Impacts of the Creole Band
The Creole Jazz Band, consisted of seven amazing musicians, Such as King Oliver (first cornet), Louis Armstrong (second cornet), Johnny Dodds(clarinet), Honoroe Dutrey (trombone), Lil Hardin(piano),Bill Johnson (bass and banjo), and lastly Baby Dodds(drums). All musicians except for Hardin came from New Orleans, and Hardin was young woman from Memphis Tennessee. Oliver and his band placed fourth at the Lincoln Gardens, which was a dance hall for black youth from 1922 through 1924. Listeners of the creole band couldn't resist the “ dance rhythm”the musicians. Therefore during there performance at the Lincoln Gardens the dance floor would be crowded with many of their fans dancing and enjoying the sweet sound of their instruments. Many listeners of the “ Creole Band” would confirm their music was basically for dancing as well as novelty. Also, the band’s music acknowledges the traditional style New Orleans style. This style is “an early jazz style featuring traits such as swing feel, polyphonic ensemble textures, two-beat meters, stop-time and solo breaks. Many Die Hards would say, “ every chorus seemed to swing more than the previous one, until every bit of tension in you seemed to leave your body. With that being said, Oliver and his band generated a great amount of rhythmic momentum which lead them to the top.
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Jazz can be characterized by swing, blue notes, call and response vocals, polyrhythms and lastly improvisation. Louis Armstrong would be considered a father of the American jazz genre. He was also considered one of the central musicians in jazz for his contributions as a trumpet player, composer and singer. Although jazz in deeply rooted in the black community, a variety of other cultures have shared their own experience, style and art to
Both players in tandem break away from the repeated strains to riff a short, yet complex, blues melody, before incorporating it into the undertones of the continuing song. Both players were able to command the band in a few measures, showing the trumpets true dominance over the band in that brief moment. Louis Armstrong later became one of the biggest names is jazz. He played with such virtuosity, and had the ability to span a wide range of notes. In addition, he also played in a smooth legato style, and was able to improvise flawlessly.
The era of 1920s represented vast developments in the music business. The phonograph record developed into the principal method of publicizing music, surpassing sales of sheet music. The music industry, ever powerful to learn new customs of making earnings, realized that record, sheet music and piano roll sales could all be tied together. This led to the creation of the “song plugger” which was a person who made sure his company’s music would be performed by bands and singers in hope of one of the tracks cracking the status of a hit. This marked that start of independent music companies, who were the companies that ended up grabbing musicians that the larger companies ignored; they weren’t scared to take chances on the so-called rejects.
African Americans after the Civil War created many blues melodies that have been passed down as part of their culture. Along with melody, the beat of jazz, consisting of syncopation and polyrhythms came from African communities that were passed down. Along with this, Ellington created some different styles present in jazz. These were “call and response”, ternary forms, and swung rhythms. He also created a balance of music created by him and improv from the musicians.
The New Orleans Rhythm Kings changed and influenced many people’s lives in the 1920s. They even helped make the Roaring Twenties actually “roar.” Their band helped create the essential cornerstone of the classic Chicago style of jazz ("Tin Roof Blues: The Story of the New Orleans Rhythm King 's"). Not only did they make a difference in music, but in society as a whole. They did when they put out the first “racially mixed” jazz record in 1923 with Jelly Roll Morton, an African American jazz composer and pianist ("Tin Roof Blues: The Story of the New Orleans Rhythm King 's", "Composer Jelly Roll Morton, ragtime to early jazz").
It embraced the revival of the talents and abilities that the African American population of America had to offer. Some of the greatest blues and jazz musicians/entertainers from this period performed at the Cotton Club. They include Duke Ellington, Louis Armstrong, Ethel Waters, Lena Horne, and Bill Robinson, who contributed greatly to the club’s success. Duke Ellington, and his group the Washingtonians in specific, found their big break from offers to perform at the Cotton Club. The Cotton Club broadcasted their performances regularly, so they soon had national recognition jolting their career further.
The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along with giving information about each band, song, scholarship players, and on Mr. Wilson and his unique instrument called a E.V.I.. The audience had a pleasant feel, everyone was talking and laughing before and after the performance, they also were
The history, popularity and influence of jazz on human culture make it the seminal American art form. The origins of jazz music are central to its identity and its importance in the American story. Firstly, ragtime
New Orleans provided a receptive environment for jazz to develop and grow. All “Early New Orleans” bands did not sound the same. The style of playing varied with the job, whether it was music for a parade, funeral, or dancing. Melody was fixed but everything else was improvised during performance. Music played in some African American clubs was considered too “rough” by established New Orleans society.
Jazz is a musical form of African American origin characterized by improvisation and syncopation. Brass instruments, such as the trumpet and bass, woodwind instruments, including flutes and saxophones, the bass, and the piano are particularly associated with jazz. Improvisation and syncopation are two essential concepts in jazz. Improvisation is the “creative activity of immediate (“in the moment”) musical composition, which combines performance with communication of emotions and instrumental technique”. Syncopation is a “temporary displacement of the regular metrical accent in music caused typically by stressing the weak beat.”
Rough Beginnings It was 1915 and the music scene was just getting hot. New Orleans was busting at the seam with young cats prowling the streets, lurking in seedy after-hours clubs looking to get a wild jam session in before the night was through. An insanely talented and equally arrogant ragtime pianist by the name of Jelly Roll Morton began to play with a different kind of flavor that drove audiences crazy, and with that the invention of Jazz was born. The heavy syncopated beats making your pulse jump, the bluesy lilt of a melody lapping lazily at your senses; this was the time to be alive.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
Early in his career, Armstrong was taking what was called "Creole jazz" or dance music and combining it with rougher, more improvisation-based street music by trumpeter Buddy Bolden's. Eventually Jazz was created. He masterfully combined his admiration for past jazz sounds with the ability to reinvent it for the future.
His career spanned almost 50 years, from the 1920s to the 1960s, and different jazz eras. The work of Louis Armstrong summed up the achievements of New Orleans jazz style and indicated the way to the later evolution of the music as a solo-oriented art form. The features of New Orleans jazz were collective improvisation and ensemble style. The organization of the New Orleans jazz was a small brass band. Trumpet or cornet, trombone, clarinet, two drums (snare drum and bass drum) were used as the primary instruments and marching band music, ragtime, blues had been played a lot.
Jazz doesn’t have a specific date when it all started it and there wasn’t a specific person who started everything or one particular culture that influenced jazz. It was a mixing of souls and emotions of many people of many cultures. New Orleans is a multicultural city with influences such as French, Spanish, African, Italian, German, and Irish, they all add a little flavor to the pot. The city of New Orleans has more liberal outlook on life with an appreciation of good food, wine, music, and dancing. These influenced locals to take the sounds of what they heard in churches and the music they heard in barrooms.
Jazz is the type of music with an African-American origin that started in the early 20th century with syncopated beats and a regular, forceful rhythmic pattern. Jazz musicians often improvised solos of music on the spot with the use of pianos, drums, saxophones, clarinets and trumpets. These snazzy tunes ran through the veins of women and their dance partners and gave way to a feeling of freedom, or so it seemed. Jazz spans an era ranging from ragtime and Latin dances to present day and has proven to be difficult to define. A man named Louis “Satchmo” Armstrong(1901-1971) helped pave the way for exploration in American Jazz music style music.