This chapter will look at the content of Kentridges work, questioning his approach and reasoning for narrating the South African apartheid and delving into his position somewhere in-between those who were conflicted.
In addressing such themes the artist explores the possibilities of creating histories and relationships, he proposes a new way of seeing, alternatives to the tragedies which occurred and in whole a solution to look at man differently and bury the oppression of minorities.
William Kentridge narrates personal and collective histories as primary subject matter in his practice . The complexity of daily existence is presented to viewers inviting them to empathise and understand the harsh realities which the artists works highlight ( p.10 carolyn christov). The artist highlights the difficulties which arise when one is a survivor and a witness of such events,(skira p.34) However perhaps this in-between position which the artist has found himself in has allowed him create work as an
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( Kentridge documentary ) Kentridges unique technique of drawing, erasing, recording, redrawing plays with memory as traces of the previous drawings linger on the page as if trapped in the image, perhaps a symbolic gesture for the memories and the suffering which took place in South Africa at the time to be omnipresent . Personal and collective history fuel Kentridges vast body of work, they have acted as a source for his animations since the artists first began creating.This chapter will Focus on earlier works of his, with particular interest in the acclaimed animation ‘Felix in exile’ which plainly addresses themes of personal and collective history alongside a political stance addressing the apartheid
This chapter addresses the central argument that African history and the lives of Africans are often dismissed. For example, the author underlines that approximately 50,000 African captives were taken to the Dutch Caribbean while 1,600,000 were sent to the French Caribbean. In addition, Painter provides excerpts from the memoirs of ex-slaves, Equiano and Ayuba in which they recount their personal experience as slaves. This is important because the author carefully presents the topic of slaves as not just numbers, but as individual people. In contrast, in my high school’s world history class, I can profoundly recall reading an excerpt from a European man in the early colonialism period which described his experience when he first encountered the African people.
Despite some issues, The Gilded Age, or Industrial era, overall had a great impact on America. During this time, the economy saw a great increase, people were given new opportunities such as jobs, and the popularity of America increased globally. I really enjoyed watching "The Gilded Age", and found it very educational. I found the meaning of the name of the documentary interesting, the fact that America put off this image that they were perfect but behind the image were various issues. I guess you could say this proves to never judge a book by its cover.
Thus the reader is once again let down, and left wondering whether there is anyone in Africa who can fit the mold of the leader required. Midway throughout Stephen Kumalo’s journey, the reader is told about a young man named Arthur Jarvis, a staunch opponent of South Africa’s racial injustices who was shot and killed. Much to the reader’s dismay, the more they learn about Arthur Jarvis, the more they mourn his death as Arthur Jarvis embodies all the qualities needed for a
ABSTRACT The pain and suffering of Frida Kahlo and Chuck Close gave them the ability to create personal works of art to tell a story. The more suffering each of them encountered, the more artwork was produced, revealing the thoughts in their head, the pain that was endured and what gave them relief. Art really can be a drug, and from this essay, it will outline the development of each of their careers through all of the works of art and progress. INTRODUCTION My essay will address the progressive struggles and pain of two artists Chuck Close and Frida Kahlo, and how they each earned recognition through self-portraiture.
“Race Politics” Luis J. Rodriguez has written a poem called, “Race Politics”. This piece shows that the diversity between two parts of the town he grew up in and how it affected everyone. Rodriguez helps his readers learn that diversity isn’t an ‘old’ problem and that it didn’t end after the civil war, but that it still happens and it can affect people strongly. “Race Politics” can help prove that diversity is still going on and it’s still a major problem. When reading anything there is always connotation; which means that there is always a hidden meaning under the literal words and meaning.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
Author’s lives inspire their writing in many ways. An illustrious writer, Edgar Allan Poe, experienced continuous sufferings throughout his life. The heartaches he faced transferred into his writing. Poe’s works are dark and traumatic, such as “The Pit and the Pendulum.” He uses the unthinkable and shapes short stories out of them.
When most people feel like they are close to God; they usually make good moral decisions. In Doubt by John Patrick Shanley; Sister Aloysius tells Sister James that “In the pursuit of wrongdoing, one steps away from God. Of course, there’s a price.” When stepping away from God someone is committing sins and they are doing things that are usually not accepted. As the main characters stepped away from God, they had to pay the price of making wrong choices and the price of being pressured by those choices.
Within the context of African American literature, there is a common portrayal of a self-conscious narrator who takes on a quest for his or her own self-definition. This portrayal is frequently led by the so-called mulatto, a character of mixed background who is passing and has this ability to be able to cross over the coloured line to the white side. However, this white passing comes with a heavy internal conflict and this struggle for self-identity is captured in The Autobiography of an Ex-Colored Man. James Weldon Johnson epitomizes the struggles that a mixed-race protagonist would experience as he crosses the social boundary from the coloured side to the white side. Through this portrayal of a mixed race coloured man, Johnson is able to portray two well established literary troupes within African American literature: the tragic mulatto and the ex-slave narrative.
In Richard Rodriguez’s memoir Brown: The Last Discovery of America, he explicates America’s transition from a ‘greening environment’ to the future of ‘browning.’ The paradox will become the future, and social standards will subside as a new dominant categorization emerges. He exploits that the stigma created by other countries of America as the golden state is false when it comes to the reality of categorization, and discrimination of minorities and those who do not conform to the social normalities in the United States. He makes the reader question their culture and identity as he searches for his own.
He demands respect and presents himself in a serious manner. Fredrick describes the horrors he experienced as a slave and reminds of how this rough experience changed his life. While he does aim to please his audience like Wheatley, he finds a way to merge Eurocentric and Afrocentric audiences. He makes sure not to disrespect his oppressors, but he manages to tell his story at the same time. Douglas’s honest and authentic narrative will forever be appreciated by the people.
The documentary "Hollywoodism: Jews, Movies, and the American Dream", explains how a number of Jewish immigrants in the beginning of nineteen century built the most known six movie studios in Hollywood. Despite America 's open-door immigration policy for all immigrants, Jews, perhaps more than other minorities, encountered a new form a discrimination. The documakers say that they were viewed as outsiders and were blacklisted from working in certain fields such as finance, banking, and other higher education careers. Hence, they formed their own communities and their own version of real America, practicing their own religion, opening their own businesses in the garment industry and movie production. Because of the intense discrimination against Jews, especially those involved in the movie-theater industry in New York and Chicago, many of them moved to Hollywood, California building their own studios and working as screenwriters, directors, and producers.
Mark Mathabane’s “Kaffir Boy: The True Story of a Black Youth’s Coming of Age in apartheid South Africa”, gives a very bright and broad insight into the life of black South Africans during the apartheid era. From the way he composes the settings into a smooth textured mental-photo to the way he describes himself and makes the story unbelievably inspirational. There were many themes within the book, however only a few main ones: Rules and order, race, suffering, fear, and hate. There was a distinct connection with the blacks in America during this time as well. Most of the book focuses on the setting of Alexandra, South America from the 1960s’ to the 1970s’.
This work gives a sense of the versatility of an artist whose role has been the stimulating, and mold-breaking from the
He dedicated his life’s work to bringing South Africa back together. Before readers even get the opportunity to hear Jarvis’s writings, they can tell he is an important man. His impact is visible through what others say about him. When Arthur’s father, James, sits down at his son’s desk for the first time, he sees scores of letters reading, “Mr. Jarvis, will you speak at the Parkwold Methodist Guild? Mr. Jarvis, will you speak at the Anglican Young People’s Association in Sophiatown?