Mary Katherine Blackwood, otherwise known as Merricat, uses her superstitious qualitiespersonality to devise a weekly routine after her brief stunt as a psychotic murderer. In Shirley Jackson’s We Have Always Lived in the Castle, Merricat’s life revolves around her superstition. It is evident that these actions stem from the murder of her family six years prior. When her cousin, Charles Blackwood, abruptly arrives and attempts to control not only Merricat, but also Constance Blackwood, her sister, Merricat’s superstitions worsen. One of Merricat’s superstitious behaviors is the placement of objects in her yard as protection from any opposing forces. She also says three powerful words as another form of protection. Merricat demonstrates her …show more content…
The effect of Merricat placing objects that have significance to her dead family around the interior of her yard is protection of the Blackwood property. By doing so, Merricat can protect her property from any outside forces. Placing objects cannot actually protect her home, but her superstition leads her to believe that they can, ¨so long as they were where [Merricat] had put them nothing could harm [Merricat and Constance]¨ (Jackson 59). Merricat goes so far as to blame Charles’s arrival on her book that fell off of a tree, ¨[Merricat] found a very bad omen, one of the worst. [Her] book nailed to a tree in the pine woods had fallen down¨ (77). Shortly after Merricat finds her fathers book, Charles starts knocking on the kitchen door asking to come into not just the house, but their lives as well. His visit to Merricat and Constance’s house does not directly correlate with Merricat’s fathers book falling off of the tree. Merricat only thinks it does because she is superstitious about everything. Merricat’s peculiar obsession with hiding objects around her property, displays her superstitious …show more content…
Since the death of her family six years prior, Merricat lives an incredibly stable life. Her schedule is unwavering, and she prefers it this way. Her three powerful words prevent any change from abruptly altering her life, ¨so long as these great words were never spoken aloud no change would come¨ (63). Uttering three words cannot protect Merricat from any danger, no matter how powerful she thinks they are. These three words periodically change because they lose their power when someone says them out loud. In order to prevent someone from saying them, Merricat makes sure to chose words that people are unlikely to say, “[Merricat] thought of using digitalis as my third magic word, but it was too easy for someone to say” (66). These three words create the illusion of security in her life when in reality, she is anything but safe. She murders her family at the age of twelve, which forever tarnishing her mental security. As shown through her actions, these words are a characteristic of Merricats superstitious
“Mary Moon and the stars” written by Janice Galloway is a short story in which the main character Mary is who we “........................” This is due to the techniques the writer has used these include character, setting, language and symbolism. The author has used the appropriate techniques which results in her success. Mary is clearly restless and anxious when we are introduced to her on her first day of primary school. The unnamed narrator struggles to create a friendship with Mary as Mary is brutally judged by those around her, children and adults included.
Imagine one day you meet the most talented hypnotist in the world. This hypnotist tells you he can change your memories without even breaking a sweat. Maybe this sounds like magic or just plain nonsense to you but in reality it isn’t that difficult to tamper with memories. Any time you hear a different telling of an event, even one you witnessed first-hand, your perception of the event changes over and over becoming a conglomeration of everything you’ve heard about the aforementioned event. Memoirs and other pieces of literature written from memory suffer from these easily modified memories and can’t always be trusted to be true.
Carol Karlsen 's The Devil in the Shape of a Woman: Witchcraft in Colonial New England provides a sociological and anthropological examination of the witchcraft trends in early New England. By examining the records, Karlsen has created what she suggests was the clichéd 'witch ' based on income, age, marital status, etc. She argues that women who had inherited or stood to inherit fairly large amounts of property or land were at particular risk, as they "stood in the way of the orderly transmission of property from one generation of males to the next." These women, Karlsen suggests, were targeted largely because they refused to accept "their place" in colonial society.
“Bloodflowers” is a short story by W.D. Valgardson that takes place on “Black Island.” The story starts off with the protagonist Danny landing on the island to work there as a school teacher. As the story continues on, the reader learns more about the islander’s weird superstitions and behaviours. Danny jokingly brings up a myth to one of the islanders about how in a different location, they would make someone king for a year and then kill them to chase away the bad luck. Little did Danny know that this would end up to be his fate as the story continued on, he became the king and got anything he wanted.
The Crucible Arthur Miller purposefully stereotypes the women in the Crucible to make a statement concerning the treatment of women in modern society. Miller is making the statement that most women is modern society are viewed as having many negative characteristics, just because of their gender. In the Crucible, Miller primarily used Elizabeth Proctor, Mary Warren, and Abigail Williams to show how negative stereotypes are used against women in modern society. Women are often portrayed as being cold and cruel if they don’t fit the picture of a happy housewife, and that’s how Elizabeth Proctor was depicted.
During the Puritan times gender roles in the society were very anti-feminist. Women were required to act as housewives and do womanly duties such as cook, clean, and take care of their children. Women had very little freedom as far as their rights were concerned also. Puritan writers, Anne Bradstreet and Mary Rowlandson both experienced the struggle of the anti-feminist movement. From their writings we see that they both were against anti-feminism and they tried their best to abandon the whole idea.
“Miss Strangeworth is a familiar fixture in a small town where everyone knows everyone else. Little do the townsfolk suspect, though, that the dignified old woman leads another, secret life…”. A secret life can be evil or good, in Miss Strangeworth’s case it is suitable, but do others appreciate this secret life. In The Possibility of Evil Shirley Jackson illustrates inner thinking, revealing action, and symbolism to show how Miss Strangeworth tends the people like her roses, but truly state's them evil.
Additionally, the narrator realizes her consciousness is constantly changing as she “loves the thing untouched by lore…the thing that is not cultivated… the thing built up” (473). The narrator’s consciousness faces another struggle between trying to find equal good in both the culture of her people and the new culture that has been introduced to her. Yet, she stands boldly “one foot in the dark, the other in the light” (473), as she forms a bridge between the two cultures and is stuck while she tries to understand her sense of self. Finally, the silent voice, a metaphor for her faith, calls out to her.
The Salem witch trial hysteria of 1692 may have been instigated by religious, social, geographic and even biological factors. During these trials, 134 people were condemned as witches and 19 were hanged. These statistics also include 5 more deaths that occurred prior to their execution date. It is interesting to look into the causes of this stain on American History, when as shown in document B, eight citizens were hanged in only one day.
To develop the setting of the house, Gilman uses vivid diction to craft an image of the house to show how men a imprisoning the minds of women in Victorian society. Gilman introduces the house as a “colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity” (1066). Although her description uses the words “romantic felicity” which seem to carry a light tone, these words are preceded by the dark statement that the estate is a “haunted house”. By contrasting these two tones, Gilman foreshadows that the house in which the narrator is interned for treatment might seem magnificent and grand, but in reality, the house and the rest cure will turn out to be her doom. The foreshadowing hints that Gilman uses the contrasting description of the house to point out how physicians like John are oppressing women by denying them their right to a postpartum experience with their baby, a thing of “romantic felicity,” and instead, turning it into an ordeal as nightmarish as a “haunted house.”
Her voice in the novel is used to desensitize us--then surprise us. Leaving us thinking about our easy lives, which we have made a place we rid of issues. And we fail to recognize the issues occurring in other parts of the
In this Literary Analysis I will discuss the effects that the death of Matthew Maule had on the Pyncheon family, and whether the curse is real. I will also go over the theme and moral of the story and how it ties into Matthew Maule’s curse. One can imagine it, the gloomy, dark day, the wailing of his wife and children, and the judge declaring that he must die; as the executioner pulls the lever and the floor drops, the man falls and the rope catches his neck. Because the rope does not break his neck, he starts to strangle to death. As he gasps for breath, he gets out his last words,“ God will give him blood to drink,” then he slowly dies.
Charlotte Gilman’s short story, ‘The Yellow Wallpaper’, (1899) is a text that describes how suppression of women and their confinement in domestic sphere leads to descend into insanity for escape. The story is written as diary entries of the protagonist, who is living with her husband in an old mansion for the summer. The protagonist, who remains unnamed, is suffering from post-partum depression after the birth of her child and is on ‘rest’ cure by her physician husband. In this paper, I will try to prove that ‘The Yellow Wallpaper’ acts as a subversive text by portraying the protagonist’s “descent into madness” as a result of the suppression that women faced in Victorian period.
Virginia Woolf, a remarkable woman writer, whose name is frequently paired with that of James Joyce, is regarded as a skilled exponent of the stream of consciousness technique in English literature of 20th century. Greatly in¬fluenced by Henry James, Virginia Woolf works on the ex¬periment and innovation of novel writing. And she is considered the founder of psychological realist. She disliked the traditional way of novel writing and rebelled against some of the established contemporary British novelists, including Arnold Bennett, John Galsworthy and H. G. Wells. She called them “materialism”, because “they are concerned not with the spirit but with the body”, “that they write of unimportant things: that they spend immense skill and immense
(227). Mathilde's dishonest behavior represents her fear of appearing ordinary in front of society, when in fact, taking Madame Forestier’s necklace to appear affluent is an act. Her actions, conversations, and thoughts let readers understand Mathilde's distinct