Who Is Catherine Morland's Northanger Abbey?
IWA: Northanger Abbey The character Catherine Morland from Jane Austen’s Northanger Abbey is a usual and ordinary little girl. Starting off in the beginning of the passage, Austen notes that in her later years she is known as a “heroine”, however Morland’s childhood is remarked as not out of the ordinary and pleasant. As the passage continues, Austen begins to describe the traits of Catherine Morland such as abilities, likes and dislikes, and physique. Although her youth is as “plain as many”, Austen elaborates on the greatness of Morland’s youth that follows along guidelines of the life of a hero or heroine. At the beginning of the passage, Austen starts off by giving a description of Morland’s parents. Her mother was a “woman of useful plain sense, with a good temper… and a good constitution,” and her father being “a very respectable man…had never been handsome.” Although the characteristics of this family is nothing above the ordinary, the description describes a …show more content…
It is noted that Catherine tends to lean towards masculine activities, and finds pleasure in doing them. “She was fond of all boys’ play and greatly preferred cricket.” The term tomboy could be used to define her. Morland did not find pleasure in doing activities that the stereotypical girl would find interest in, such as “playing with dolls…nursing a dormouse, feeding a canary bird, or watering a rose-bush.” She also is portrayed as someone who likes to find mischief and create trouble. She would gather flowers for the “pleasure of mischief.” The streak of rebellion shows that Morland carries out a care free life, however not one that sets her above the rest. Austen gives Morland enough fire and flare to look further into this “strange and unaccountable
Adeline Mwbray Analysis
2343 Words | 10 PagesAnother example of Opie’s radical ideas can be found in her representation of the intellectual and, more controversially, sexual rivalry between Mrs Mowbray and Adeline, stimulated by Sir Patrick’s interest in both women albeit for different reasons, is a radical idea on multiple levels. This depiction destroys the myth of the house as a haven sanctified by a loving marriage which complicates the glowing recommendation of marriage that Opie puts forward. Opie seems to suggest that just like in education, so in marriage, to be carried away by affection and lack of practicality and perception of the truth can only lead to disaster. Another radical idea that relates to the central theme of the novel as put forward by Eleanor Ty who in Empowering the Feminine finds in this novel “the love story not between Adeline and her lover Frederic Glenmurray, but between Adeline and her mother” (148). Such a reading thoroughly marginalises the male presence in the novel and points towards the importance of the mother daughter theme.
Catherine As A Foil
1702 Words | 7 PagesShe explains to Nelly Dean her motives for marrying him are because, "he is handsome, and young, and cheerful, and rich, and loves [her]" (Bronte 95). Catherine wrongly assumes that Edgar will be pliant to her whims. She desires Edgar Linton and Thrushcross Grange because it is seemingly a seat of empowerment for her, everything that Wuthering Heights is not. This hope, however, soon proves itself to be false. Catherine finds that behaving properly is too difficult a task for her to maintain.
Symbolism In The Possibility Of Evil
900 Words | 4 Pages“Miss Strangeworth is a familiar fixture in a small town where everyone knows everyone else. Little do the townsfolk suspect, though, that the dignified old woman leads another, secret life…”. A secret life can be evil or good, in Miss Strangeworth’s case it is suitable, but do others appreciate this secret life. In The Possibility of Evil Shirley Jackson illustrates inner thinking, revealing action, and symbolism to show how Miss Strangeworth tends the people like her roses, but truly state's them evil.
Adeline Mowbray: An Analysis
1101 Words | 5 PagesAs a matter of fact most frequently critics have looked at how prejudicial her mother’s philosophies have been for our character, and attributed to Editha Mowbray the “fallness” of her daughter. In her essay “The return of the prodigal daughter” Joanne Tong contemplates how “Mrs. Mowbray pays too little rather than too much attention to her daughter” (2004: 475) the outcome of which is a misunderstanding of her position in society with regards to the strict laws of etiquette and feminine ideology in eighteenth century England. Cecily E. Hill also blames Editha for Adeline and Glenmurray’s extramarital affair and their inevitable moral condemnation, and instead of accusing the lovers she sees Editha as the soul villain of the novel. Contrary to the typical concept of a mother who provides a safe education to Adeline, she experiments with dubious theories that ultimately foreground her daughter’s tragic
The Plots Of Deception In Jane Austen's Northanger Abbey
999 Words | 4 PagesThe notion that a young woman must be either engaged or pursuing an engagement was a common standard for women in the 19th century. Women looking for an engagement, must uphold high standards with strong morals as well as being wholly pure of both body and mind. Jane Austen depicts the main characters of her novels as being strong individuals in the midst of these societal standards. These significant morals in Northanger Abbey, influence the characters, such as Catherine and Isabella, in how they make their decisions. Additionally, the main character Catherine Morland, a young lady, learns the ways of presenting herself in the best light possible.
Female Sexuality In Eliza Haywood's Fantomina
2406 Words | 10 PagesThat is, not only does her mother arrive in town, putting a stop to her schemes, but also the protagonist’s natural biological body disrupts her plans through pregnancy. Indeed, John Richetti argues that: “The early eighteenth-century amatory novella…out one part of the antithesis I am working with: …the heroines are visited by overwhelming and ineffable…passion, obsessions that preclude self-examination and make a mockery of agency and self-consciousness” (336-337) in his essay “Ideas and Voices: The New Novel in Eighteenth-Century England.” The “Shock of Nature” (69), of labour, starts while she is still in town and under her mother’s dominion. The protagonist’s mother is a “severely virtuous” (68) lady, and upon finding her daughter ill, feels “Pity and Tenderness” (69), which is then “succeeded by an adequate Shame and Indignation” (69). Her mother hears Beauplaisir’s story after finding out the truth of her daughter’s schemes.
Anne Elliot Research Paper
885 Words | 4 PagesInspired by the course’s focus on the duality of “then and now,” I decided to cast Anne Elliot as a twenty-first century blogger and Emma Woodhouse as her devoted reader and number one fan. Among Austen’s heroines, Anne is unique in her age and commensurate wisdom. But to gain such strength, she first needed to endure great weakness—like the hazelnut, she had to fall before she grew. Through “Always, Anne,” I track Anne through the developmental phases of her life as she struggles to be heard and take the rein of her own story.
Truth And Roses In Henry David Thoreau's The Possibility Of Evil
195 Words | 1 Pages“Truth and roses both have thorns about them” (Henry David Thoreau) In the short story of “The Possibility of Evil”, the roses symbolize Miss Adela Strangeworth’s untruthful and deceptive personality. First of all, she presents herself as a very charming old lady in public, Miss Strangeworth regularly “stops every minute or so to say good morning to someone or to ask after someone’s health.” In one particular example, she says to Helen Crane that her baby “is going to grow up expecting luxury all her life.” ,even though the baby clearly suffers from physical problems. Despite of all the blessing and endorsement, Miss Strangeworth in reality, secretly write letters to inflict drama and raise suspicion.
Mrs. Ramsay In Virginia Woolf's To The Lighthouse
1707 Words | 7 PagesThere is much more lying behind the social mask in which she is hidden. It is true that on the one hand she responds to the stereotypical representation of the Victorian woman (mother and wife of her children as it has been aforementioned) but privately “she is drawn toward women and women-identified values” (Donna Lynn, ESTÁ EN MODERN FICTION... 45 PERO NO HAY PAGINA). Mrs Ramsay likes the kind of liberty men have, and because Lily is the only woman who has some kind of independency, she likes her for it “With her little Chinese eyes and her puckered-up face, she would never marry; one could not take her painting very seriously; she was an independent little creature, and Mrs. Ramsay liked her for it" (Woolf, 29). But the way in which Mrs Ramsay likes Lily has been seen by some critics as something more than just the kind of affection that usually exists between friends.
Dammed Beliefs
1533 Words | 7 PagesFor example, Fowles emphasizes Ernestina’s rigid persona, as she feels obligated to act and behave a certain way in Lyme, a town which “gave ladies an excellent opportunity to assess and comment on their neighbors’ finery; and of course show off their own” (Fowles 127). Despite Ernestina’s appeal to the Victorian status-quo of feminine behavior, her adherence to this societal ideal limits her ability to express herself in any other way, as demonstrated through her “unwelcomely artificial” humor, and the city’s “hidebound” and solemn nature (129). As a result, Ernestina embodies a sterile, rigid, and un-natural perspective of love, and is never truly happy; without being able to express what she wants, her marriage is only a piece of paper, meaningless and simply the result of a “market for brides” (129). On the contrary, Fowles depicts Sarah as the human embodiment of freedom, the polar opposite of “English solemnity too solemn, English thought too moralistic, English religion too bigoted” (129-130). And though Sarah may never
The Role Of Moralism In Jane Austen's Pride And Prejudice
1950 Words | 8 PagesAbstract This is t0 inf0rm y0u that I Smita Singh 0f B.A. (H) ENGLISH Semester 3 has taken the t0pic “JANE AUSTEN AS A M0RALIST IN PRIDE AND PREJUDICE”.
Theme Of Self Alienation In Wuthering Heights And Frankenstein
2102 Words | 9 PagesAt the beginning of the novel, Catherine is described as a wild and rebellious child. However, that changes after her stay with the Linton’s. When she returns from her stay her “manners were much improved,” and “instead of a wild, hatless little savage jumping into the house…there lighted from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit which she was obliged to hold up with both hands that she might sail in” (46). Catherine was tempted by the way of life the Linton’s lived and, to fit in, has concealed her wild and rebellious nature. She confides in her housekeeper that she loves Heathcliff, but can’t marry him because it would “degrade” her (71).
Essay On Feminism In Jane Austen's Sense And Sensibility
2036 Words | 9 PagesIn Jane Austen’s novel, Sense and Sensibility she discusses feminism through the challenges women may face in marriage. Austen’s portrayal of her characters Elinor and Marianne demonstrate the struggles and pressures women face. These challenges can be seen through primogeniture, Elinor and Marianne’s approach to love and marriage, and a man’s ability to ruin or help women. The familial succession of assets typically went to the first-born son or the next male heir. In the case of John Dashwood, he inherited Norland estate after the death of his father leaving his half-sisters and stepmother “to quit the neighborhood Norland” and move to a small cottage in Devonshire.
Catherine Barkley Character Analysis
918 Words | 4 PagesAt the beginning of the novel, Frederic Henry arranges a tour to Italy during the world war one. When he returns to the front, he meets Catherine Barkley; she is a British nurse at the British hospital. However, the recent death of Catherine`s old fiancé affected her deeply that she will settle for the illusion of it. Catherine pretended to love Henry that awakens a desire for emotional interaction in Henry, the war has left coolly detached and numb.
Catherine Earnshaw Character Analysis
1684 Words | 7 PagesAlong with these observations, Howard, Martin, Berlin and Gunn (2012) maintain that a child’s separation from his mother has been linked to behavior problems, particularly for girls. Consequently, apart from her attachment to the wild Heathcliff, the gulf between Catherine and her father and her mother’s death had negatively impacted her mental health and her character formation. Lastly Catherine is also a victim of
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