The boys were pushed to this level of savagery by the need for power. In chapter nine of Lord of the Flies, William Golding employs symbolism, repetition, and animal imagery to convey the theme that the need for power can cause people to become savages. Golding uses the rhetorical strategy symbolism to convey the theme that the need for power can cause people to become savages. In this story they use a conch shell to symbolize order within the group.
The complex idea that is shown with my mask is loss of innocence. Loss of innocence is shown in Lord of the Flies especially when the boys kill Simon, the only truly innocent one on the island. His whole time on the island, he knew that the other boys were the beast, the savage ones. He always knew that their innocence was lost. Another way loss of innocence is shown in Lord of the Flies is that as the boys were being rescued, Ralph cried for the first time and he cried for “the end of innocence, the darkness of man’s heart, and the fall through the air of the true, wise friend called Piggy.”
The purpose of the mask varies by person and their situation. In the Ender’s case, it reveals his internal conflict of how he despises being the only one to show sympathy towards the buggers. Even when Peter forced Ender to wear the bugger mask, instead of showing more hatred towards the bugger, he understood them as a living thing. He placed himself in their shoes, ironically as it sounds, and scrutinized about their feelings toward the humans.
The boys became savages due to not having a society based on rules and order. Also, they grew out their hair to be long and greasy, their skin was burnt and peeled, and they were dirty. Because of these reasons, the boys forgot who they were and lost their identities. “He began to dance and his laughter became a bloodthirsty snarling. He capered towards Bill and the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness” (Golding, 64).
In Lord of The Flies by William Golding, dozens of british schoolboys find themselves stranded on an island after an horrific plane crash. As the boys get more accustomed to life on the island, they lose their grasps on civilization and even result to savage tendencies such as murder. Right before the barbarous boys, who were deceived by their power-crazed peer, (Jack) were about to kill their former chief, a navy general arrived to the island and brought them back to civilization. Golding uses an abundance of symbolism throughout the novel to give characters complex and deeper attributes. For example, hair is a major symbol and is used frequently throughout the novel to give us insight on characters and the setting.
When Jack puts on the mask, it gives him the boldness and eagerness to act as a new person. This allows him to make unethical choices further along in the book, becoming a threat to his peers. Shortly after the ship had past the island, the hunters return to find Ralph overwhelmed with anger. Jack and Ralph convey, “‘you let the fire go out… I
He utilizes the mask when he says that “I was brought up in America but educated at Oxford…” (Fitzgerald ##). He wants everyone including Nick Carraway, the narrator, to know that he is a valuable and worthy person. However, it backfires when Nick Carraway says “I knew why
In the book the Lord of the Flies the masks that Jack’s group uses helps them overcome their fear of killing the pig by hiding their true feelings. When Jack volunteers himself as the leader of hunting he doesn’t realize that he would have to overcome new challenges. Masculinity “masks” and the clay masks they wear in the Lord of the Flies are basically just “things trying to look like something else” (Golding 63). Jack explains to his group of hunters that the masks they were going to wear are so they can look like something they are not or to hide what is keeping them from killing a pig. This shows that they are trying to push away their true selves and by looking like something else they can make a character of who they choose to be based on the reason they put the “mask” on.
In William Golding's novel Lord of the Flies, the reader comprehends symbols that go throughout the book. These symbols are key factors which determine the importance of the novel. The symbols are a very important part of the literary content. In order to really follow along and understand the story, the reader must understand these symbols for what they mean as well as how they are used. Some of the symbols include the conch, the island itself, and fire.
In Golding’s novel, Lord of the Flies, a group of boys’ are forced to live on an island without law and order. Therefore, many of the boys experience a savagery phase on the island, causing them to constantly resort to violence over an issue. These boys primarily consist of Jack’s tribe in the novel. Through the boys’ use of face paint and Jack’s tribe killing people and animals, the reader learns that masks are used to disguise people who aspire to commit evil acts and become savages.
The novel Lord of the Flies, by William Golding, may represent a deeper meaning than the impression given by its title and cover. Inferences and predictions can be made by dissecting the title and analyzing the symbolic nature of the cover artwork. For instance, the title many be ambiguous and have multiple meanings than it vainly appears. ‘Lord’ can be symbolic of a position of power, or even simply a protector of something. Since flies often are illustrated to always being around rotten animals and corpses, ‘flies’ in this title may represent death and the remains of something that was once great.
In William Golding’s novel, Lord of the Flies, he created this book about a group of proper british boys to show that even the most civilize of all can turn inhuman and go savage. Also being in the war helped Golding to see what people were capable of even if they were good at heart. The themes in Golding’s novel, Lord of the Flies, were influenced by his childhood, his experiences in the war, and his view of human nature. Golding’s early life influenced the theme in Lord of the Flies.
Near the end of the novel, the face paint’s liberation into savagery symbolizes how easy it is for a person to change. When Ralph’s group decides to attack Jack’s base, Eric suggests that they paint their faces. The boys choose not to because, “they understood only too well the liberation into savagery that the concealing paint brought” (Golding 172). The
"(Lord of the Flies 230) Jack had inherited all the wretchedness of the adult world and he displayed them freely. When he found that he could act at will, without being challenged nor cautioned by a grown-up hand he unashamedly turned himself and his choir boys into savages and openly indulged in hunting and murdering, not only animals, but even fellow human beings. He thirsted for blood and lusted all the while for power and position.
It is, obviously, a symbolic one, that is meant to hide the suffering of people. It hides everything, “our cheeks and […] our eyes”, and “the eyes [being] the mirror of the soul”, the mask hides the inner you. (Dunbar, l. 2) (Paulo Coelho, Manuscript Found in Accra). But, in addition to the hiding, there’s also the lie about the emotion. Indeed, the mask isn’t only meant to hide the emotions, but also to create new ones on the surface, as we can see when the author said “We wear the mask that […] lies” (Dunbar, l. 1).