Danny Boyle – Trainspotting (1996) Review “Pick 2 different SCENES that are aesthetically powerful, explain why and what elements are formalist and what elements are realist” Based on the novel of the same title by Irvine Welsh situated his story in the late 80s, when unemployment was at an all-time high and the street value of heroin was incredibly low. Mark Renton (Ewan McGregor) lists all that the generations have to aspire to: choose life, choose a job, choose a career, choose good health, choose a big television, a washing machine, he makes “choose” sound more like a command than a decision, then offers a rebellious alternative: f** consumerist social conditioning in favor of the Iggy Pop, “Lust for Life” life style. For a man whose …show more content…
There’s elements of formalism as the room elongates, it puts into view the trains on the wallpaper of Rentons room. This is symbolic of the title of the movie and the defition of what trainspotting is, its what they’re doing, because when you shoot up heroin , the heroin leaves a dark linear mark like a track on the affected vein and you can see it go up the vein like a locomotive or train. Lighting can move to more extreme use of color, light and shadow in the creation of subjective Tommy’s shadow take up more space than Tommy himself. The juxtaposition of the young teenage girls singing with the rumblings of what’s about to happen to Renton make things more creepy, especially because the music is not in diegetic to the surface level properties of what’s going on. The music is more upbeat and the girl singing in high notes a happy song opposes the difficulty and sadness that Renton is doomed to go through. “Is he guilty” is said on the TV and he starts to scream. Trainspotting depicts characters engaged in an almost endless cycle of futile and pointless actions, and the question that looms at the end of the film is whether Renton’s final escape and promise to start over will turn out to be futile as
Before reading this musical, I did not have good idea of what it was about. I thought it was a comedy in some ways, but I did not except it to be so dramatic. This musical touches on subjects that are very fragile. I did not expect the son to be a ghost, and to have died when he was younger, and he is a ghost in the musical. With the musical being so emotional, there is a lot of adult content.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Stephen Chbosky uses many different rhetorical devices to foreshadow tramas that occured in Charlie’s early childhood. The director, Stephen Chbosky, makes the viewer really grasp the depressing and gloomy mood and emotion of Charlie, as he goes through his frightening first year of high school. To transition from the book to the movie, Chbosky uses different types of cinematic techniques. In the book, Stephen Chbosky, makes the reader feel involved in Charlie 's life by using description, imagery, and -------. In the movie, Stephen Chbosky uses dutch-angle, flashback, and tracking-shot to show the mood of the scene.
For example, when Jeff overhears the bickering between Mr. and Mrs. Thorwald, it reminds him of his own fears about commitment and marriage. Hitchcock masterfully used an abundance of noise and the almost complete absence of sound to affect the suspense in these two
The lack of complex editing and the use of the same type of shots rather than an assembly of multiple different shots of the same thing relaxes the audience instead of putting them on the edge of their seats like Pyscho would. The audience that the film Singin’ in
Now everyone immediately did not believe a word he had said because he had been found out and would say anything to get a lighter sentence or even immunity, but when investigators started looking into the case, more and more evidence started piling up against Nicholas’ mother. Investigators asked her to take a poly-test, and she failed it. Everything fell into place in that moment, all the evidence that was put forth finally clicked in my head. The director does, however, know how to end a film spectacularly well and leaves the viewer with no definitive verdict, leaving everything up to the viewer.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
When an individual hankers for conformity to societal expectations, they question their characteristics with fear of judgment. Often an individual to societal standards will stifle creativity and individuality to pursue personal desires. The dominance of conformity with leave that person unsatisfied and hinder a meaningful life. The individual will face challenges to successfully achieving their desire and year for individuality, however, once they come to the realization, they realize the essential part of their life comes from those desires. This is visible in the film Pleasantville where two high school siblings are put into the utopian society where everything remains pleasant and individuals lack a creative lifestyle.
For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.
From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.
In the beginning of the movie they used suspenseful music and imagery to keep the viewer more interested and make the viewer want to know what the “Secret” is and this is part of the logical chain of reasoning known as Pathos. Pathos is
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Early in the film, the importance of background music and its use can be seen. The music is used to create the mood, whether it be the eerie violin audio that often can be heard at times where suspense is anticipated or the same music to create sorrow for the overall significance of the film. The film being built upon a murder case creates fury and differing viewpoints between the main characters which often can be related to prejudice. The use of details not only makes the murder more interesting but also the overall scene more intense. The detailed dialogue among the characters is so precise it offers minute details such as the witness statement of the time of the crime, the entry way of the weapon, and the witness testifying without her glasses.
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their