Lord of the Flies is a classic novel by William Golding that explores the darkness of human nature and the consequences of societal breakdown. The novel is an allegory in which characters and objects symbolize essential themes, and Golding uses these symbols to illustrate his message. One such example of symbolism in the novel that relates to the text's themes is the face paint the boys began to wear as the story develops. The face paint and its use in pig hunts help develop the themes of dehumanization and loss of identity. One of the most potent symbols in William Golding's Lord of the Flies is the face paint worn by the boys. The paint is used by the boys as a way of creating an identity for themselves and to express their primal instincts. …show more content…
The mask is a metaphor for Jack hiding his true self and putting on an act that does not reflect how he truly is. The face paint symbolizes the loss of individual identity that the boys experience as they descend into savagery. When the boys first begin to paint their faces, it is a way of distinguishing themselves from each other and creating an identity. However, as they become more savage, the paint becomes a way of hiding their true selves, and they begin to blend together as a single entity. As the boys' loss of identity becomes more pronounced, they begin to wear face paint, which camouflages their faces and makes them all look alike. This represents their complete loss of individuality and identity, and their regression to a more primitive, animalistic state. Furthermore, as the boys begin to lose their identity, they also begin to lose the sense of acting and rationalizing like a human. This can best be displayed in the novel when Jack "looked in astonishment, no longer at himself, but at an awesome stranger. He spilled the water and leapt to his feet, laughing excitedly. Beside the pool, his sinewy body held up a mask that drew their eyes and appalled them. He began to dance and his laughter became a bloodthirsty snarling" (Golding 63). This
Maslow, a theorist, stated in describing his hierarchy of necessities that when certain needs are not met, people begin to shift. In this case with the boys on the island none of their basic needs were met, some less met than others. On top of that this event foreshadows Jacks future
After mere weeks most of the boy’s hair has grown to the point where the movement of their hair is necessary to be able to see. Jack’s hair, for example, has noticeably grown and with it so is his savagery. Jack's hair is “considerably longer than it had been when they had dropped in,”. (Golding ___) With his hair growth so is his animalistic behavior, “ Jack himself shrank at this cry with a hiss of indrawn breath, and for a minute became less a hunter than a furtive thing, ape-like among the tangle of trees” (Golding__). Jack no longer feels the need to take care of himself and his hair, which in turn brings him farther away from civilization and the norms of society.
William Golding’s novel Lord of The Flies is a story about how a utopia can turn into dystopia through savagery and breaking rules. Golding uses a range of techniques to keep the reader hooked, however his use of characters and symbols is what makes his novel unique. All of Golding’s characters have a symbol associated with them Ralph and the conch, Piggy and glasses, Simon and the beast, and Jack with his face paint. Ralph is the main character in the novel which means the other boys on the island look up to him. Ralph is very reliant on the conch because it gives him authority and power.
Jack wants to wear face paint, as they did in the war, which connects to his destructive behavior. He begins to “dance and his laughter became a bloodthirsty snarling” (Golding 64). The newly-made mask Jack wears begins to compel the other children
”(Golding 63). Jack with charcoal, clay and other natural materials paints all over his face to look like war paint. Jack was the leader of the choir boys and now the hunters so he changes his look to match his new role on the island. Jack painting his face is him embracing the hunt which has come from living on the island. This symbolizes the boys becoming less innocent people the longer they are stranded on the island.
The mask was a thing of its own, behind which Jack hid, liberated from shame and self-consciousness.” (Golding 64) Jack is completely transformed in this mask, making him unrecognizable to his former self. However, this is just the beginning of
In Lord of The Flies by William Golding, dozens of british schoolboys find themselves stranded on an island after an horrific plane crash. As the boys get more accustomed to life on the island, they lose their grasps on civilization and even result to savage tendencies such as murder. Right before the barbarous boys, who were deceived by their power-crazed peer, (Jack) were about to kill their former chief, a navy general arrived to the island and brought them back to civilization. Golding uses an abundance of symbolism throughout the novel to give characters complex and deeper attributes. For example, hair is a major symbol and is used frequently throughout the novel to give us insight on characters and the setting.
Near the end of the novel, the face paint’s liberation into savagery symbolizes how easy it is for a person to change. When Ralph’s group decides to attack Jack’s base, Eric suggests that they paint their faces. The boys choose not to because, “they understood only too well the liberation into savagery that the concealing paint brought” (Golding 172). The
In the first chapter “The Sound of the Shell,” all of the boys elect a chief. The way that Jack acts toward Ralph expresses how he is unhappy with the decision of Ralph being chief. The quote “[...] and the freckles on Jack’s face disappeared under a blush of mortification,” expresses how much he wanted to be chief and when he was not elected as chief, he was embarrassed and upset. In chapter 11 “Castle Rock,” Jack wants to become chief and behaves more violently towards Ralph. The text explains that the boys have became more vicious without adult supervision.
In William Golding's Lord of the Flies, there are many symbolic concepts within the novel such as the beast, and the pigs head. Golding uses these concepts to portray to the reader his idea that when humans are left without rules or organisation they will break from a civilised manner and become savages allowing evil to over take them. One of the most important symbols used to help the reader understand Golding's idea is the beast. Many of the boys believe their is a beast on the island and become fearful.
As the novel has progressed the boys are more described as looking more and more untidy, unclean, slob like, and progressively looking and acting like savages. This change can bee seen all of the boys. We can see this by the way the boys are described by Lowry, “Other boys were appearing now, tiny tots some of them, brown, with the distended bellies of small savages” (201). This is symbolic because it shows how far they are from civilization, not only in their appearances but also in their behavior. This can be seen in the quote when they are described as savages and have killed two of their own.
Lord of the Flies remains Golding’s most accredited piece of work. It is an apparently simple but densely layered novel that has been categorized as fiction, fable, a myth, and a tale. Generous use of symbolism in Golding’s work is what distinguishes him with other authors of the same genre. For example, the conch shell, that represents a vulnerable hold of authority which was finally shattered to pieces with Piggy’s death. Secondly, for the other boys, Piggy’s eyeglasses represented the lack of intelligence which was later defeated by superstition and savagery.
Native Americans paint their face as a ritual right before a battle. And Mexican wrestlers wear masks to hide their identity. All the different uses and symbols for masks can be impossible to name, but in Lord of the Flies a fictional novel By William Golding, the children paint their face to mask their identity, emotion, and growth on power and savagery. A mask whether it faces paint, an actual mask, or even makeup can hide many things.
The savage boys led by Jack need fire and plan to take it from Ralph. In order to steal the fire, they need to sneak up on Ralph. To accomplish this, Jack decides that they will "l put on paint and sneak up" (Golding 196). Why would the boys paint their faces in order to steal something? Well, the face paint would cover prominent features in their faces, almost providing a sense of anonymity.
The novel suggests that even the most civilized individuals can become violent and dangerous when placed in a situation where they must fight for survival. Additionally, the fact that the boys are children suggests that the novel is also about the loss of innocence and the corrupting influence of power. While the choices that characters make regarding self-preservation versus moral code are certainly an important aspect of the novel, it is not the only theme that the novel explores. This is evident in the way that the boys' behavior becomes more violent and primitive as they become more desperate to survive. For example, the boys become obsessed with hunting and killing animals and eventually turn on each other violently and chaotically.