As I Lay Dying Language Analysis

This scene “reveals Ruth 's independence, expressing her right to choose and to assert control, yet it also depicts the desperation of a working-class woman who cannot afford to have another child.” (Bloom) Mama greatly opposes Ruth getting an abortion. Her conservative views and religious beliefs do not allow her to consider this as an option. She remembers the

To yield is grievous, but the obstinate soul That fights with Fate, is smitten grievously.-Creon Antigone goes against the King's law in order to honor her brother and do what she believes is right. Knowing that death is unavoidable if she chooses to go down that path doesn't bother because she believes that living a morley dishonorable life is worse than living no life at all. Antigone wants to be in charge of her own life and wants to be the controller of her own fate. Between the two poems “If We Must Die” by Claude Mckay and ‘Invictus’ by William Ernest Henley the poem that best represents Antigone character is ‘Invictus’.

Edna is struggling to choose a identity between a mother, wife, lover etc. She seems to not want to be subject as the possession of anybody. She focuses on independence even denying Robert of her love towards him which if she chose to stay with him, she would be associated with him and therefore labeled. She looks up to Madame Reisz as an independent woman, pursuing her passions and doing as she pleases. "I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn 't give

When her character is first introduced, she made ethical decision to choose her career over her family, and to view people as insignificant creatures. Rita criticizes and neglects those around her. Her emotional state of being, and her choice of work creates serious ethical dilemmas. As she worked with Sam

In the novel Their Eyes Were Watching God, Zora Neale Hurston explains the journey of Janie, the main character,who struggles to find her independence and a place where she feels comfortable. She undertakes a bold journey to find her own self. She goes through several relationships, thinking they would somehow fulfill her life, but all fail because Janie does not feel content or the relationship leads to the death of a spouse. In the end, Janie uses her desire for power and independence for freedom to reveal that she does not need an unpleasant relationship to fulfill and appreciate her search for her true self. First, Janie struggles with her relationship with her first husband, Logan.

Age doesn’t always resemble or account for the level of maturity within ourselves. Instead, our choices are limited and reflected from our experiences, substantiating the transformations that originate from the outcomes. For Hulga in, Good Country People, tolerating with her heart condition, in result impacts her personality and consolidates her character and mind to be defensive. This unhealthy responsibility and the implication of her weak heart, serves to show that there is strength absent and necessary for her to deal with betrayal, masked as love. This motif O’Connor utilizes, not only indicates her physical weakness, but further reveals the magnitude of her flaw, as she struggles emotionally and mentally with deception.

Elizabeth Cary’s The Tragedy of Mariam makes many valid points about women’s identities in marriage. Mariam’s choices throughout the play reflect her understanding of the fact that in the world she lives there is no space for a chaste, honest, independent woman. The standards that a woman of the time are impossible and Mariam’s attempts to grapple with them are doomed to fail. After experiencing the freedom of self expression afforded to her after she believes her husband has died she is unwilling to re-enter the position of a subordinate.

In Much Ado about Nothing, by William Shakespeare, Hero sacrifices her self-respect to maintain her reputation within her community, which helps to illuminate Shakespeare’s message about how forgiveness and compromise are essential in a healthy relationship. Despite this, Shakespeare uses Hero’s character to demonstrate a flaw in relationships, that both partners should be equally assertive and love each equally. Hero’s surprising decision to marry Claudio despite all the false accusations reflects her flat character. Ultimately, Hero can’t defend herself verbally, physically, or emotionally. She is not an assertive character.

She simultaneously loves and resents her children because, while she is their mother, she feels that they have taken away her freedom and self-purpose. As Edna journeys in her awakening, she strives to find meaning for herself as Edna, not her children's mother. To prove she is more than just a mother, she distances herself from normal motherly responsibilities. “He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?”(Chopin, 15) Edna's neglect of her children stems from others expectations for her to submit to and look after her

Furthermore, when she decides once and for all

Even though she will well aware that her husband, sister and doctor find it a un- likely cure and are against it. We are also to that the narrator tries to cope with her problems as well. Unlike John, who simply ignores his obstacles, the narrator descends into a sense of imagination to help mentally heal herself. The narrator becomes almost compulsively obsessed with the idea of freeing the women behind the bars of the yellow wallpaper. She says, “There are things in that paper which nobody knows but me, or ever will.

After the death of her father and departure of Hamlet, Ophelia arrives at the castle and pays an unsolicited visit to the royal majesties. She sings, “Young men will do’t, if they come to’t./ By Cock, they are to blame” (4.5.60-61). This passage is often interpreted as Ophelia airing the grievances that Hamlet has committed toward her--namely, he used her solely for sexual pleasure and discarded her when he lost interest. In summary, Ophelia exposes the double standard prevalent in her society: to a man, a woman’s value lies only in her virginity. She blames “Cock”, which represents the patriarchy at large, for society’s willingness to excuse male lust and irresponsibility.