bend the boundaries. The rise of women rights activists inspired many women’s dormant voice was to speak volumes. It left many people uncomfortable and surprised.

The prejudice Ying Ying Saint Clair feels for American culture causes her to have a difficult time understanding and communicating with her daughter. Because Ying Ying Saint Clair was raised in China, she views western ways as valuing worthless material items and ignoring critical traditions and values. As she watches her daughter mature and make her

In her literary criticism, “Empowerment Through Mythological Imaginings in “Woman Warrior”,” Sue Ann Johnston comments on Kingston’s use of myths in the memoir, and believes that myths are Kingston’s most effective means of conveying messages to readers. Although these myths are effective, Johnston overlooks Kingston’s incorporation of these myths back into her own life. As demonstrated in “White Tigers,” Maxine Hong Kingston reveals that a woman warrior requires strength, dedication, independence, and confidence through her mother’s talk-stories and personal struggles during her life. At the opening of “White Tigers,” Kingston vividly describes the importance of storytelling to girls in the Chinese community.

As many Chinese-Americans grew up in the 1960’s, one women described it best in her multiple literary works. Bestselling, Chinse-American writer, Amy Tan in her autobiographic essay, “Fish Cheeks”, illustrates her humiliating experience at a Christmas Eve dinner at the age of fourteen. Tan’s purpose is to interpret the idea of how her mother cared for Tan deeply and wanted her to be proud of her Chinese heritage and family. She adopts a nostalgic tone in order to engage relatable thoughts and feelings in her adult readers. Even decades after the essay had been written, readers can still relate to the embarrassing situation that Tan had to face.

She shows this by using her mother’s English speaking as an example. For example, her mother was talking about a “political gangster in Shanghai” and this is some of what she spoken: “’Now important person, very hard to inviting him. Chinese way, came only to show respect, don’t stay for

Read this quote from the text. “There I was, a ten-year-old orphan.…six years I lived like this…She told me about American men who wanted Asian wives. If I can cook, clean, and take care of my American husband, he’ll give me a good life. It was the only hope I had. No one understood me, and I understood nothing

CHAPTER-V THE HEALING POWER OF FOLK CULTURE Images of women healing ill or injured women, or of women healing themselves, have become one of the central tropes in contemporary African American women’s novels. Authors such as Gayl Jones, Alice Walker, Toni Cade Bambara, and Toni Morrison utilise the trope of healing to measure past and present oppressions of women of color and to discuss what can and what cannot be healed, forgotten and forgiven. Much focus is put on how healing could be accomplished. Some hurt, they say, is so distant that it cannot be reached; other hurt goes so deep that there may be no possibility of healing... some pain can only be healed through a reconnection to the African American community and culture (Gunilla T. Kester 114)

To be specific, she situates the imminent feminist struggle by highlighting the legacy of slavery among black people, and black women in particular. “Black women bore the terrible burden of equality in oppression” (Davis). Due to her race, her writing focuses on what she understood and ideas that are relevant to black females. Conversely, since white men used black women in domestic labor and forcefully rape these individuals. These men used this powerful weapon to remind black women of their female and vulnerability.