Concert Review 6 This year’s West Bay Community Band concert on December 17th was an excellent concert based on the theme of Christmas music. The performance took place at Mills High School in their own theater and had the new staging previously used in their Winter Concert. The Band, Saxtet, Euphonium Quintet, and the Flute Trio had some individuals with the Holiday spirit. The band seemed pretty relaxed and were at ease when playing their selections regarding A Christmas Festival. Winter Wonderland was a played at a Moderato tempo with the Flutes and Clarinets being the most active players in this song. Two 16th century Carols was played at an Andante-Moderato Tempo that emphasized the whole band at different parts of the song. Good Swing Wenceslas was played at a …show more content…
Angels We Have Heard on High was played at an Allegro tempo that sent good vibes throughout the song. Hark the Herald Angels Sing was played at an Andante tempo that expressed the Flutes who are mostly composed of expression of a choir singing the song. Jolly Old St. Nicholas was played at an Andante tempo and indicated the excellence of the whole band with soothing music. Deck the Halls was played at a Moderato tempo and demonstrated the high’s and low’s of the High Woodwind range. Gabriel’s Oboe was played at a Moderato Tempo and reveals the hidden sound most audiences do not hear due to the low and sweet sound that comes out of the instrument. Jingle Bells was played at an Allegro tempo and articulated the sweet sound that comes from the whole band creating a swing beat to match a nostalgic preference of Christmas being so close. The Flute Trio expressed their excellence in soothing music from their selection Silent Night played at an Andante tempo. Their other song Carol of the Bells played at a Moderato tempo and was quite lively with each player playing different tunes all at the same time. The song selections were perfect for the theme and they had a familiar
The ambiguous sounds of the middle, give an uneasy feeling of impatient monotony, while the concluding movement is in a revelatory and joyous mood with occasional clashings of dissonance and jazzy inflections. The two Serious Little Pieces are charming miniatures: the first, a swift pointilistic whirlwind, the second, a slow waltz. Scored for wind quintet with baritone saxophone, a rustic sound is
I had the opportunity this week to watch the concert “Christmas with the Mormon Tabernacle Choir.” The performance was on November 17, 2015. This concert was preformed very well. Parts of the concert were very calm and sincere, while others were upbeat and fun. While at the concert three musical numbers stuck out to me.
On Thursday, November 17, an enthusiastic crowd filled the NJPAC’s stunning Prudential Hall to welcome an assortment of artists associated with the performer-centric label GRP Records, founded by the late drummer and sound engineer Larry Rosen, the illustrious honoree of this show, and the pianist and producer Dave Grusin, who at the age of 82, performed with his usual brio. The concert was part of the TD James Moody Jazz Festival The American jazz-fusion quartet The Yellowjackets, vindicating 40 years of existence, was summoned to open the show. Besides the pianist/keyboardist Russell Ferrante, a founding member, the band includes Bob Mintzer on saxophone and EWI, Will Kennedy on drums, and the most recent acquisition, the young Australian bass player Dane Alderson.
On December 7, the Monticello High School mixed and concert choirs presented a choral program called “An Olde Tyme Radio Choral Concert” in the high school auditorium. It was directed by Mr. Brett Kniess, and Janice Vetter was the pianist. The songs were chosen to put the audience in the holiday spirit, and in my opinion, it accomplished this goal. The first five songs were sung by a mixed choir of freshman and sophomores.
Like the previous performance I had attended this performance was once again conducted by the Maestro Jack Everly. The performance would be strictly the songs from the hit movie Indiana Jones and the Raiders of the
The woodwinds starts the section off with the Dies irae as a fast staccato
The stringed instruments were the accompaniment; therefor, they began with harmonics, chromatics, and tremolo for various measures rather than having a moving part. The melody was given to the flutes and soloist, Sami Junnonen, who was also very talented. The song was about 22 minutes long and he had the whole piece memorized. It sounded very sad, but soothing simultaneously. There were visuals around the theater, which made it easier to understand and visualize what Lopez was trying to describe when writing the song.
I attended to a concert performed by the San Francisco Symphony Youth Orchestra on November 13th this year. This concert took place in the Davies Symphony Hall in San Francisco. I chose to attend to this concert because I have never been to a performance by any youth orchestra, I was curious to see how their performance would compare to other orchestras. The first of the three piece that were performed in this concert was Maenads’ Dance, from The Bassarids, composed by Hans Werner Henze. A variety of instruments were used in this piece, including woodwinds, brass, percussion, and strings.
The music feels like it can be used in a Charlie Chaplin movie, and with the music and high-speed the scene feels like a slapstick. The music is again used in this scene and the following scene with Dim and George, ironically and turned the scenes into a comedy. In the scene of the woman with the cats, we see a combination of number of themes such as music, sex, art and violence. We hear Rossini again in an ironic use, the fight between the woman and Alex seem like a dance and the death of the woman projected like a comedy with exaggerated faces of actors and moves of the camera.
The piece included a slow tempo. I am not quite sure, but I believe I heard Merry-Go-Round played by one of the trumpet players. The ending to the piece had a continuous pattern of crescendos and pauses. Consequently, the audience became confused because they didn’t know when it was over. I thought it was a humorous way to “include” the audience.
The Lovell High School Concert Band had an amazing concert on the 30th of November. The songs included Celebration and Tribute, Sleigh Ride, Spirit of the Highlands, with a bonus of the combined band on Jinge, Jinge, Jingle. While all the songs were good, they were not spectacular. One that stands out to me is Celebration and Tribute. While Celebration and Tribute is not an extremely a technical piece, it still has its moments of fast notes and rhythms.
Instruments are introduced at the beginning of new sections, such as the pre-chorus and chorus. Dynamics each verse begins in mp and increases dynamically to mf at the pre-chorus; there is a slow crescendo to f during the transition from pre-chorus to chorus. Tempo the tempo of this song is moderato at approximately 116 bpm, however it feels much slower due to the emphasis being on the 2nd and 4th beats rather than on the 1st and 3rd.
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
Instrumental lines are every so often doubled all through. This is in contrast with The Rite of Spring whichchallenges the audience with its chaotic percussive
The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along with giving information about each band, song, scholarship players, and on Mr. Wilson and his unique instrument called a E.V.I.. The audience had a pleasant feel, everyone was talking and laughing before and after the performance, they also were