When you think of an iconic american image, you think of a picture that has been molded in the minds of americans, an image you 've seen on posters, in history books, in movies, and in song. Usually the image has history, and has caused an impact on the culture through controversy, or inspiration. The image, “War is Hell” was photographed on June 18th, 1965 by Horst Faas during the Vietnam War. He was an award winning photojournalist for the Associated Press, where the photo was first published. The picture was taken at the beginning of the anti-war movements, several months after the Gulf of Tonkin incident. Additionally, this was the very beginning of widespread disillusionment in the United States (Vietnam War Protests). It helped reveal some …show more content…
Besides just the clarity, the fact that the image is so close up adds to its influence on the viewer. There is very little negative space in this image. The soldier himself is cut off so that most of what is taking up is from the neck up. You see the important things: his face and his hat. Again this creates a focus on the humanity of the subject, as well as allows for little distraction from the message the photographer is trying to send. If the image was pulled back to show his whole body, it may have had a different effect on people, as well as the words war is hell, wouldn 't have been so prominent and important, thus leaving the possibility that the image may not have been iconic if positioned any other way. The most eye catching part of this image is his “smile”. Is it a smile? We will probably never know. However, it has a resemblance to the “Mona Lisa” and her smile. She too has this smirk on her face as if taunting the public to interpret the meaning of her painting. Just like in Helmers and Hill’s article, people make connections between past photos or art to try to analyze a different photo, for example their comparison to Franklin’s 9/11 photo and the photo of “Iwo Jima” (Helmers and Hill). They
Motive The reason behind the creation of this painting is mainly for the Australian people. The Australian people (as mentioned above) are able to see how there people and loved ones fought in the war and was created specifically for those whose family and relatives were fighting in the Battle of Lone Pine as well as other battles in Gallipoli. Other motives that lead to the
On February 23, 1945, photographer, Joseph Rosenthal, captured one of the world's most famous photographs on top of Mt. Suribachi during the battle of Iwo Jima in World War II. This photograph, Raising the Flag on Iwo Jima, portrays six United States soldiers raising a flag proving that the battle was over and the United States came out victorious. Joe Rosenthal was able to capture sacrifice, victory, freedom, pride, and honor all in a single photograph. This photograph became a symbolic image for the American people and was published in thousands of publications around the world and is still honored and respected today seventy-two years later. First Part: Joseph Rosenthal was born on October 9, 1911 in Washington D.C. to a family of Russian
A person was wearing a sign that read “bring our G.I.s home”. A picture or propaganda poster caught my attention during this documentary. This poster looked like McNamara in a tank. This struck strong emotions for me and kind of pissed me off. I was surprised that people would create such nasty things of a man trying to keep war out of our country.
1 paragraph: The Spitting Image depicts the “Myth, Memory, and the Legacy of Vietnam to challenge the story of terrible treatments those returning Vietnam veterans had experienced, questioning this kind of widely-accepted beliefs, rendering readers to think deeply about whether they have been indirectly influenced or deceived by the political propaganda. The author mainly argues that anti-war activists actually spitted the truths of treatment towards Vietnam veterans into two distinct sides: Vietnam veterans were poorly treated by an anti-war groups----the author exemplified how a college teacher called a Vietnam veteran “killer” ----or “there were early hostility towards the anti-war movements. Political concerns play an enormous role by creating
For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,
In 1862 Brady shocked the nation when he displayed the first photographs of the carnage of the war in his New York Studio in an exhibit entitled "The Dead of Antietam. " These images, photographed by Alexander Gardner and James F. Gibson, were the first to picture a battlefield before the dead had been removed and the first to be distributed to a mass public. These images received more media attention at the time of the war than any other series of images during the rest of the war A New York Times article in October, 1862, illustrates the impression these images left upon American culture stating, "Mr. Brady has done something to bring home to us the terrible reality and earnestness of war. If he has not brought bodies and laid them in our dooryards and along the streets, he has done something very like
In many historical war films, the directors attempt to represent the war as it was taken place in the real world. In the film, Flags of our Fathers, real events are represented throughout the entire film. The director of the film, Clint Eastwood, depicted three soldiers, John Doc Bradley, Rene Gagnon, and Ira Hayes, who were praised to be heroes from a photograph. Joe Rosenthal captured this most famous photograph in history during the Second World War, at the Battle of Iwo Jima. After having a look at this photo, the American citizens found it as a big accomplishment for the army, and the government took this as an advantage to send the flag raising survivors on war bond drive based on propaganda, knowing that the war needed lots of added
The author, Brian K. Vaughan wants to remind us, the reader, that real and actual events are in fact happening regardless of how near or far. Whatever internal conflicts we might have in ourselves, there are violent issues and battles arising just across the ocean. The images are to remind the reader, of what went on and is going on. For example, a bird flying next to bombing airplanes that flew through Baghdad before landing on the lion of Babylon, which was described. Vaughan wants the reader to continue to be enlightened and informed with the happenings of the world around us.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
It also presents an idea that this event was affecting many people. The image exhibits that a large amount of people have become injured and the possibility that more are at risk based on the three people running. This image can increase knowledge about the event because the image presents the act which is occurring and it is giving a sense of what people felt.
Those scars symbolizes the abuse these men and women went through. The thing that stood out the most was the missing top part of the man 's ear because it makes them aware of what is going on. It unimaginable that something foul like that happens to people in places around the world. Not only does this picture convey so much emotion, but the photographer used many techniques to emphasize the different aspects of the photograph.
Most people can understand that when a soldier comes back from war, he is not going to be the same. He has seen too much and done too much to still be the innocent boy he had been. In the novel, The Sorrow of War by Bao Ninh, he not only puts the effect of war for soldiers, but for regular civilians as well. The novel is saying that war affects females even though they could not fight in war. The message is conveyed through female characters that have felt sorrow and emptiness during and after the war.
Visual Analysis The first image: This image, The Ultimate Confrontation: The Flower and the Bayonet, was taken by French photographer Marc Riboud during the 1967 anti-Vietnam march in Washington D.C. First of all , it is not difficult to define it as a photojournalism, because Marc took it in order to record a true event and tell a news story. This one shows the anti-war activity in the National Mobilization Committee clearly, which is a historic event. At present, it still appears in some anti-war demonstrations used as an important symbol, such as the activity about against the Iraq War in London in February 2003, so it also has political significance.
It simultaneously acts as an artistic revolt and protest against the destruction created by the war. According to theartstory.org ‘The title refers to the decadence of pre-war German culture, metaphorically criticising humankind's lack of humanity.’ To further its anti-war stance the photomontage also includes several key wartime figures one of which wa s Kaiser Wilhelm II, who led Germany into the war. Hoch replaces his well-known moustache with two wrestlers, satirically revealing him for who he was, an enemy of Dada. Below him is the head of General Paul von Hindenburg, which is placed on top of a belly dancer’s body, again comically indicating Höch’s negative attitude towards him.
sThis photograph, snapped by Richard Lam, went viral, and millions of people wondered if it was a passionate embrace of unknown lovers or just a deliberate set-up. Even the photographer himself had doubts about what the picture really showed. Mr. Jones, the man in the photograph, later admitted that when the police knocked his girlfriend off her feet, she became frantic, so he decided to give her a kiss to calm her down. However, despite such an unromantic explanation, this is still one of the most powerful photographs of our time and a perfect example of the "make love not war" approach. August Landmesser, a German who refused to salute during a Nazi rally, is captured in this world-famous photograph.