In my book They Both Die at the End is a book about the inevitability of death, love and loss. The story follows two teenage boys, Mateo and Rufus. They both have received a call from Death-Cast, a service that notifies people when they have less than 24 hours to live. They navigate their last day on earth together, they form a deep connection and find meaning in the face of death. The novel ultimately argues that life is precious and should be lived to the fullest, even in the face of death.
One theme in this book is the importance of living life to the fullest. “I wish I would've known that sooner, that I wasn’t supposed to be here forever. That death wasn’t a surprise but an inevitability.” (Pg. 42) Mateo and Rufus both get the call
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“I don’t want to die. I’m not ready for this. I need more time.” (Pg.6) Mateo is initially hesitant to take risks and try new things, but over the course of the novel, he becomes more courageous and takes charge of his own life. He helps Rufus and other people meet throughout the day, even when it puts him in danger. This highlights the idea that heroism is not just about physical strength, but also about courage and selflessness. Mentor is portrayed by Lidia. “I’m not going to let you sit here and mope all day. You’re going to get up and do something.” (Pg.20) Lidia is a friend of Mateo’s who encourages him to take risks and try new things. She helps him to see that life is short and that he should make the most of the time he has. This highlights the idea that mentors can help us to grow and develop by providing guidance and support. The third archetype is the trickster portrayed by Rufus. “I’m Rufus. I’m a troublemaker, I’m a thief. I’m a kid with a death sentence.” (Pg.15) Over the course of the novel, he reveals a more complex and vulnerable side. He helps Mateo to take risks and try new things, but he also struggles with his own feelings of guilt and loss. This highlights the idea that tricksters can be both mischievous and complex, and that they can help us to see the world in new and unexpected ways. I showed their archetypes with photos demonstrating what they did and were like on
The protagonist, Antonio Marez - Luna, always culminates the day with questions looming around in his mind. He contemplates on more philosophical ideas. Such as, why was I born? Or what is my path in life? Throughout the novel, Antonio must make the decision on whether he wants to become a vaquero, learning the ways of his father’s people, or a Catholic priest, learning the ways of his mother’s people.
He has finally built up the courage to go after Arturo and get revenge on the killer of his uncle (Arturo). He knows that Arturo killed his uncle and framed his death. He has been waiting for years now to get revenge and decides that the best way to do so, is to set Arturo up so he gets captured by the police. His job is to help the Los Angeles Police Department capture Arturo, who he believes is the killer of his uncle. Relationship-
In his reflective piece, Soto recounts his guilt through repeating, contrasting descriptions, symbolism, and shifts in the story as he fights between sweet temptation and merciless self-awareness. His guilt most prominently displays through his attention towards the
He uses an inspiring tone to encourage the reader that the things in this life are worth fighting for and worth fighting against. His ultimate goal is to emphasize to the reader that we should not let our life go to waste, since it is guaranteed to end one day.
Firstly ,Elena Vilkas. A selfless, hardworking, fearless mother who installed strength and determination to those around her who may not have survived without. Also known for her unselfishness which she exhibited in many situations of the novel. For example,when Elena gave up her bread ration to a starving boy who was already dead but had his hand outstretched as if he was asking for food. The incredible thing about it was that she herself was also very sick and that bit of food could’ve ended up being very critical between life or death.
The young prophet, Imam Hussein once said, “death with dignity is better than love with humiliation.” In Ernest Gaines novel A Lesson Before Dying, presents the importance of dignity through the journey of a young black man and his wrongful conviction. The lesson that dignity comes from loving and being loved through the actions and thoughts of Grant Wiggins, Reverend Ambrose, and Jefferson is taught. Who these characters love, who they care for, and how and individuals that love them, define the dignity they feel and experience in their lives.
Avoid the Stupid Behaviors of the Tricksters from Native American Stories Many tricksters appeared in the early American stories. In those stories, the tricksters’ behaviors are often ridiculous or stupid which make people laugh. However, if you think about those stories deeply, you will find that the appearance of those stories meets the social needs in that period. People wanted to tell later generations some principles through the stories which were funny and easy to memory.
Regardless how unique and unparalleled individuals throughout society may seem, there is one inevitable commonality that all of humanity must encounter: death. Don DeLillo presents the inevitability of death through the Gladney family in his post-modern novel White Noise. Through the journey and characterization of protagonist Jack Gladney, readers are capable of recognizing how uncomfortable the subject of death truly is, as well as how individuals repress their fear of dying. However, DeLillo’s also focuses intensely on other aspects of American society, such as consumerism and humanity’s impact on nature, through his unique implementation of literary elements. Analyzing DeLillo’s White Noise through the Marxist, psychoanalytic, environmentalist,
The theme of this book is that the right thing to do is not always rewarding for you, but the punishment is not always worse than the sheer guilt of doing something wrong. There are multiple characters in the book that can relate to this theme, “Only it wasn’t home. It was a building I didn’t recognize, with a family that was a group of strangers. My room wasn’t my room, and my bed wasn't my bed, because I wasn't me. I was someone else, a stranger who my parents didn’t know.
The trickster archetype is found throughout cultures whether, its oral and written tradition. Lewis Hyde, the author of Trickster Makes This World: Mischief, Myth, and Art, says that the trickster “must be masters of deceit” (Hyde 7) and that they are “the mythic embodiment of ambiguity and ambivalence, doubleness and duplicity, contradiction and paradox (Hyde 7).
The trickster is a source of life lessons throughout the copious myths that exist, from behaviors to morals. The character filling this role is generally neither virtuous or evil and shows duality in human nature. They are primarily perplexing and abnormal,
Life has been celebrated and death has been mourned since the begining of time. The certainty of life and death can be seen as tragic or necessary. There is no way to get used to either of these things occurring because the loss of every person important to us causes pain and allows us to reevaluate what our life looks like without them. In the novel, The Poisonwood Bible by Barbara Kingsolver, the author portrays the emotional aftermath of death on those still living by introducing differing viewpionts to show the massive impact culture and age has on the acceptance of the inevitable. It is always tragic when a child outlives their parents, or even when an adult loses someone close to them.
In conclusion, the author of this story has shown that the theme of this novel is to know people before you trust them, for not everyone can be
In my head, I’m already in the next day[...]" (Silvera, 347). During Mateo’s introduction, he is terrified of the world around him, but thanks to Rufus, he can break Mateo out of his shell and make him a braver person. However, along with the confidence Rufus gives Mateo, he also becomes more reckless, and while leaving his old self behind, he also leaves behind the caution he needed. Rufus helps Mateo view the world from a new perspective, one that is better than before. While in a club, Mateo is shocked as he looks around the room and sees the room full of people: "And in this moment, how stupid it was to take Mateo to care hits me like a punch to the face.
They are both old and have health complications, but their deaths are not spoken of. In the movie, they two lovers lay in a hospital bed speaking of their life full of love with one another and as they close their eyes to sleep, they both die holding each other’s hands. The endings of stories are what tie a book together, making the difference extremely