Do you believe in vampires? Vampires are hidden, dark, unhuman creatures. They pray on the living, and create more monsters with one bite. In the novel “Dracula” By Bram Stoker, many symbols, motifs, themes, are hidden in with the plot. Throughout the book, you get an interesting insight from each character. My paper will touch on those symbols, motifs, and themes. It will also touch on a main character, and will be looked at through a feminine lease point. Bram Stoker uses blood as a symbol in the novel “Dracula”; Stoker uses blood to represent Strength, and someone’s life force. “We Szekelys have a right to be proud, for in our veins flows blood of many brave races who fought as the lion fights for lord-ship” (Stoker 33). To further explain …show more content…
Dracula also wanted to change a pure woman. “The room was dark, so I could not see Lucy’s bed; I stole across and felt for her. The bed was empty. I lit a match and found that she was not in the room” (Stoker 101). To elaborate, Stoker is explaining the start of Lucy’s adventures in her sleep. “Is this really Lucy’s Body, or only a demon in her shape? It is her body, and yet not it. But wait a while, and you shall see her as she was, and is” (Stoker 229). This quote is all about Lucy, how she has changed from a pure young woman to a dark lost soul who kills children. According to Mitchell R. Lewis in the article “Dracula” , “the conflict over Lucy” is revealing Stokers “thematic concerns with gender, sex and sexuality”. To sum it all up, Lucy was the first character to really experience what Dracula really was, and what he was capable …show more content…
“The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips,” (Stoker 22). In this quote from the novel, Stoker shows the teeth of the vampire as a masculine symbol because it is a pointy object. “and last a round wooden stake, some two and a half or three inches thick and about three feet long. One end of it was hardened by charring in the fire and was sharpened to a fine point. With this stake came a heavy hammer such as in households is used in the coal-cellar for breaking the lumps” (Stoker 229). In this example, Stoker shows the stake as a strong long wooden thing, or showing it as the male genitals; the stake is shown has a masculine symbol that takes the life from women, this can symbolize rape. Per Harold Bloom (Bloom on Dracula), Stoker doesn’t know how to distinguish between the female protagonist of “the feckless Lucy and the fortunate Mina”. To suggest, Stoker does not know how to depict a female power in “Dracula”. In conclusion, Women are seen as inferior in this novel, and more masculine symbols show
No horror novel has achieved the notoriety of Bram Stoker’s Dracula. Vampires today would not be so popular in horror if not for Stoker’s revamped version of the classic Eastern European bloodsucker. Having come at a time when xenophobic novels were extremely popular, Dracula has kept its relatability despite the test of time. Aside from its hold as a horror novel, Dracula endures because it serves as a reminder of how society works alongside authority figures and the powerless, and from its definition of human values.
Bram Stoker’s Dracula is a book whose themes and ideas have long outlived the author and will certainly outlive us. It is such a famous book because many people regard it for defining the modern day vampire. This book is also revolutionary by how it addresses important themes in the book that were pressing matters during the time of Dracula being written. Such themes include Christian symbols and female sexual expression.
The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
In the Victorian age, women had to be either a virgin or a mother/ wife or she was considered a “whore” if she was neither. In addition, when Lucy transformed into a vampire, she had already been infused with the blood of 3 other men than her husbands. This was seen as a sexual practice and given Lucy an impure status and she was to be killed to return to a more socially acceptable one. The three black flowers at the bottom also represent the three vampire sisters, which were often described as “voluptuous.” On top of these roses is a Barbie doll which represents a standard of beauty women were expected to have.
Stoker makes sure he gives us every detail about how the men feel, how they “would give the last drop of blood [of their] body for her” (Stoker 105). The men give her transfusion of their bodily fluids to Lucy so she will become well again. These transfusions are shown in great detail, but they did not work because Lucy was still tempted and Dracula was still taking her life away from her. When she finally died, “Death had given back part of her beauty” (Stoker 139), and now her beauty would become an even more dangerous threat to the people around
Dracula has been famous by many people for centuries and count Dracula has become a major figure of horror movie and novel that it also has become one of the most popular characters to cosplay in Halloween. Because of its popularity and existence as representative character in field of horror, many scholars have been analyzing in various ways to find any hidden meanings beyond its massive plot. The novel, Dracula, brings up many different meanings according to how it is analyzed. Analyzing sexuality in Dracula is one way to figure connotative meanings out from Dracula. In this perspective, I would like to identify the desires of Victorian in that period through sexuality represented in the text.
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that
The fear of something different, of monsters in the night that feast on human life. The price of immortality was to suck the blood from the living and become a hated being. Even Lucy was condemned the second it was made clear she was no longer human, “the whole carnal and unspiritual appearance, seeming like a devilish mockery of Lucy’s sweet purity. ”(Stoker 292), believing her overtaken by a demon they promptly sought to eradicate it. All human characters see Dracula's immortality as unclean; nobody wishes for it.
Lucy Westenra is the best friend of Mina Harker and thus the second female main character of the novel. Stoker describes with Lucy a representative of the New Women movement, as the time was seen by the British population. She is single and lives with her mother, who is suffering from heart disease. Her family, that was once very prosperous, consist only of herself and her aging mother. She is Dracula’s first victim /vampire child in England.
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
As Lucy becomes a vampire, she becomes increasingly sexualized. Like the vampire ladies of Castle Dracula, her repressed sexuality comes to the surface, and she becomes the sexual aggressor, women in 1897 weren 't supposed to be the ones to ask for kisses. They were supposed to be
When you think of Dracula, you remember the fairy tale you were told as a child about vampires, but in reality how much of the story was a myth? The name Dracula reminds children and adults alike of the vampire they have so often heard of in movies and books. However, his story was quite different from what they may have heard. This story blurs the line between fiction and fact, when Bram Stoker gains inspiration from actual events and creates a legendary character Dracula is a vampire, hundreds of years old, with supernatural powers and weaknesses. He 's extremely physically strong and can shapeshift into several different forms.
Although considered by many to be a horror story, the language of Dracula portrays a story that is the precursor to many modern-day vampire novels. Given the language choices in Dracula it is no wonder that many portrayals of the modern vampire legend are sensuous. As an avid reader of paranormal romance, these not so subtle hints at sensuality leapt from the pages. These hints are scattered throughout the story it is in third chapter when Jonathan Harker meets the three sisters that stand most vivid and read the most like the stories that have come since the publishing of Dracula. Stoker used evocative imagery to bring his characters to life and give them the presence of beauty “brilliant white teethe..ruby of their voluptuous lips.”
Victorian women were seen to be stay-at-home wives and especially not as intelligent as men were. The impurity of Lucy would have been frightening amongst Victorians because they are blind to superstitions, thus having a vampire in England is new and unusual. Also, the fact that the “monster” is a woman is different because women are known, or characterized, to be pure and innocent, and that frightens the men since a woman can be as strong as they can. Throughout Dracula, however, there is a woman who portrays faith and the definition of purity, and that woman is Mina. The role of women comes into play when Van Helsing complimented Mina saying that “She has a man’s brain--a brain that a man should have were he much gifted--and woman’s heart” (Stoker 251).