“Where Are You Going, Where Have You Been,” written by Joyce Carol Oates is a story briefly filled with love, crime, and violence. Joyce Carol depicts serial killer Charles Schmid in her story. The character Arnold Friend lacks the potential to kill that the real life serial killer had. In the story Connie’s wild, carefree attitude draws the attention of Arnold Friend. He watched her from aside for a while but Connie was so caught up in what she was doing that she didn’t notice him until. “He wasn’t tall, only an inch or so taller than she would be if she came down to him … his face was a familiar face, somehow: the jaw chin and cheeks slightly darkened, because he hadn’t shaved for a day or two, and the nose long and hawk –like” (in “Where …show more content…
She sort of flaunts he sexual persona in order to draw attention to herself. She’s constantly making fun of other girls including her sister, June. She doesn’t have any concerns that would be seen as mature. Her main priorities are her looks, hanging out with her friends, listening to music, and flirting with boys despite what he parents think. When Connie is home she acts differently then she would out in public, the biggest reason she does this is probably due to her not having anyone to impress at her …show more content…
Women during this time also lacked control over their individual lives. Throughout the story not once was it stated that there was a woman driving a car. Which is a symbol for the control men had in the American culture during this time period. Aside from the historical context involving women there is also much to do with the music in the story as well. Oates describes the music as if it was a religion. In the story the girls go to a restaurant to listen to music; they refer to this restaurant as sacred. “Glow of slow-pulsed joy that seemed to rise mysteriously out of the music itself” (in “Where Are You Going, Where Have You Been.”). The music in the story functions as a sort of contemporary culture. The ideas and pictures that Connie created about love throughout the story were all derived from the songs she listened to. This is important to the story because it’s how Arnold Friend exploits Connie. When Arnold meets Connie, he’s playing the radio station that Connie listens too. Which in a way sort of gives Connie a sense of trust and familiarity to him even though she doesn’t know
In the story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie (protagonist) is a fifteen-year-old teenager who physically attempts to behave like an adult by tampering with her appearance and participating in activities habitual to adults (going to restaurants and theaters with boys). As an adolescent, she’s morally ambiguous and thus safely explores adulthood. Arnold Friend, an ingenuine and strange character, pulls Connie away from her infantile fantasies to the grave reality of being an adult woman. The author uses the motif of a bilateral persona evident in Connie’s and Arnold Friend’s characters to illustrate the theme that entails the abrupt transition that Connie’s rebellious and childish spirit is forced
Is Rock ‘n’ Roll really the devil's music? Joyce Carol Oates wrote “Where Are You Going, Where Have You Been?” and dedicated it to Bob Dylan after she claimed the story is influenced by Dylan's haunting song “It's All Over Now, Baby Blue”. (Where Are You Going, Where Have You Been?”) “Where Are You Going, Where Have You Been?” is full of symbolism that represents elements such as evil and loss of innocence. In the story, Arnold Friend symbolizes the devil, and if you take the R’s out of his name, it spells “An Old Fiend”.
According to McCabe and Wauchope “The most common type of relationship was that of a stranger, with 55/130 or 42% of rapist selecting a stranger as their victim” (239). While some psychopathic serial rapists may pick someone close to them or someone they know, that is not the case with Arnold Friend. In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” Oates uses Arnold Friend’s stalker tendencies, use of Connie’s weaknesses, and deceiving looks to allow us to view Friend as a psychopathic serial rapist who has committed similar prior crimes. Throughout the story, Connie wants to grow up so quickly and have the attention that she thinks she wants but in reality it is nothing she could ever imagine and by doing this Oates shows
She spends most of her waking hours "dreaming about the boys she met. But all the boys fell back and dissolved into a single face that was not even a face, but an idea, a feeling, mixed up with the urgent insistent pounding of the music", which is merely to say that Connie, like many teenagers, is in love with love (Coulthard, par. ). She fantasies about a boy she met one night and about how nice, kind and sweet he was. When Connie meets the guy at the restaurant, she doesn’t know his intentions and she doesn’t know that he’s truly sweet and kind. Connie always lets the men in her life control her: her romantic interests, the man on the radio, and eventually Arnold friend.
Where Are You Going, Where Have You Been by Joyce Carol Oats is a short story that is based on a true event that happened in the 1960’s. The allegory came from the man named Charles Schmid, who was a serial killer in which he was known for his ability to get the girls to fall for him. As for the story, Connie, the protagonist, wants to grow up and live in a fast pace and experience adulthood. She soon meets up with a guy named Arnold Friend, the antagonist, who is in search of finding someone to kill or looking for another innocent soul to take. In terms of the story, the author uses a type of writing that differentiates what is reality versus fantasy by using the literary devices of symbolism of Arnold Friend, setting of the music Connie
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
Connie has a conflict with her mother, presented in the story as they continually fight; her mom generally starts the conflict, "Why don 't you keep your room clean like your sister? How 've you got your hair fixed—what the hell stinks? Hair spray? You don 't see your sister using that junk" (308). Connie has a conflict with June, her sister.
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Joyce enjoys writing about the dangers of the world, such as, rape, and murder. “Where Are You Going, Where Have You Been?” is about an insecure girl named Connie who ends up getting raped, and murdered by a “devil in disguise,” Arnold Friend. Oates uses many forms of symbolism in this short story, all associating with darkness, childhood, and religion. Joyce also uses characterization
In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.
Rochelly Mojica Professor Hearst English 102.0859 8 November 2017 The Devil In Disguise: In Oates’s “Where Are You Going, Where Have You Been?” Joyce Carol Oates takes everyday life situations and turns them into something much more realistic, by showing the dark and uncut version through her writing. She was an author born in Lockport, New York, who developed a passion for writing.
In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.