In the 1800s, women faced extreme oppression and were forced to become the perfect image of a caring mother and loving wife. However, in Kate Chopin’s, The Awakening, Edna Pontellier defies these expectations and social norms and takes her own path. Edna is married to her husband, Leonce Pontellier until she falls in love with Robert one summer while on vacation. In Edna’s attempt to find her own path and defy the role placed upon her by society she has an affair with Robert until he leaves her and she ends her life out of despair and sadness. Two things that come up repeatedly throughout Edna’s journey are water and birds. The symbolic imagery of water and birds represent oppression and escape for women in the 1800s. Water symbolizes escaping …show more content…
Edna feels trapped by her life as a mother and wife to Leonce, similarly to the two birds that were entrapped in a cage. The mockingbird and the parrot wanting to escape captivity represent Edna’s yearning to escape society and the expectations she faces. However, she very rarely expresses these feelings. Edna is living a “dual life [where] the outside conforms and inward life questions” (Chopin 18). Edna battles with her internal conflict of what her heart (or inward life) are telling her she wants, versus what society (or outside conforms) is telling her. The restricting feelings she experiences are placed on her by society and what people believed to be right and normal during the 1800s. One way the birds in the novel are described as is by “soar[ing] above the level plain of tradition and prejudice and [having] strong wings” (Chopin 88). This is a direct relation to Edna’s strongwill and determination throughout the novel. Edna defies norms when she falls in love with Robert and she finds herself in the midst of loving him. She feels stronger and more alive than ever. However that all goes away when Robert leave her. In the end, Edna realizes that there is no place for her in the world, and similar to the parrot and mockingbird, there was no way to escape. She felt like an injured bird, “beating the air above, reeling, fluttering, circling, disabled, down, down to the water” (Chopin 120). She sees this bird just before she dies, a bird that once represented defiance and strongwill is now broken and depressed, just like
Clara Schwind Reeves AP English Literature & Composition 7 April 2023 Societal Standards in The Awakening The 1800s was a time of extensive division between genders; men were believed to be the stronger, more independent sex whereas women were looked down upon for being “overly emotional” and seen as their husband’s property. Women were expected to stay at home, keeping up with their household duties such as cooking and cleaning while raising their children in the manner deemed proper by their husbands. In Kate Chopin’s The Awakening, the main character, Edna, is portrayed as a mother who is dissatisfied with her pre-determined place in society through her relationships with characters around her, symbolic imagery of her environment, and foreshadowing
Just outside, Robert at the place of freedom accompanies Edna. Unlike her wealthy living in the past, she lives into what is known to as “... the little ‘pigeon-house’” (144). Pigeons are often characterized as free careless creatures and nothing too extraordinary. But for that reason, it relates to Edna’s situation because she wants to feel what it’s like to be careless and above all live in an average home.
In the beginning, two parrots hang outside in a cage, trapped. The birds are representative of Edna and it shows how, from the beginning, she is trapped by society and held back from living her life to its fullest potential. Edna is disregarded by society because she is only seen as a wife and a mother, just like how the birds are only seen as SOMETHING. Edna feels neglected as a human being until she meets Robert, a man with who she develops romantic interests in. Roberts helps Edna combat her feelings of despair until he ultimately leaves because of the chemistry between them.
Chopin includes another bird metaphor in a conversation between Edna and Alcee Arobin, one of her lovers. Edna muses about a prior exchange with Mademoiselle Reisz, telling Alcee how Reisz compared Edna to a bird, one that must "soar above the level plane of tradition a prejudice" (88) with "strong wings" (88). Reisz recognizes the struggle within Edna, encouraging escape, but Edna turns down the notion even though she notes later that she did not fully understand Reisz's comment at the time. Chopin indicates that Reisz metacognitively understands Edna's femininity better than Edna does. Edna continues to ponder the metaphor, marking a turning point in the story where she takes charge of her
Edna is only able to break free of tradition to be happy if she does not break her spirit down in the process. Chopin uses the symbolism of a bird with broken wings to represent the toll taken on those who choose to bear
It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth” (Chopin 112). The bird Mademoiselle Reisz is referencing is symbolic of Edna's developing strength and heightening journey to independence but foreshadows Edna's inevitable downfall back into society's grasp. Edna endeavors to break societal confines convinced she can escape her husband's control and find freedom with Robert; Slowly, she begins to realize the impossibility of her desires.
Her frequent vacations to the island, like her frequent dips into the ocean, begin to spark a personal change within the woman. A Creole man, Robert, shows Edna a new dimension of feelings she never knew she lived without, and she begins to look through life through a new lens. Having been awakened for the first time, she sees injustice and mistreatment where she saw none before. Chopin uses Edna’s new observations and reactions to the culture around her to illustrate the myriad ways women were marginalized. In an ironic twist, the white woman from Kentucky proves to be more liberated than her more traditional husband, who grew up
When questioning Edna about her own wings, Mademoiselle Reisz remarks that “‘the bird that [soars] above the level plain of tradition and prejudice must have strong wings… Whither would you soar?’” (Chopin 112). This question prompts Edna to evaluate her strength as her own person. She realizes that she must have courage and bravery, symbolized as wings, to soar away from societal constraints. Although Edna begins to soar by starting her own life in the pigeon house, she finds herself at the beach once more before her suicide finding failure in her original journey.
Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
Kate Chopin develops Edna’s character so rigorously, she creates a whole new character by the end of the novel. Edna’s feat of overcoming her fears reveals the powerful message of being brave and finding
When Edna realizes that Robert loves her, but is too frightened to be with her, she cannot take the pain and sorrow she feels. Edna awakes and realizes that her life is empty. She finds that she’s the one who has been defeated by society and life itself. As Edna goes back to the place where she had begun her awakening, she walks to the beach and sees a bird who is hurt. It states, “A bird with a broken wing was beating the air above, reeling, fluttering, circling disabled down, down to the water” (156).
In Kate Chopin’ s novel, The Awakening, there are three identities inside of the female leading role, Edna Pontellier, being a wife, mother and own self. Edna was born in 19th century at the Vitoria period, a patriarchy society, women have low freedom to achieve personal goal. She married with Léonce Pontellier, a wealthy man with Creole descent. After having a child, her life is still unchangeable and as bored as before. Until she encountered Robert Leburn, Mademoiselle Reisz, and Alcée Arobin, her value of self-cognition has changed.
Within the novel, The Awakening by Kate Chopin, Madame Ratignolle’s character possesses traits that emphasize, by contrast the characteristics and behavior of Edna Pontellier. Despite being close friends within the novel, Adele and Edna have contrasting views and behaviors that illuminate the theme of female freedom and the tradition of female submission and male domination. Madame Ratignolle and Edna Pontellier are close friends, but their views toward raising children differ fundamentally. Madame Ratignolle would sacrifice her identity to devote herself entirely to her children, household, and husband, whereas Edna would not. Besides their views towards raising children, how they raise their children also differs.
At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions.
Birds were always involved with any moment of significance, and they helped readers see what characters struggle with. The night of Edna’s awakening, an owl was depicted sitting in a tree. At a piano performance, where Edna awakens more, a parrot is mentioned in the text. All of these bird motifs pushed and stressed a specific theme. To distance oneself from expectation and societal norms one will sacrifice.