In most books, authors use motifs to symbolize a larger theme. In the Lord of the Flies, William Golding uses a variety of motifs as significant symbols. This is especially evident with the boy’s physical characteristics. Golding uses the main characters’ hair to show that natural desires must be pushed aside in order to have a successful relationship. To begin with, Jack’s quick embracement of savagery is represented through his hair which shows that he let his power lust get in the way of his friendship. The first time the reader meets him, Jack is described as having red hair, although it was covered by a cap, “Inside the floating cloak he was tall, thin, and bony; and his hair was red beneath the black cap” (20). Jack’s red hair symbolizes his evil natural desires and the cap …show more content…
Secondly, to further show that Jack’s hair depicts his physical desires, Golding describes his hair many times while he is hunting stating that, “Jack crouched with his face a few inches away from this clue, then stared forward into the semi-darkness of the undergrowth. His sandy hair, considerably longer than it had been when they dropped in…”(). Hunting is Jack's way of wielding his natural desire for power. Jack feels a rush when he is hunting and it almost seems that he is addicted to it. He claims that the boys need meat, but in reality he just likes the hunting. At one point, Jack and his tribe even neglect the fire to satisfy their desire for hunting. The reader is able to realize that as Jack’s hair gets longer, he becomes increasingly power hungry. Soon, it becomes his chief characteristic, “Ralph picked out Jack easily, even at that distance, tall, red-haired, and inevitably leading the procession”(). Furthermore, Jack uses other people’s natural desires against them. For example, when the boys were playing around and pretending to hunt, Jack held Robert by his hair. This was a significant
When first introduced, adorned in a golden badged choir boy cap, Jack sizes up the stranded children “and peered into what to him was almost complete darkness” (20). Because of the archetypal diction used in this quote, an assumption arrises supporting the assertion of Jack as an antagonist. The archetypal references continue throughout the quote. Jack peering into darkness symbolizes ignorance towards the situation, and the negligence with which Jack will accept its importance. As a result of Jack’s negligence, the young dictator turns into a monster of instinct “and for a minute became less of a hunter than a furtive thing, ape like among the tangle of trees” (49).As opposed to Ralph’s previous perception of Jack, this description of “the new Jack” juxtaposes the choirmasters previous appearance.
After mere weeks most of the boy’s hair has grown to the point where the movement of their hair is necessary to be able to see. Jack’s hair, for example, has noticeably grown and with it so is his savagery. Jack's hair is “considerably longer than it had been when they had dropped in,”. (Golding ___) With his hair growth so is his animalistic behavior, “ Jack himself shrank at this cry with a hiss of indrawn breath, and for a minute became less a hunter than a furtive thing, ape-like among the tangle of trees” (Golding__). Jack no longer feels the need to take care of himself and his hair, which in turn brings him farther away from civilization and the norms of society.
Inside his own tribe, Jack does not have to adhere to the rules of Ralph’s society, allowing himself to grow as a person and find who he truly is. As he remakes himself, he physically changes his appearance so that he can be the character that he wants. Jack feels resentment towards a society with order, and as a result, he chooses to create a society with almost no
In Lord of The Flies by William Golding, dozens of british schoolboys find themselves stranded on an island after an horrific plane crash. As the boys get more accustomed to life on the island, they lose their grasps on civilization and even result to savage tendencies such as murder. Right before the barbarous boys, who were deceived by their power-crazed peer, (Jack) were about to kill their former chief, a navy general arrived to the island and brought them back to civilization. Golding uses an abundance of symbolism throughout the novel to give characters complex and deeper attributes. For example, hair is a major symbol and is used frequently throughout the novel to give us insight on characters and the setting.
Literary Analyses of the Lord of the Flies The Lord of the Flies demonstrates a wide variety of symbolism; from Christ to Satan the children are portrayed in an abstract manner to represent these religious beings, as well as a symbol of great strife for power. Two of the main symbolic devices are used in the form of a mystical Conch and a cumbersome Sow’s head perched atop a stake; however these symbols represent very different ideas. Next the Lord of the Flies demonstrates the burden and struggle of power in multiple ways. William Golding included within this novel the power of symbolism, using inanimate objects, characters, or even landmasses to represent ideals derived from basic human morals and Christian religion that has a major influence
The last example of a symbol from Lord of the Flies is the boys’ hair. The boys’ hair is meant to show how savage the boys are. When the boys embrace their long hair, it shows that they are accepting their savagery. In this quote, it describes how “Ralph stood, one hand holding back his hair, the other clenched” (Golding 66). This quote shows that Ralph isn’t fighting off his savagery and it is starting take over.
Jack represents savagery and thirst for power. Similar to Ralph, Jack is inclined to leadership. Unlike Ralph Jack abuses his position above others. Jack can be described as "tall, thin, and bony: and his hair was red beneath the black cap. His face was crumpled and freckled, and ugly without silliness.
Although a civilized physical attributes don’t last long in an secluded island with no rules, soon Jack had become a savage. Changing his physical features and creating a new trait of himself. “He turned quickly, his black cloak circling … Inside the floating cloak he was tall, thin, and bony; and his hair was red beneath the black cap. His face was crumpled and freckled, and ugly without silliness.
Lastly, Jack is known as the rebel of the story who disagrees with the leaders, and is pure evil from middle to end. Although Jack is evil, his bad character trait ensures his survival and alliance with the boys. The first example of when Jack’s evilness is shown in the story is when Jack hunts the pig and puts its head on a stick, the line says “ Jack held the head up and jammed the soft throat down on the pointed end of the stick which pierced through into the mouth. He stood back and the head hung there, a little blood dribbling down the stick” ( Golding, 150). This shows Jack’s evilness because instead of fearing the beast he is offering him the head of the pig that he just brutally murdered.
A significant event that happened in the novel was when “Jack was on top of the sow, stabbing downward with his knife…then [he] found the throat and the hot blood spouted over his hands. ‘Look.’ He giggled” (Golding, 149), this showed how Jack felt satisfaction, pride and no remorse for what he had done. This also destroyed his stereotype of a holy person, since killing is deemed as a sinful act. Not only did Jack felt the drive to hunt, but “Ralph too was fighting to get near, to get a handful of that brown, vulnerable flesh.
In William Golding's Lord of the Flies, there are many symbolic concepts within the novel such as the beast, and the pigs head. Golding uses these concepts to portray to the reader his idea that when humans are left without rules or organisation they will break from a civilised manner and become savages allowing evil to over take them. One of the most important symbols used to help the reader understand Golding's idea is the beast. Many of the boys believe their is a beast on the island and become fearful.
Lord of the Flies remains Golding’s most accredited piece of work. It is an apparently simple but densely layered novel that has been categorized as fiction, fable, a myth, and a tale. Generous use of symbolism in Golding’s work is what distinguishes him with other authors of the same genre. For example, the conch shell, that represents a vulnerable hold of authority which was finally shattered to pieces with Piggy’s death. Secondly, for the other boys, Piggy’s eyeglasses represented the lack of intelligence which was later defeated by superstition and savagery.
Jack has changed greatly, over the course of William Golding’s novel, Lord of the Flies. Crashing onto an island without adults and having to survive put a strain on all of the boys, but Jack’s personality altered the most due to this experience. He went from living as an ambitious choir boy, to being a vicious, brutal, beast. Many things changed Jack on the island, but most of all, he created the monster he became.
Some would say power is the ability to control a group and have them become your followers while maintaining a strong leadership role. The two books, Animal Farm and Lord of The Flies use power through the two main chiefs of the novels. The book Animal Farm, by George Orwell, is about a group of animals that declare a rebellion against the owner of their farm. They take the farm over, and make Napoleon, the main character who is also the dictator of the book, take leadership of the farm. On the other hand, the book Lord of The Flies, by William Golding is about a group of boys who are stranded on an island with no adults.