Where Have You Gone Charming Billy

We live in a world where we have to hide to make love, while violence is practiced in broad daylight. John Lennon. Based on his own reading and reflection, Bruce Dawe constructs his attitudes towards war in his poems, Homecoming and Weapons Training, believing it to be lacking sense historically and ultimately futile. By specifically addressing an Australian cultural context, the poet exposes a universal appeal in that the insensitivity and anonymity are common attitudes towards soldiers during war. Dawe clearly expresses his ‘anti-war sentiment’ through his use of language and imagery as he examines the dehumanising aspects of war and its brutal reality. Bruce Dawe ultimately exposes the brutal hopelessness of soldiers caught up in foreign conflicts and its impact on family and friends.

In the book Fallen Angels Walter Dean Myers tells the story of soldiers who struggles with a problem involving what is right and wrong in war. Fallen Angels set in Vietnam during the Vietnam war, the story introduces the main character Perry, who faces obstacles, including death and killing. The author’s use of literary devices, specifically imagery, irony, and metaphors convey the theme warfare often forces soldiers to reconsider their traditional notions of right and wrong.

War is the graveyard of innocence for boys who become men through the loss of humanity. The book “Fallen Angels,” by Walter Dean Myers, is a story about Richard Perry, a young man who mistakenly joins the Vietnam War to avoid the shame of not going to college. As the book goes on Perry discovers his mistake and in the process, not only loses his innocence, but also his humanity. Wars will always be the dark parts of our history and no war is devoid of horrors that can strip anyone of everything they are, and in war soldiers must use coping mechanisms to deal with these very apparent horrors.

Guilt plays a huge role throughout the novel. In war, men are constantly dying and these men all become best friends with one another. For example, Norman Bowker felt a tremendous amount of quilt towards the death of Kiowa. In the chapter Speaking of Courage, the narrator explains how Norman tries to save Kiowa, “He would've talked about this, and how he grabbed Kiowa by the boot and tried to pull him out. He pulled hard but Kiowa was gone, and then suddenly he felt himself going, too.” (page 143). Norman lived with this for the rest of his life, playing what he could've done to save him over and over again in his head. Another example is in the chapter, In The Field, a young soldier decides to show Kiowa a picture of his girlfriend. The young boy switched on his flashlight, and seconds later the field exploded around them. “Like murderer, the boy thought. The flashlight made it happen. Dumb and dangerous. And as a result his friend Kiowa was now dead.” (page 163).

Tim O’Brien’s uncommon ending sentence that have caught many people by surprise in the story, “Where have you gone, Charming Billy?” which was wrote as a historical fiction that revolves around the Vietnamese war. It leads you to O’Brien’s perspective on why war is bad. The story also shows how things are not okay, even after the war. O’Brien shows the realities of war through repetition of thoughts about fear, how soldiers deal with it, and the effect it has on their actions.

O’Brien presents a variety of stories to present the complexity of war. “On The Rainy River” is a pre-war

“That’s what stories are for. Stories are for joining the past to the future ... Stories are for eternity, when memory is erased, when there is nothing to remember except the story” (36). The Things They Carried is a captivating novel that gives an inside look at the life of a soldier in the Vietnam War through the personal stories of the author, Tim O’Brien . Having been in the middle of war, O’Brien has personal experiences to back up his opinion about the war. In The Things They Carried, O’Brien reveals his view on war through telling his readers how the Vietnam War had no point, was emotionally devastating, and displaying that there is no purpose in war unless the soldiers know what they are fighting for.

Throughout O’Brien’s work, he illustrates how the nature of war can change friendships and develop trust. While those involved are affected by war, each person handles their emotions differently. There is something ingrained in humans that even when people lose their sanity and their emotions go insane, most humans still feel the need to protect the other. People can go into a war as enemies, but when dangerous situations come, trust must be built, even if it is

This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him.

Combat, loyalty, enmity, bloodshed, and duty, all words that fit under the category of war. The novel Unbroken by Laura Hillenbrand is about Louis Zamperini a strong willed man raised in Torrance, California. He started as a young troublemaker until he discovered his passion for running in high school. That very passion led him to compete in the Olympics. Later he enlisted in the Army Air Corps, a brave decision that would change his life. War and its affinities have various emotional effects on different individuals, whether facing adversity within the war or when experiencing the psychological aftermath.

O'Brien, is written to where it shows the overall psychological effects of war on soldiers in and

Tim O’Brien never lies. While we realise at the end of the book that Kiowa, Mitchell Sanders and Rat Kiley are all fictional characters, O’Brien is actually trying to tell us that there is a lot more truth hidden in these imagined characters than we think. This suggests that the experiences he went through were so traumatic, the only way to describe it was through the projection of fictional characters. O’Brien explores the relationship between war experiences and storytelling by blurring the lines between truth and fiction. While storytelling can change and shape a reader’s opinions and perspective, it might also be the closest in helping O’Brien cope with the complexity of war experiences, where the concepts like moral and immorality are being distorted. “How to Tell a True War Story” and “Ambush” are stories that both explore on topics: truth, the real definition of a true war story, and the role of truth.

When faced with war soldiers change, for better or for worse. Modern culture celebrates the glory of patriotic sacrifice. However, this celebration often leaves out the gritty details and trauma of violence behind war and the way it affects people. Homer’s The Odyssey and William Wyler’s The Best Years of Our Lives clearly discuss these details. Both debate the long-awaited return of warriors that went off to fight a war and the way the experience changes the protagonists. A warrior’s homecoming is typically thought to be full of loving comfort from family and friends, exemplified in images in popular culture. However, there is in fact a tragedy behind the whole ordeal, caused by the lack of effective communication by the homecoming warriors.

“Every war is ironic because every war is worse than expected,” Paul Fussell wrote in “The Great War and Modern Memory,” his classic study of the English literature of the First World War. “But the Great War was more ironic than any before or since.” The ancient verities of honor and glory were still standing in 1914 when England’s soldier-poets marched off to fight in France. Those young men became modern through the experience of trench warfare, if not in the forms they used to describe it. It was Yeats, Pound, Eliot, Joyce, and Lawrence who invented literary modernism while sitting out the war. Robert Graves, Siegfried Sassoon, Edmund Blunden, Isaac Rosenberg, and Wilfred Owen—who all fought in the trenches and, in the last two cases, died

America’s war heroes all have the same stories to tell but different tales. Prescribed with the same coloring page to fill in, and use their methods and colors to bring the image to life. This is the writing style and tactic used by Tim O’Brien in his novel, “The Things They Carried”. Steven Kaplan’s short story criticism, The Undying Certainty of the Narrator in Tim O’Brien’s The Things They Carried, provides the audience with an understanding of O’Brien’s techniques used to share “true war” stories of the Vietnam War. Kaplan explains the multitude of stories shared in each of the individual characters, narration and concepts derived from their personal experiences while serving active combat duty during the Vietnam War,