Loving Yourself “Wild Geese” is a poem published in 1986 by Mary Oliver. It is a poem composed of one stanza and 18 lines. It is also written in free verse meaning that the poem has no specific structure. Through the poem, the speaker shares an important flaw that is part of human nature. It is Human’s nature to be unaccepting of oneself and not love who you are. However, the speaker encourages the readers to accept themselves because the world is beautiful and loves everyone. The poem begins with the speaker expressing that, “You do not have to be good” (1). Automatically the speaker is setting a tone of ease to the readers. The speaker then continues to explain, “You do not have to walk on your knees/ for a hundred miles through the desert repenting” (2-3). The image of walking in the desert on your knees is very painful. Pulling your knees for hundreds of miles in dry, hot weather. This is very strong because it is in human nature to always be sorry for not …show more content…
These lines of imagery make it easy to envision the sun, the smell of the rain, the trees, mountains and rivers. This can be used to further prove humans are always unsatisfied with oneself, however there’s more to life than stress and guilt. The speaker continues the use of imagery with, “Meanwhile the wild geese, high in the clean blue air,/are heading home again” (12-13). Not only can you envision wild geese flying but also a clear beautiful blue sky. This is the first time the speaker references her tittle of wild geese, and she does it in a form of a metaphor. The wild geese flying in the air is symbolic to freedom, and the speaker is telling the reader to be free and let go all the stress that haunts the reader. Going home is going back to a state in life where you are in sync with the world and its
The first stanza of the poem uses similes and symbols. “When the first bird sings and the first bud opes,” The use of spring when the birds come out and the flowers begin to bloom. Dunbar starting his poem with a landscape of spring is an idea of being released from a confined place in life. This shows the comparison of the person and the bird that both feel trapped unable to do as they wish. Dunbar wants to be freed but isn’t free because of slave laws.
This poem dramatizes the struggles and fear that a hostage faced when in captivity. The poem titled “Captivity” by Louise Erdrich, is about a woman reflecting on her times when she was held captive and the anxiety that she felt. While she eventually is rescued, the speaker notes that her time spent as a hostage took a toll on her life as she no longer finds purpose and does not know what to do with her life. The poem is about how fear and terror changed the mindset of this captive.
The Nature of Symbolism within Trethewey’s “Elegy” In this poem “Elegy,” Natasha Trethewey depicts the relationship between herself and her late father by means of a metaphor that carries throughout the entire poem. We see that an elegy is typically used to lament the dead, however the abstract language of this poem sends a more demining message. This connotative thought is exactly what Trethewey chooses to address through subliminal metaphors equipped with items typically used to destroy rather than build, along with symbolism that alludes to fighting adversity.
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
One of the aspects of “Wild Geese” that truly struck my fifth-grade self was its use of imagery—I was drawn in particular to the extensive visual imagery in lines 8-13 (“Meanwhile the sun…heading home again”) and awed by the ability of text to evoke images of such clarity. Moreover, in addition to the intrigue of its use of literary devices and the complexity of its recitation, interpreting “Wild Geese” and finding meaning within it was a process that continued well beyond the end of my fifth-grade year, and the connotations of that poem continue to resonate with me. While the entirety of this story is too personal to share herein, “Wild Geese” was a poem that spoke to me on a very personal level. As I sometimes have a tendency to hold myself to unrealistic standards, “Wild Geese” was to me a reminder of the relative insignificance of the trivial matters with which I would preoccupy myself; nature became a symbol of that which existed beyond my narrow fixations and the wild geese a reflection of the inexorable passage of time—in essence, a reminder that “this too shall
And on the way to finding what it is we can offer, there are a multitude of opportunities to illuminate the world around us. That is what I take from this poem – a resolve to make a greater effort to shine in my day-to-day life. I don’t know exactly how I can shine, but I trust that I can figure it out. I can “serve the world.” I can “be brilliant,” and I can “manifest the glory of God.”
In the first stanza, we can already see how this poem can relate to the world today and how we feel about certain things. We as humans don't like change. Sometimes, we want something to happen so bad, that we don't consider how our life might change if this wish, this hope of something, actually happened. We sometimes may want something so bad, but fear what the consequences might be if something goes
In Timmy Reeds short story, “Birds and Other Things We Placed in Our Hearts,” there is a significant amount of imagery and symbolism through the authors use of style, characterization, and theme. The profound use of symbolism in the authors style of writing greatly captures the use of imagery throughout the story. The beginning sentence of the story reads, “As our chests hollowed out, we filled them with birds” (Reed). This beginning sentence is simply stating that the hearts of humans have withered away, leaving them feeling empty, and to fill that emptiness they filled their cavity with birds.
Flannery O’Connor’s The King of the Birds is a narrative explaining the narrator’s obsession with different kinds of fowl over time. The reader follows the narrator from her first experience with a chicken, which caught the attention of reporters due to its ability to walk both backward and forward, to her collection of peahens and peacocks. At the mere age of five, the narrator’s chicken was featured in the news and from that moment she began to build her family of fowl. The expansive collection began with chickens, but soon the narrator found a breed of bird that was even more intriguing; peacocks.
As the poem continues, H.D. introduces “a red swan” (3) with “red wings” (3), “darker beak” (4), “purple down/ of his soft breast” (5-6), and “coral feet” (7). H.D.’s use of colors, such as red, purple, and coral, to describe the swan deviates from an ordinary swan. These exotic colors reveal that this is not an ordinary swan, but a creature higher than itself. In fact, the
Rhetorical Analysis Rhetoric Analysis 1 “Wild Geese” by Mary Oliver is a poem about letting things go and appreciating just how simple and beautiful life is. Oliver claims that “You do not have to be good…” and that you only have to “love what [you] love…” meaning that as human being one should enjoy life and live it how he or she sees fit. Oliver continues her poem by convincing the reader that life should not be taken too seriously. By re-using the word, “meanwhile…”Oliver let’s the reader know that not only their life is going on at a particular time, but also other’s lives are shifting through time as well.
In the poem, “My Papa’s Waltz”, Theodore Roethke illustrates the complex relationship between a little boy and his father by juxtaposing images of love and violence through word choices that portray feelings of fear yet affection for his father. Roethke’s shifting tone encompasses distress and a sense admiration that suggests the complexities of violence both physically and emotionally for the undercurrents of his father and son relationship. The poem begins with a series of negative images, each of which are considered violent and undesirable in a family. For example, “The whiskey on your breath” suggests alcoholism, and “Could make a small boy dizzy” emphasizes that a boy is suffering from the effects of the alcoholic parent.
First, the speaker said that the red bird wings look like brushstrokes on the memorial as if it was painted. Wings are nice; it’s reference delightful and spirituality. Birds they fly into the sky, they go to the heaven, the way prayers can go into the heaven, a bird is a freedom it’s a more hopeful image. Then, in the reflection of the black mirror, he noticing the sky and he can see an airplane in the reflection and again, it represent the expands, the freedom of the sky. This is a broadening in the poem; it’s like we opening the lens wider.
This poem also comments on societies attitude towards the unemployed and people in a bad situation. It comments on societies apathy to bad situations experienced by others and disgust of disadvantaged and poor people. The poem reads like a list of all the things the person is supposed to follow, "eat with
For example, he creates a visualization for the reader when he writes that Douglas saw “Birds leap from trees like a net thrown by his hand” while he “conducted an orchestra”. He is seeing things that are real but relates them to figments of his creative thoughts. This sets a comparison between bird leaping and a net being thrown. When introducing the birds, Bradbury demonstrates the reoccurring theme of seeing things differently than what they are. Concluding the excerpt, he alludes how Douglas smiles a “magician’s smile”.