A quote that stood out was, “How much I love you, Lenina,”(191) because of how this is the first time those words are uttered from a character. I think Huxley will later reveal why John rejected Lenina when she offered herself to him and I think love is going to be further spoken of and explored due to the fact that it involves a Savage who was raised around married couples and a Beta who was conditioned to think that promiscuity is what is
Abigail Williams is to Blame In The Crucible by Arthur Miller, Abigail Williams, an unmarried orphan in the Massachusetts town of Salem, increasingly grows more jealousy of Elizabeth Proctor intensifies in attempt to realize her desire for Elizabeth's husband John Proctor. Her ambition for vengeance only grows stronger, and her selfishness escalates. She repeatedly lies to save herself by denying her involvement in witchcraft. In order to save herself she accuses the innocent, without any sense of ethical violation. Abigail proves to be a selfish antagonist in The Crucible that shows no sense of right and wrong.
When Desdemona and Othello finally return and see Iago, Roderigo, and Brabantio again, Iago started a dispute between Othello and the other people in the room. Roderigo argues, “She, in spite of nature, / Of years, of country, credit, everything, / To fall in love with what she feared to look on! / It is a judgment maimed and most imperfect / That will confess perfection so could err / Against all rules of nature, (I.iii.114-119).
“Glamis thou art, and Cawdor, and shalt be what thou art promis’d. Yet do I fear thy nature, It is too full o’ th’ milk of human kindness to catch the nearest way” (1.5.13--16). In The Tragedy of Macbeth by William Shakespeare, to Lady Macbeth, the “milk of human kindness” is wrongful doing and no self-respecting human will have any use for it. Lady Macbeth is ambitious, and fears that her ‘milky’ husband lacks the mental strength to kill Duncan.
Gertrude still recoils back to the stability of Claudius even after Hamlet accuses and exposes his mothers fickle disloyalty and moral standards in Act 1 Scene 2, “Frailty thy name is woman” furthers her inability to support and think critically herself responding to Alchin De Botton take on marriage, that ’we don 't understand ourselves’, Gertrude dependable manner suggests her moral compass and
Creon replies, “Go then, and share your love among the dead. We’ll have no woman’s law here while I live” (440). This quote displays how afraid Creon is of having a woman above him or prove him wrong. He would rather silence her. It is also apparent that women are seen as mere objects.
Such an act would go against God himself, and so the linking of evil spirits present her to be unwomanly and almost witch-like. Gender roles were set during Shakespeare 's time. Women were considered emotional, nurturing, and fragile where men were considered stoic, strong, and masculine. Lady Macbeth laments her gender while she hatches her plan to kill King Duncan: "Come to my woman 's breasts, And take my milk for gall…" The language suggests that her womanhood, represented by “breasts” and “milk”, usually symbols of nurture, impedes her from performing acts of violence and cruelty, which she associates with manliness.
Proctor understands that he committed the heinous crime of lechery. This is why he denies his fondness of Abigail after his wife forced her out of their home. At the time he could not contain himself and made the decision to disregard his morals, wife and laws for the time being. The second sign of corruption within the society occurs when Mary Warren turns on Proctor and lies about the witchcraft being true. In fear of her life, Mary says, “My name, he wants my name.
Scout and Jem were explained by their father, Atticus, that racism does exist in the following sentences. “There’s something in our world that makes men lose their heads¬—they couldn’t be fair if they tried. In our courts, when it’s a white man’s word against a black man’s, the white man always wins. They’re ugly, but those are the facts of life.” (Harper 295).
In conclusion, in Sophocles’ Antigone, the theme of free-will versus fate is emplified by the family curse and Antigone’s goal in the play is to bury her brother, Polynices. However, it is forbidden to do so and the punishment for breaking that rule is death. The fate of Antigone because of her family’s curse is one of the causes of her downfall. Another cause of her downfall was her free-will of going against Creon’s rule. The final part discusses Creon’s free-will of having power and using it poorly, this causes the downfall of his
Macbeth’s thoughts with his deep desires dismay him and he fails to share them openly so he sends a letter to Lady Macbeth clarifying the situation he is in. When Lady Macbeth receives the letter, she encourages murder as she sees that this is the only chance to accomplish their ambition. Lady Macbeth says, “I have given suck, and know how tender ‘tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, Had I sworn as you Have done this” (1.7.59-64). Macbeth allows his wife, Lady Macbeth, to manipulate him by condemning him of not being ‘man’ enough and states that she will kill her own baby for the sake of having their desire fulfilled. Lady Macbeth also uses the power of her words to convince Macbeth to kill the king by also giving Macbeth a boost of confidence.
When setting a goal, one often strategizes and uses various tactics to ultimately achieve one’s desired objective. In William Shakespeare’s Othello, the character of Iago does exactly that. Iago’s sinister intent is to ruin Othello’s life by gaining his trust and then backstabbing him. In order to ensure the success of his plot to “poison his delight” (Shakespeare 1.1. 68), Iago exploits the people around him with different methods. One of the most prominent strategies that Iago utilizes is racism - but this does not necessarily imply that he is a genuine racist.
Iago plan to destroy Othello evolves when he notices Desdemona's assertive behavior towards her father. Iago realizes this characteristic because Iago's wife, Emilia, is a cynical character that is similar to Desdemona's assertiveness. He is already accustomed to his own idea that women are objects because he is crude and disdainful towards his wife. In act II, scene I, Iago publicly questions Emilia's virtue and loyalty by Desdemona. " Sir, would she give you so much of her lips /