What Role Does Creon Play In Antigone

Wanda Sykes once quoted, “If you feel like there’s something out there that you’re supposed to be doing, if you have a passion for it, then stop wishing and do it.” This exhibits the idea of not letting others hold you back from pursuing a personal desire, or having a passion. Countless amounts of people follow what everyone else believes, but do not seem to recognize the truth behind what they’re following. Similarly, within The Adventures of Huckleberry Finn and “Antigone,” both characters have a devotion for a specific situation. Additionally, these two literary characters have a strong passion, but ultimately face different opponents.

Wanda Sykes once quoted, “If you feel like there’s something out there that you’re supposed to be doing, if you have a passion for it, then stop wishing and do it.” This exhibits the idea of not letting others hold you back from pursuing a personal desire, or having a passion. Countless amounts of people follow what everyone else believes, but do not seem to recognize the truth behind what they’re following. Similarly, within The Adventures of Huckleberry Finn and “Antigone,” both characters have a devotion for a specific situation. Additionally, these two literary characters have a strong passion, but ultimately face different opponents.

If each inhabitant of this universe examines themselves, we would find flaws. In literature, we are often presented with characters possessing one or more tragic flaws that lead to their demise, and in this situation, it's Antigone, a play written by Sophocles. This colossal play exhibits much more than just characters and words. The flaws conveyed in Antigone's main characters do not only manifest different types of imperfections throughout the play, but how they take place, affect everything and everybody, and maneuver the course of the story as it is developed. King Creon and Antigone, the antagonist and protagonists in this play, exhibit such character flaws such as hubris, bravery, ignorance, etc.

Aristophanes and Sophocles both wrote similar arts that have been studied over the years. Antigone by Sophocles and Lysistrata by Aristophanes are two works of art that have many differences but they both assess an important point at the end. Out of all the differences between both of these plays, the one I consider most important is how each play ends according to the type of style it is. Even though the main characters of both of these plays were women, in Lysistrata, both the women and (eventually at the end) the men praise her for her beliefs, while in Antigone, almost everyone goes against what she feels is right which results in her death. The reason why this difference between Antigone (tragedy) and Lysistrata (comedy) is most important

Then comes Antigone, the girl who thinks she has the right to act against the law. This poses a moral dilemma for Creon, as Antigone is his niece, the last of the descendants of Oedipus. However, Antigone makes the decision easier by explicitly taking pride in her actions and slighting his uncle. Her justification is merely that Creon’s law is not the mandate of her God, and that the burial of a family is more imperative than all else (500-523). When confronted by Creon with Polynices’ treacherous crime, she cannot put up any defense.

Fight for your right Martin Luther King once said, “Human progress is neither automatic nor inevitable... Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.” If it were not for Martin Luther King and his followers, the natural rights for the African American population would not have been secured. It is understood that every human possesses this inherent list of human rights, which include the right to life, liberty, and the pursuit of happiness; however, natural rights are never guaranteed. Members of society must be willing to fight, to the death if necessary, to keep their rights intact.

Greek tragedies are known for their predictable endings and characters, whose character traits almost always stereotypically reflect those of the archetype they have been assigned. Sophocles’ play, Antigone, is no exception to this. Despite having been written around 441 B.C., his play does present newer controversial topics such as feminism in his play, along with more common themes such as integrity and loyalty. By establishing and associating Antigone’s character with heroic archetypes as the martyr and the tragic heroine, Sophocles could utilize her actions and characteristics as such roles to better demonstrate and convey his messages throughout his work.

Some actions are justifiable, while others are not. Antigone is a tragedy by Sophocles written in 441 B.C. as the third of the three Theban plays. The protagonist, Antigone, defies the law of man, placed by King Creon, by burying her brother Polynices who was decreed a traitor. In the play, most of Antigone's actions are justifiable because the intentions are dedicated to her family and following the law of the gods over the law of man.

A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for suffering and defeat. In the story of Antigone there are two possible tragic hero's; Antigone and Creon. Antigone is a tragic hero because she holds a high status, has a tragic flaw, and her punishment exceeds her crime. Antigone’s father/brother was king, therefore she was a princess of Thebes. Everyone in the city knew who Antigone was.

Antigone Reading famous plays draws our attention to many different aspects, we get wrapped up in the plot and the climax and forget to focus on the way the characters are developed through what they say. Sophocles does a fine job of demonstrating characteristics through certain phrases said by the characters. In Sophocles work Antigone, during 400 b.c, the time Antigone was written aspects of life revolved around your social status and your cultural values. In Antigone, their social classes ran like this: the gods at the top, then the government, and family at the bottom while men were above women. A few cultural aspects were, burial rights and women had the right to mourn.