In “What's Wrong with Cinderella?”, Peggy Orenstein retaliates against the princess culture that bombards her daughter's life. Princesses, it seems, dominate the market for toys to young girls due to their inexplicable appeal to being pretty, pink and - as most girls see - perfect. As a feminist mother, Orenstein feels the need to rebel against this not-so-sudden craze that attracts her daughter's attention. The author assumes that the subliminal messages presented to her daughter's developing mind aren't beneficial to her future expectations in life. Because of this, she critiques the faults of princesshood in order to demonstrate the possible detrimental impacts that the princess culture may have on a young girl. However, in consistently …show more content…
Yet, Orenstein claims that they have focused largely on the princess culture and also that these princesses have advanced from being simple storybook characters to now representing a negative influence on a female’s expectations in life. She suggests this idea in her article with the notion that other women, especially mothers, would agree with her opinion. Although, what she fails to acknowledge is that Disney isn't trying to sell messages of the “nice and pretty” girl or the perpetual “happily ever after” ending to young children. Instead, they are only marketing their products to a specific, easily influenced audience. Orenstein places blame on Disney, shaming them for taking advantage of the pre-existing princesses for their own profit. In becoming so focused on the negativity that she believes these princesses may impose, she doesn't realize the potential greatness that companies, like Disney, try to advocate. To some, princesses create dreams for girls and it gives them inspiration at a young age. It shows them to be brave, like Mulan or even strong-willed and persistent, like Cinderella. It gives developing guidelines for positive characteristics, this way, when they encounter difficult situations later on in life, they already have a premise for how to deal with it. In being so distracted with her strong feminist beliefs, she doesn't take the chance to see the beneficial possibilities of the princess
Cinderella Article titled “What’s Wrong with Cinderella” written by Peggy Orenstein, covered five areas about the “Princess” trend in the 21st Century. Orenstein states facts, feminist views and third party, reasoning to support and oppose her views on the princess craze. The opposing data does not prove there are long or short term health or well-being effects or damages from the data collected. Orenstein gives an inter-dialogue with the pros and cons of marketing to young girls on its health effects and its well-being damages to young girls that experience the princess craze. Orenstein agrees young girls are not allowed to be themselves.
He begins to say, “You give your daughter legos and soccer balls, not barbies” (323). Poniewozik proceeds to argue his point by explaining how Hollywood finally discovered that it is pointless to fight the urge of the astonishing pink princess epidemic, while producing many more princess themed items because it is what girls seem to want. Similarly, Peggy Orenstein opens with a story about a mother who is simply appalled by anything and everything princess based on how her daughter gets treated by other adults. However, Orenstein tried to keep a consistent theme of not accepting the whole idea of being picture perfect throughout the article, but while making an argument, she would then come up with a contrasting argument. The question of, “Does every little girl really have to be a princess?”(Orenstein 326), arises when thinking about all of the times how even strangers assume little girls always want pink.
This quote shows that Orenstein conducted interviews with teenagers, as well as adults. She gets an inside view of a teenager's mind through her interview; this boosts her credibility. All of Orenstein's research and interviews effectively argue that a princess-like culture is dangerous to
There are two different versions of “Cinderella”; there is a Walt Disney version and another version by Anne Sexton. Both of these versions are the same, but they are told to the reader differently. In both versions of the story, the authors describe a girl who was enslaved by her evil stepmother and her step sisters, who has shown jealousy towards her. However, the most important part, about the two versions of the “Cinderella” story told by Disney and Sexton is that both have different elements that are comparable and contrasting. The elements that compare and contrast both versions of the story are the plot, characters, characterization, and conflict.
The Great Depression was the worst economic downturn in the history of the world. It began in the United States when the stock market crashed in October 1929. Everybody was sent into a panic and millions of investors were wiped out. Unemployment levels began to rise after consumer spending and investment dropped, while stock prices continued to increase. Companies started to lay off their workers, and soon nearly thirteen to fifteen million people in America were without jobs.
Determination in “Cinderella” “Cinderella”, the original fairytale, is found in a collection of stories created by the Grimm brothers. The story of “Cinderella” is used in order to display and teach children and adults a way of living. This fairytale reflects values such as perseverance and determination. Cinderella, the protagonist, is an outcast her family, as her father is her only blood relative. She is forced to do housework and is not allowed to take part fun activities or share luxuries with her stepsisters.
In the excerpts from both James Poniewozik's "The Princess Paradox" and Peggy Orenstein's "Cinderella and Princess Culture", the authors address the growing market of princess products and how big ticket companies are using this knowledge to turn a profit. Both authors are highly respected journalists who have been published in the New York Times multiple times. Each has done their own intensive research on the media's use of princesses and their culture to make money. While both authors address how corporations are finding profit in "princess culture", Poniewozik focuses on how movie studios found princess stories to bring money in from young audiences, while Orenstein appears more concerned with how Disney branded princesses.
The slipper reveals the flaws and cracks in the values that form the foundation of our society by being the embodiment of the human spirit. In order to comprehend how the slipper illustrates the lack of integrity in society’s morals, the influence it has on the populace needs to be considered. All three interpretations of Cinderella paints a picture of a materialistic world obsessed with wealth and status. Each variation, however, emphasizes different levels from the actions of an individual to the movement of an entire kingdom. In the Grimm Brothers version of this tale, the composition of the shoes change each day, ranging from “slippers embroidered with silk and silver”(Grimm 33) to slippers “of pure gold”(Grimm 46).
From its onset with its first feature-length animated film, Snow White and the Seven Dwarfs in 1937, Disney has grown to become a worldwide phenomenon today. But over the years, various parent groups, scholars and film critics have accused Disney for creating shallow, stereotypical princesses whose ultimate aim was to find her 'prince charming ' and live happily ever after. In her article, “What’s Wrong With Cinderella?” in the New York Times, Peggy Orenstein expresses her concern over the effect of princess figures like Cinderella on young girls ' perceptions of themselves and how they should behave (“What’s Wrong With Cinderella?”).
Walt Disney has been making girls think that in order to be beautiful you have to be the perfect shape and size. (Shortridge). Some people believe that the Disney Princesses are great role models for children because Mulan teaches us to never give up on the strengths we have just because we are girls, Belle teaches us to never judge a book by its cover, and Pocahontas shows us real princesses are strong leaders. On the other hand, some individuals feel that Disney Princesses are bad role models because of their unrealistic body appearance, telling girls every marriage ends with a happily ever after when you get married at a young age, and saying every girl needs a man in order to be happy. Both sides have valid points but in reality everyone
Princesses’ in Disney movies are tied down to a recurring theme: the princess that must be saved from the evil woman by the charming prince. A significant contrast to the usually weak and easily persuaded figure of the father. Even though the women are portrayed as weak, nobody stops to think how strong they have to be to carry the responsibility of an entire household on her shoulder, while the men always seem to be traveling or ill. Fairytales are based on a patriarchal way of thinking and as time passes by, it’s proven to be detrimental to society Women and men are constantly being bound to a series of stereotypes.
Cinderella waited for someone to save her from being a slave in her evil stepmother’s house. These princesses convey the message that women mostly do domestic
These concepts are depicted within the classic Disney princess film Cinderella directed by Clyde Geronimi. This film has ‘taught’ and/or shown little girls to stop everything they are currently doing and to become dependent on a man to save the day. Cinderella can be seen as the ultimate example of a “damsel-in-distress” because she gets saved from being “abused, humiliated and a servant in her own house to her stepmother and stepsisters” (Cinderella). However, the film does not fail to mention how despite this Cinderella still remains “gentle” and “kind.” The usage of ‘gentle’ and ‘kind’ rather than ‘understanding’ pinpoints the societal gender norms in action— according to these, a woman should be compliant and quiet.
Abstract Most of us have grown up watching Disney films but never really thought of what they exactly mean to us. Our understanding of what it means to be a Disney princess is probably one of the reasons to what made us subject to the regulation of cultural values. Cinderella and other similar Disney princesses may be recognised as a part of an individual’s childhood but the values and ideas it conveyed can still be reflected in our decisions and behaviour as adults. Many young girls perceive Cinderella as a role model and create expectations and beliefs based on what is portrayed through her unfortunately these expectations are not fulfilled and ends in dissatisfaction.
A Comparison between Traditional and Modern Day Versions of Cinderella Cinderella is perhaps one of the most famous childhood fairy tale stories of all time. Over the years, numerous versions of the story have been recreated and have been told to children all over the world. The original story of Cinderella follows the life of a young girl who is mistreated by her step mother and stepsisters. Cinderella is magically converted into a gorgeous princess with the assistance of her fairy godmother. She then goes to the ball to meet the prince.