He shows his inability of desiring or loving her by constantly mocking, affronting and neglecting Emila. However, she seems to love lago kindly with a passionate devotion, thus she is desperate to gratify him and accommodate his wishes. Her sole aspiration is to impress and please him. "Heaven knows, not I; I nothing but to please his fantasy." she said as she theif on Desdemona’s handkerchief.
Do you feel nerve wrecked and low in self-esteem because your partner picks up fights at the slightest suspicion? Are you on the brink of marital failure? If yes, then all these symptoms point toward a single disease: Jealousy. Jealousy is a lethal solvent that can corrode the love and trust in any kind of bond, may it be a friendship or a marital relation. Feeling jealous is a very natural emotion and can actually be helpful at times, by promoting healthy competition and boosting productivity.
Jealousy in Othello leads to his insecurity after his mind being onslaught by Iago. Nordlund reasons, “The typical interpretation of Othello’s jealousy…, is that it arises from low self-esteem” (Theorising Modern Jealousy 154). His internal complication was actually created by external force—Iago. Othello shows proud and confidence to his achievements, he is aware that he is being loved and admired; furthermore, he is sure that he deserves Desdemona. Iago intelligently recognizes the moment of Othello’s anxiousness starts and exploits it.
Many of Shakespeare’s plays use the concept of jealousy, however few use it as centrally as Othello. One of the strongest examples of this is the character Iago. From the start of the play his actions are driven by jealousy and the perceived revenge he needs to get. He is jealous of Cassio for taking a promotion he saw as his. He is jealous at Othello because he suspects him of cuckolding him.
There are ten soliloquies that Iago does throughout the play, this is to show how arrogant and driven he is to destroy Othello all because of his jealousy. The soliloquies are performed as though you can hear the characters inner thoughts, this is to help show how dramatic the character really is and to help build up the play with suspense. Iago is the epitome of jealousy, envy, and hatred. ¨The Moor is of free and open nature, that thinks men honest that but seem to be so, and will as tenderly be led by the nose as asses are.¨ (Bevington, D. 2014). In Act 1 scene 3 lines 400-403, Iago talks about how innocent and basically nieve Othello is and how easily he will lead him to his destruction (Bevington, D. 2014).
Romantic love is an obsession” (Helen Fisher). The amount of Dopamine and Oxytocin coursing through Juliet makes her foolishly trust Romeo and act on what she feels for him. Both fall victim to their hormones and make decisions based on
Depicted as the handsome bachelor of the play, Cassio is highly respectful and seemingly flirtatious to all women naturally, which serves as the fuel for Iago’s malicious scheme in the play. Regardless of how these men are interpreted on the surface, Shakespeare distinctly outlines how the Venetians view the roles of women in their time, which is that men are to be ultimately superior to women, and women are basically idle objects for men (Iyasere, 2009). Throughout most of the play, Othello appears to have admirable respect for his wife Desdemona, as he is open and sincere about his love for her in the presence of every character. Indeed, Desdemona seems to be treated as most women desire to be treated and loved by their husbands. Othello courageously stands his ground and professes his love for Desdemona when he is approached by Brabantio and his men about their elopement (Shakespeare, 2014).
“There, Leonato, take her back again. Give not this rotten orange to your friend” (4.1.31) Shakespeare uses this effective metaphor; comparing Hero to a rotten orange shows Claudio’s perception of the girl he had previously declared undying love for. The image of an orange, seemingly beautiful and ripe on the outside, yet internally corrupted – ‘rotten’ – reiterates the theme of appearances and reality, which extends over the entire work. We see how acts of deceit expose the frailty in the Hero-Claudio love plot.
Not only can the debaters benefit from group debates but the quality of information that is sent back and forth throughout these arguments can benefit the matters at hand. With the good always comes a little bad, so there are some drawbacks to debates as well. When people put in so much effort and passion into their opinions, points, and views, they can become sensitive, emotional, offended, and even provoked. This is not the intent for debates, but it can happen. Also, debates are basically a battle between people and one side wins and one side loses.
Theme of Love If we talk about love then the first that should be considered is the love of Portia and Bassanio. Bassanio needed to get hitched to Portia on the grounds that she was a wonderful and well off lady. Along these lines, starting here of perspective, Bassanio can be blamed for cherishing the magnificence and abundance of Portia more than Portia herself. Then again, Bassanio truly enjoyed Portia and needed to get hitched to her. Along these lines, for this he took a danger of putting Antonio helpless before the foe Shylock.