The Search for Validation In the short story, “Where Are You Going, Where Have You Been” by Joyce Oates, Connie, the main character, is an adolescence teen who rebels against her family and finds herself in a dangerous situation. Although Connie is young, beautiful, and a little naïve, her home life consist of a combative mother who is hypercritical and intensely jealous and a father who does not actively engage in her life. One summer afternoon, while her family attends a barbeque, Connie is left home alone when a car approaches her drive-way. Inside the car is a man she had seen the night before while out with friends. He is older and appealing to Connie at first, until he begins to make threats and demands. The story communicates that …show more content…
Her mother was once beautiful, but her looks faded with age, which is a reason why she is always after Connie. In the story, her mother, “who noticed everything and knew everything and who hadn’t much reason any longer to look at her own face scolded Connie about it”(25). She would say to Connie, “Stop gawking at yourself. Who are you? You think you’re so pretty?” (25). The quotes demonstrate her mother’s lack of affection and indicate that her mother was resentful. Connie would raise her eyebrows at the familiar old complaints and look right through her mother. She knows that she is beautiful and that was everything, and because her mother does not acknowledge her beauty she looks for validation …show more content…
Connie does not have any relationship with her father, which allowed her to be vulnerable to older men. Oates describes the father’s character as, “…away at work most of the time and when he came home he wanted supper and he read the newspaper at supper he went to bed. He didn’t bother talking much to them…” (26). Her parent’s lack of effective communication allowed Connie to seek validation in all the wrong places. Due to her father’s absence, Connie sought other men to compensate for a fatherly
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
Similarly, her dad does not have much of a relationship with her either. “Their father was away at work most of the time and when he came home he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn’t bother talking much to them…(Chopra).” This lack of Connie’s parents playing positive roles in her life led to her trying to seek attention elsewhere, causing her to become more susceptible to predators. “...but sometimes they went across the highway, ducking fast across the busy road, to a drive-in restaurant where older kids hung out.
As the wise philosopher Albert Camus once said: “The evil that is in the world almost always comes of ignorance, and good intentions may do as much harm as malevolence if they lack understanding” ("Albert Camus."). In the captivating short story Where Are You Going, Where Are you Been? Joyce Carol Oates is trying to show the readers that beauty and vanity can be sometimes harmful. Bored and tired of being ordinary, and still being treated as a child, the main character engaged in a rebellion that think will make her look older, more like an adult. The author also shows the readers how Connie’s obsession with her beauty, her dreaminess and carelessness of the world made her more ignorant and lack awareness.
Again, the reader sees traditional values placed against changing times, reinforcing Connie’s internal struggle to define
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
The relationship between the two was so bad that Connie had homicidal and suicidal thoughts, “Connie wished her mother were dead and she herself were dead and it would all be over. “(86) Some of the harassment from the mother seemed to come from jealousy. Oates shares some insight into the mother’s past and says she was pretty at one point in time “but now her looks were gone and that was why she was always after Connie. ”(85) Her relationship with her father wasn’t much better. In fact, Oates tells us that he didn’t give much thought to anyone in the family because “he didn’t bother talking much to them.”
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
Joyce Carol Oates dedicated “Where Are You Going, Where Have You Been?” to Bob Dylan, the story was influenced by Dylan’s haunting song “It’s All Over Now, Baby Blue.” Many aspects of Bob Dylan are mirrored is the character Arnold Friend. Author considered them as a physical double; In the 1960s, people had an idea of Dylan being otherworldly or messiah person. However; Arnold Friend was a darker version of this type of figure.
“But now her looks were gone and that was why she was always after Connie.” (Oates ). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” ( ).
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.
Essay #2 Parents play a very important role in the lives of their children. If parents do it in the right way, it positively impacts children’s mental and emotional condition. One of the main characters from the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie, does not have that kind of relationships with her parents, with who she can share her thoughts or who to get a good advice from. The main reason of all Connie’s mental and emotional problems is that her parents do not play a good role model for her and compare with the older sister. Being parents is far more than just providing children with food and clothes.
Everywhere she goes, including her front lawn, she dresses and acts in ways expected of teenage girls. Now it can be argued that being able to act like a teenage girl is a freedom, but in this story, it almost seems as if Connie has to act like a teenage girl. For example, when Connie is in the drive-in restaurant and decides to leave with Eddie, but is unsure of leaving her friend alone, Eddie assures her that her friend will not be left alone for long (insinuating another male will pick her up), and when Connie and Eddie leave together, Connie looks around to make sure that others are aware of her triumph, “…the boy said that she wouldn’t be alone for long. So they went out to his car, and on the way Connie couldn’t help but let her eyes wander over the windshields and faces all around her…” (2). What Oates might be trying to sound out by Eddie being confident that Connie’s friend will find a guy shortly after Eddie found her, is that girls live a life full of expectations.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Where Are You Going, Where Have You Been” by Joyce Carol Oates, both female protagonists are faced with opposing male forces that seek to control, undermine and take advantage of them. However, in the midst of the challenges and subordination they face from these dominant male figures, each protagonists independence is tested as they both strive to overcome these forces. Connie, the protagonist in “Where Are You Going, Where Have You Been” is a 15 year old, narcissistic teenage girl, searching for independence through her sexuality as she enters into the realm of adulthood. “Everything about her had two sides to it, one for home and one for anywhere that was not home,” (Oates, 1).