Everyone and their grandmother has watched Disney movies. Some of Disney’s most iconic movies are their modern day reinterpretations of common fairy tales and the princesses with in them such as Cinderella, Jasmine, Snow White, and Rapunzel. However, anyone with eyes can notice that all of their princesses no matter their background rhave one thing in common; They are all fashionably, sometimes impossibly, skinny. And by contrast, many of the villains particularly the female ones are seen as undesirable.Being undesirable, particularly in the case of Cinderella, is shown by making her stepsisters fat and ugly. That is the issue the author, Jane Yolen, focuses on in her poem Fat is not a Fairytale. Within her poem she brings to light …show more content…
This was only further ingrained within society when the Grimms’ work was visualized and forever immortalized in disney’s memorable reimagining of Cinderella that hit the theaters in the year, 1950. In which cinderella dances in her blue corseted ball gown with the handsome Prince Charming. It is no wonder then that Yolen would rather have had the story be about a “Cinder Elephant” (2) who has a “beautiful pillowed breast’(13) and in consequence having a more realistic role model for most women in American society. However beauty practices woman then and now have …show more content…
Instead of making parts of their body smaller to achieve that “wasp waisted” look they are making parts of themselves bigger by use of injections and other body enhancements.Plastic surgery is so prolific in fact that many women especially actresses feel that as they age have to get work done in order to keeps job. Yolen compares this behavior to them “flinging”themselves “down the stairs” (7) in order to impress and please others . In the real world, however, no sane woman flings herself down the stairs but many do something just as dangerous with no one batting an eye to achieve that elusive, desired beauty. For example, many women who get breasts enhancements are quite literally putting poison bags full of silicone and salt water within their bodies and going through days worth of pain and permanent scarring in order to look beautiful for other people, men and women alike. Kim Kardashian ,one of the most influential women in America. has been put under the knife so many times that she only has gleaning similarity to what she used to look like before the operations. This is the reason why yolen feels like the fairytales in her poem was for a world not yet
Cinderella Article titled “What’s Wrong with Cinderella” written by Peggy Orenstein, covered five areas about the “Princess” trend in the 21st Century. Orenstein states facts, feminist views and third party, reasoning to support and oppose her views on the princess craze. The opposing data does not prove there are long or short term health or well-being effects or damages from the data collected. Orenstein gives an inter-dialogue with the pros and cons of marketing to young girls on its health effects and its well-being damages to young girls that experience the princess craze. Orenstein agrees young girls are not allowed to be themselves.
He begins to say, “You give your daughter legos and soccer balls, not barbies” (323). Poniewozik proceeds to argue his point by explaining how Hollywood finally discovered that it is pointless to fight the urge of the astonishing pink princess epidemic, while producing many more princess themed items because it is what girls seem to want. Similarly, Peggy Orenstein opens with a story about a mother who is simply appalled by anything and everything princess based on how her daughter gets treated by other adults. However, Orenstein tried to keep a consistent theme of not accepting the whole idea of being picture perfect throughout the article, but while making an argument, she would then come up with a contrasting argument. The question of, “Does every little girl really have to be a princess?”(Orenstein 326), arises when thinking about all of the times how even strangers assume little girls always want pink.
However, the original Brothers Grimm fairytales are a dark counterpart to the more censored and carefree version of the tales we tell children today. The original Grimm tales are known to possess stories of incest, animal cruelty, murder and child abuse. Grant’s paintings deeply convey the twisted and malicious nature of the fairy tales by showing obscene images, and combining it with a color palette of exuberant and cheerful colors best suited to simulate the age of childhood. One of my favorite childhood tales is “Cinderella,” so I have chosen to critique Grant’s “Cinderella” series. Natalie Grant’s first painting in the series is titled,
In today's society, the issue of gender roles has always been divisive and is still a source of contention for many. Remarks made about women in the media and even in person have always presented difficulties for women. Isabelle Gill writes about the prejudice that women still experience today and how it affects how princesses are perceived. Her article's goal was to highlight the distinctions between men and women in Disney tales. Isabelle talks about how princesses in movies receive unfair criticism and why they should be given more credit.
She truly embodied a woman of the early 1900’s. She wasn’t allowed to do or go as she wanted to, like her step sisters but was forced to work. For Example, “There she had to do hard work from morning till night, got up before day break, carry water, light fires, cook and wash” (121). The ideal housewife of this time earned her training within homes centered around the principles preparing the woman to take her of the household. Cinderella was isolated from
Although these characters are just fiction, children are still able see them and learn from them. Young girls especially begin to wonder why they do not have a tiny enough waist like Ariel or why they do not have the ideal face of a princess. These princesses may look really adorable but little do people know that girls are judging themselves because they do not fit the ideal princess archetype. “Villains all have one common feature- obesity. They are all overweight, with double chins and over-exaggerated curves.
It is nearly impossible for a tale to be passed down generations and still stay the same. The fairy tale “Cinderella” told by the Grimm brothers is almost 206 years old, and differences can be seen between the modern “Cinderella” story and the original. In “Cinderella,” by Jacob and Wilhelm Grimm, a young girl named Cinderella is treated like a servant by her family. Luckily she is gifted with beautiful clothing, enabling her to attend a festival, meeting her one true love. Cinderella gets married to the prince, and the step-sisters are punished by getting pecked in the eyes by birds.
After studying media portrayals Gill proposes entertainment media does indeed support traditional roles for the princesses much like the news media due to professionals. Gill suggests the princesses negatively impact young girls mainly because the princesses are described on the scenes with degraded physical stereotypical female attributes. She goes on to give examples of critiques that princesses are not fully empowered and physical
However, the later Disney films have gradually attempted to break away from this stereotype resulting in stronger female characters like Ariel, Mulan, and Elsa among others. Keeping this transition in mind, this paper uses semiotic analysis of four popular Disney films, namely, Snow White and the Seven Dwarfs (1937), The Little Mermaid (1989) and Mulan (1998) to depict the influence of societies ' changing perceptions of women on the portrayal of Disney princesses. These films taking into account the earliest film and certain popular characters that have represented a shift from being the coy damsel in distress to a woman who plays an active role in determining her own destiny. The portrayal of the Disney princess has changed in accordance with the development of women in society over time (1937 to 2013) from demure and traditional to
Logos creates a sense of urgency in the reader’s head that they need to monitor their child’s behavior. One of the credible sources Hanes uses is from a University of Central Florida poll, which found that, “50 percent of 3-6 year old girls worry they’re fat” (*). Hanes argues this statistic could be stemmed from the Disney Princesses image. The princesses have a particular shape and size that has created a standard for body image. The author uses these facts to show her audience that if parents continue to allow their children to view these images, their child will desire to be just like the Disney Princesses.
Walt Disney has been making girls think that in order to be beautiful you have to be the perfect shape and size. (Shortridge). Some people believe that the Disney Princesses are great role models for children because Mulan teaches us to never give up on the strengths we have just because we are girls, Belle teaches us to never judge a book by its cover, and Pocahontas shows us real princesses are strong leaders. On the other hand, some individuals feel that Disney Princesses are bad role models because of their unrealistic body appearance, telling girls every marriage ends with a happily ever after when you get married at a young age, and saying every girl needs a man in order to be happy. Both sides have valid points but in reality everyone
However, this ‘beauty’ comes from the clothing and the societal class she appears to belong in. Clothing that is flattering is seen as vital to a woman’s success; while for men it is to display success and high status (i.e prince of the kingdom). The transformation of Cinderella going from rags and low class to riches and royalty is seen as ‘beauty’ because she is doing everything expected of her— keeping her physical appearance and having the ‘natural’ dependency on a male to save her from her slave-like lifestyle. All which, according to Maity, is a “socially constructed notion that physical attractiveness is one of women’s most important assets, and something all women should strive to achieve and maintain” (3). Cinderella goes from rags to riches all just for going to a ball, wearing a sparkly dress, and being pretty.
In the list of the world’s most watched fairy tales, Cinderella is of no exception. Over the years, seven hundred versions of Cinderella have been created all over the world in different languages (Kelley, 1994). In the 19th century, the first written form of the story was published in China. However, a modern version of Cinderella collated in France in 1697 by Charles Perrault (Williams, 2016) has become very popular in the United States (Kelley, 1994). Based on Perrault’s version, Walt Disney created a full-length animation of Cinderella in 1950 (History.com Staff, 2009).
Similarly, Disney’s Cinderella presents a cruel and ambitious stepmother who attempts to arrange marriages for her ugly, foolish, and somewhat comical daughters. In the film, we see their miserable attempt to sing opera, (supposedly in order to appear more feminine) as the mother proudly oversees. In one of the last scenes, she desperately urges them to make the glass slipper fit, and while she doesn’t downright tell them to cut off their toes or heels as in the original (Grimm 119), the comic scene in itself seems to have a subtle layer of tragedy. While these examples prove that female ugliness in fairy tales and their adaptations corresponds to wickedness, and the latter is equivalent to ill-temper, the question of female independence still
Cinderella is also portrayed as a young woman suffering silently, without taking any action and waiting for her Prince Charming to rescue her from her horrible life. This is as much a fairy tale convention as it is a gender expectation for women to be beautiful and silent. However, this wasn’t as much as a gender expectation in the 1800s as it is today. Cinderella’s father does not appear to be home as much as the stepmother, and this illustrates the type of work and expectations for women’s and men’s jobs in the 1800s. The father is probably commuting to work, and this is evident through the fact that he never sees the cruelty experienced by Cinderella.