Who Is John A Foil In Jane Eyre

Arguably, Helen’s short presence in Jane’s life influences Jane’s many of Jane’s decisions throughout the test. First, Jane forgives Mrs. Reed for her cruel treatment during Jane’s childhood. Jane also forgives Mr. Rochester for his deception and decides to return to him, all before knowing about the fire and Bertha Mason’s death. Just as Jesus preached to his disciples to forgive and live a pure life. In Maria Lamonaca’s literary criticism, "Jane's Crown of Thorns: feminism and Christianity in Jane Eyre" she states, “[Helen’s] example and beliefs serve Jane in good stead later in the novel. It is Helen who advises Jane to study the New Testament and follow Christ's example, in particular his injunction to "Love your enemies"--a counsel that clearly influences the forgiveness Jane grants the dying Mrs. Reed” (Lamonaca

In Jane Eyre, Charlotte Brontë explores a love story between two characters, Mr. Rochester and Jane, which is formed from deception. Mr. Rochester lies to Jane on multiple occasions. He does not admit who he is to Jane right way, creates a facade as a gypsy, and finally falsifies his past marriage with Bertha. Deception serves as a problem in their relationship, but ultimately they are able to put it behind them and find happiness together. When the character of Bertha Mason is introduced, it is revealed that Mr. Rochester has a past he wishes to forget and his interest for Jane stems from his hatred of Bertha and their unsuccessful marriage. Rochester’s ongoing deception towards Jane is a result of him wanting to redeem himself for the failure of his marriage with Bertha.

It is ironic that Jane is seen as the guilty party in the incident with John Reed because John started the fight when he slapped Jane. Then when John’s sisters, Eliza and Georgina, go to “tattle tale” on Jane, their mother blames Jane for the whole situation. Jane compares John to a “murderer,” “slave-driver,” and “Roman Emperors” (Bronte 9). During this comparison, she is implying that he is a very cruel and awful person. That he would beat her and boss her around.

One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants. To simply the question, does she choose the Prince, who is saintly, and on a mission to help others, or does she choose the Beast who hold so much passion, that it is hard to contain?

As an adult, Jane asserts her independence by rejecting unequal marriage. When Jane finds out that the man she was to marry, Mr. Rochester, was already wed, she ran away. Mr. Rochester pleaded passionately for her to stay, revealing his unfortunate history and even threatening to use physical force to restrain Jane. Both tactics failed since, as Jane puts it, her conscience personified strangles her passion for Rochester. Being a mistress to Rochester in addition to being financially and socially inferior to him prompts her to leave him. When a new suitor, St. John, proposes to Jane, she again rejects the marriage. This time, it 's because St. John plainly states that Jane would be subordinate to him as a missionary 's wife. Jane soon leaves St. John too. It 's only when Jane is fortified financially through an inheritance and socially by newly discovered family that Jane marries a blind and crippled Mr. Rochester. A marriage without equality, according to Bronte, shouldn 't have to be the only option

Though, upon the marriage with Mr. Rochester, Jane shows another side of her feministic character. The independent Jane, starts to question her role in the marriage. Jane hated that Mr. Rochester bought pretty jewelleries and dresses for her;” the more he bought me, the more my cheek burned with a sense of annoyance and degradation” (Brontë, 321). One can interpret this as Jane worries that the marriage would lessen her independence and put her at an inferior position. The fact that Mr. Rochester buys her all these things makes Jane feel objectified, and she could not tolerate it. Once again, this signals the feministic opinions that the character of Jane is associated with. Jane and Mr. Rochester does not get married during this section of the book, due to the fact that he is already in a marriage. The way Jane distance herself from objectification, and the fact that they do not get married (in this part of the book) contradict the ordinary romantic novels in this contemporary

Her love is loyal and steadfast. Jane Eyre aspires after true love and she overcomes the obstacles in the process of pursing true love. At last, she succeeds and lives a happy life with her lover. Through the detailed analysis of Jane Eyre’s struggle for self-realization, it is known that whatever difficulties one encounters in his life, never be a quitter is the only way that one can do. Jane Eyre proves to the world of the 1800s that a woman beating the odds to become independent and successful on her own was not as far-fetched as it may have seemed. Jane goes against the expected type by “refusing subservience, disagreeing with her superiors, standing up for her rights, and venturing creative thoughts” (Margaret, 1997, p. 325-346). She is not only successful in terms of wealth and position, but more importantly, in terms of family and love. These two needs that have evaded Jane for so long are finally hers. Adding to her victory is her ability to enjoy both without losing her hard-won independence. Everybody has the rights to pursue happiness, to pursue the true spirit of life, which can be seen from Jane Eyre’s struggle for independence and equality. Jane Eyre’s story tells us that in a man-dominated society, a woman should strive for the decency and dignity. In face of hardships in life, the courageous woman should be brave enough to battle against it. Self-esteem is the primary element to protect. And the feminism taught how to defend ourselves. Whenever

John, a missionary, for the first time she is the little girl lost in the woods. St. John is very passionate about his work as a missionary in India, which is what he is home prepping for. Once the reader gets to know St. John he is a hard and cold man, who focuses on one thing and that is marrying a beautiful woman and taking her with him to be his missionary wife. This makes the reader and Jane ignore the fact that he is handsome, blonde, and blue-eyed. Now to focus on that Jane came into St. John’s life poor, starving and alone. St. John gets to know her fairly quickly and realizes that she is amazing and beautiful woman. This is why he gets her the job as the governess for Mr. Rochester’s adopted daughter Adele. Jane teaches Adele how to speak English, while at the same time falls madly in love with her father. Who at first glance is not an attractive man by any means. This is a big way that Jane proves herself as a strong and beautiful woman because she never judges a book by its cover. She falls in love with the man that she gets to know on the inside, not by what is on the outside. She falls in love with the man who speaks French to her and tries to spoil her any chance that he gets. Rochester said to Jane “My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?” (Bronte, 87). This is one of the sweetest ways for a man to ask a woman, in my

Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty. This enhances her confidence, and teaches her to follow her instinct rather than the

In Charlotte Brontë 's, Jane Eyre, we see a reversal of gender roles for both Mr. Rochester and Jane. In multiple scenes of the book the two switch back and forth from their “natural” roles, which ends up benefiting the two. In the story, Mr. Rochester, the big burly owner of Thornfield, occasionally drops his natural patriarchal role to become a feminine character. Jane also does this as she takes on a more masculine role from time to time, and drops her feminine complacency. While usually both characters dropping their gender-specific roles could turn out bad, in this story, dropping the stereotypical gender roles by blurring them leads to happiness by the end of the story. Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten.

{Rochester admits that he could not be alone and that he has always craved some type of love even if he didn’t love his mistress back.} He tells Jane, “Yet I could not live alone; so I tried the companionship of mistresses. The first I chose was Celine Varens--another of those steps which make a man spurn himself when he recalls them. You already know what she was, and how my liaison with her terminated. She had two successors: an Italian, Giacinta, and a German, Clara; both considered singularly handsome. What was their beauty to me in a few weeks? Giacinta was unprincipled and violent: I tired of her in three months. Clara was honest and quiet; but heavy, mindless, and unimpressible: not one whit to my taste. I was glad to give her a sufficient sum to set her up in a good line of business, and so get decently rid of her. But, Jane, I see by your face you are not forming a very favourable opinion of me just now. You think me an unfeeling, loose-principled rake: don't you?” (Brontë 313). {Rochester is honest with Jane as he tells her that he is in need of someone for his own convenience. He even tells her that he got tired of them rather quickly because, even though he is not intelligent, he knows when woman are good for him or not. He seems to be ashamed of himself for telling Jane and being so wantful of women but not being able to actually love them.} He later says, “I now hate the recollection of time I passed with Celine, Giacinta, and Clara” (Brontë 314). {Rochester admits that he regrets wasting time on women who didn’t mean anything to him. Brontë characterizes Rochester as a womanizer with a lack of sense to show that he is not completely a Byronic Hero because he is not smart about his choices and he cannot be isolated which is why he is so desperate to make Jane, who is not like the other woman he has been involved with, his

Charlotte Bronte’s classic heartfelt novel entitled “Jane Eyre” depicts how an unloved orphan constantly wishes for affection and acceptance throughout her life. Even at an early age in life, she never truly understood what it meant to be “loved” and what it means to “love” others. With this, maturing into a young lady definitely opened her eyes to the realities of life. Moreover, the novel also depicts a patriarchal society where women aren’t respected with dignity and equality. In this coming of age novel, discover how a young woman courageously faced her fears and triumphed with love in the end. Unraveling the acclaimed novel definitely showcased how in the end “Love conquers all”. Truly, Jane Eyre will forever remain as a masterpiece of art due to its dynamic characters, insightful themes and exquisitely crafted sense of style and writing.

In “Jane Eyre” Charlotte Brontë rejects the traditional role of women subdued by social conceptions and masculine authority by generating an identity to her female character.

Jane’s first encounter with one of the strongly religious characters takes place in her aunt’s house. Jane meets Mr Brocklehurst, the master Lowood school, where she will be studying and eventually become a teacher later in the novel. During her first interaction with him Mr Brocklehurst promptly asks Jane “Do you read your Bible?” (Brontë 72) and other questions about Jane’s faith. Brocklehurst immediately tells Jane that she must have “a wicked heart” (Brontë 72) since

Charlotte Bronte takes us on a journey from the point which Jane Eyre, the protagonist lives with her aunt and cousins whom very much dislikes her in Gateshead to her going to a boarding school in Lowood, after which she becomes a governess in Thornfield where she falls in love with Mr. Rochester her employer whom she later finds out is married to a mad woman by the name of Bertha Mason, upon her discovery of this she picks up and leaves Thornfield, she then ends up at Marsh End where he meets her relatives. The novel carries us through ever important event in her life, which introduces us to new aspects of her personality, up until her eventual marriage to Mr. Rochester. The novel fits this theme as its protagonist chooses individualism as she refuses to take the role subservience as that of a traditional female of the Victorian era society, she stands up for her rights and want she believes in, she ventures in her own unique thoughts, and stands by her views even if it means disagreeing with those superior to her. Jane comments on the role of women in society and the greater constraint imposed on them.