In great stories, there is always an abundance of symbolism that helps enhance the reader's view of the world and characters that will appear. Without this, the book can begin to feel bland and unrelatable. That is why it is easy to find a great abundance of symbolism in Dante’s Inferno. Throughout the entirety of Dante’s Inferno, Dante the poet uses symbolism, both in his characters and the environment, to greatly enhance how the reader views Hell.
Dante’s Inferno imposes an allegorical journey through Hell. Many symbols were used to create a sense of how the wrong-doing of oneself is the set up to one’s own personal hell. The first symbol introduced in the poem was The Dark Wood of Error. This represented worldliness and how the soul can become corrupt with envy, lust, and gluttony. All three of these sins are represented by a panther, lion, and she-wolf.
In the excerpts from Dante Alighieri’s epic poem, Dante’s Inferno, and J.R.R. Tolkien’s novel, The Two Towers, each author conveys a message for the audience. The characters in Inferno are traveling to the center of all sin, whereas the characters in The Two Towers are traveling to the city of Mordor to destroy the ring of power. Each journey is lead by a knowledgeable guide who helps the main character find their way. Frodo and Sam, led by Gollum, in the novel are traveling to the city of MOrdor to destroy the ring of evil power, and Dante, led by Virgil, is going to the ends of Hell. The descriptions of the landscape and the dead suggest that each author has a warning for humankind:
In order for one’s message to influence their readers, they must do one thing: connect. If an author does not connect their reader’s previous knowledge with their story’s overall message, the message will never reach the reader. In order to create this connection, an author may use literary devices. Literary devices in The Inferno by Dante Alighieri produce understanding. These literary devices aid in a pagan’s comprehension of the allegory.
Free Will in the Inferno Cantos V & XXXIII and Purgatorio Cantos XVII & XVIII ANALYSIS Love and Free will in the Inferno Canto V (Francesca) In the Inferno Canto V, the theme of free will is manifested through the topic of love. Francesca, being the first speaker and sinner in hell, first introduces love by showing her perceptions on the topic. “Love, that can quickly seize the gentle heart… Love, that releases no beloved from loving,” (Inf. 5.100-103)
Sinful versus Divine Woman Throughout the Divine Comedy, Dante Alighieri explores the idea of the passion by encountering with two women. One of these women, Francesca di Rimini, is guilty of the sin lust, while the second one, Beatrice, serves as a representation of divine love. These two women have similar experiences with their lovers; both have relationships outside marriage. Yet, they have opposite interpretations of what they experience and Dante suggests that their opposite interpretations caused them their own fates, putting one in Hell to be punished, and the other in Heaven, at a divine level. Thus, the female characters within the poem represent two distinct roles of women: either as pure and holy beings, or as sinful beings.
Many of us sometimes lie awake thinking of life, death, and what happens after. Nobody knows for certain what happens once the soul leaves the body, we don’t know if there will be life after death, we don’t know if we will be punished for all that we’ve done wrong, and for that reason many of us fear death and try to stay on the straight, morally right path in order to avoid Hell. In the epic poem, The Inferno, written by Dante Alighieri, we get a sense of what Hell is like, or at least Alighieri’s rendition of Hell. After venturing from the straight path, Alighieri’s self-based character, Dante, finds himself on the verge of entering Hell. Dante’s figure for human reason, Virgil, a Virtuous Pagan, leads Dante through the nine circles of Hell
Started from Purgatory canto XXX, Virgil, the sweet father has left Dante in purgatory. Then a lady came to Dante, crowded with olive-leaves, over a white veil, dressed in colours of living flame. And Dante found out who she is right away, through her hidden charm, felt the power from former love. The lady is Beatrice, she appears as one of his guides in Purgatory and Paradise.
In Dante’s Inferno, the ideas of justice, good and evil, and suffering in hell are implied. The idea of suffering in hell and the idea of justice are closely related. Dante indicates that those suffering in hell have committed crimes that are being punished in a reasonable way and that we should not have pity for them. He uses the setting and his organization of hell to transmit these ideas and his philosophy regarding these ideas. The organization of hell helps us understand that Dante believed it was a person’s poor decisions and not cruel fate that got a person in hell.
The beginning Cantos seemed to focus on God’s will and the ordering of the world, plus how humans need God’s grace and salvation to become perfect. One of the first mentions of this comes from Canto 1: “Much is permitted there that is not permitted to our faculties here, thanks to the place, created to be the home of the human race” (p. 25, lines 55-57). Dante is now able to stare directly at the sun, which if this would have occurred elsewhere, he would not have been able to. All of his senses were increased, which is shown on p. 27, when he is discussing how he had never felt a light or sound so sharp.