Line 1 of the poem, the poet states he found a deer while traveling in night. This is relatively normal in some area. Seeing a deer while traveling can leave an “awe” impression and can be a good sign. However, in line 2, the readers found out that the deer is dead and is on the edge of the Wilson River road. The initial impression of seeing a deer became sad since the deer is dead and near the road of the traveling poet. By giving the location of the road he was on, it helps the reader who knows the road or decide to look it up, generates an image of his current situation. In line 3, the poet states the best course of action is to push the deer into the canyon. The word “usually” implies that this is not his first time seeing this kind of scenario and is kind of familiar with it. Line 4, the poet gives a description of the road being narrow and uses the word “swerve” which indicate a sharp turn in the road. Cause of the sharp turn and the road being narrow, it’s not uncommon for incoming vehicle to hit and probably kill a deer due to a lack of view from …show more content…
Since it’s a female deer, it’s safe for the poet to assume that the deer is pregnant and the fawn, a baby deer, is in the belly. Line 10 describes the fawn is still alive in the belly. The tone in line 11 turns sad when the poet state “alive, still, never to be born”. Even though the fawn is alive, it is still in the belly of a dead deer who cannot deliver it. In line 12, the poet give the reader image of him beside the mountain road. Knowing that there is a fawn and alive in the deer, it causes the poet to rethink his initial course of action of pushing the deer off the road. It shows the sadness the poet feel toward the dead deer with its unborn fawn. In this stanza, the poet is in a dilemma to decide rather this deer is dead or not. The deer is a paradox. Even though the deer is dead, the fawn inside is alive which defies the definition of
Do you know who Paul Revere is?“Listen my children,and you shall hear of the midnight ride of Paul Revere. ”Paul Revere was involved in the Revolutionary War in 1775 and wanted to be free from the British. The Paul Revere’s Ride Poem was very inaccurate and the historical one was acute. According to Paul Revere Ride Poem there are three different characters.
The view from the road of the lake during the afternoon in a quiet town gives the reader a sense of solitariness. The narrator describes that “Norman Bowker followed the tar road on its seven-mile loop around the lake, then he started all over again, driving slowly, feeling safe inside his father's big Chevy, now and then looking out on the lake to watch the boats and water-skiers and scenery” (O’Brien, 137). He feels safe in his car, silently protected from the terrors of the world. At the same time, though, it is beautiful and peaceful as he watches the scenery. Bowker drives for quite a long time.
On the roads, they see alluring scenery and it makes the ride much more diverting. “A Winter’s Drive” is a story about a man driving to Canada to see his aged house. He not only wants to see the home he grew up in, but he wants to recover a few hockey cards that were left behind from when he was a toddler. The mood of “Back Roads” is relaxed as shown through the scenery while the mood for “A Winter’s Drive” is anxious conveyed through the diction.
However, when the fate of the fawn was in the driver's mind alone, he hesitated, and his concern made him stop. In the fourth stanza, indecision accompanies him. The red color suggests the blood of the dead deer, and the car symbolizes this technology. All this happens in the darkness, and although it is a small event, the impact is enormous.
For example in the “Back Road” the meaning of the drive is to take it easy, and slow down so you can enjoy and experience things in life. The author tells you this when he says, “ Sam hated rushing things and insisted they take the back road… This was a decidedly relaxed ride… That’s why these back roads are so great, Sam said. You get to see all these things.”
In “The Murder Traveller” poet William Cullen Bryant employs a variety of literary devices such as juxtaposition, imagery, and tone to create an eerie atmosphere, with the continual thought being that life goes on with or without you. The poet begins by using imagery to create a cynical tone that makes the reader feel unimportant. By using strong imagery of how beautiful nature is even after a person has died, shows the death of the traveler didn 't affect anything around it. The nature continues to grow, people 's lives continue, and the world goes on. The contrast between the imagery of the beauty of nature with the bluntness of a dead traveler, creates this sense of unimportance, “And many a vernal blossom sprung, And nodded careless
In the poem Deer Hit, when the scene opens up with a drunk teenage driver the audience can already feel a sense of dread and tension within the poem. The theme of
The analogy of life, along with the obstacles that one must overcome in order to advance and to succeed is portrayed through the narrator’s experience with a dead deer in “Traveling through the Dark” by William Stafford. An interpretation of the title “Traveling through the Dark” is one’s outlook of life. Ultimately, humans are incapable of being all-knowing; living day by day without the ability to predict tomorrow. The dead deer on the edge of the road symbolizes unexpectancies in life, the speaker 's ability to make a critical decision when no one is watching allows the speaker to progress in the journey of life.
In the first stanza’s, the narrator’s voice and perspective is more collective and unreliable, as in “they told me”, but nonetheless the references to the “sea’s edge” and “sea-wet shell” remain constant. Later on the poem, this voice matures, as the “cadence of the trees” and the “quick of autumn grasses” symbolize the continuum of life and death, highlighting to the reader the inevitable cycle of time. The relationship that Harwood has between the landscape and her memories allows for her to delve deeper into her own life and access these thoughts, describing the singular moments of human activity and our cultural values that imbue themselves into landscapes. In the poem’s final stanza, the link back to the narrator lying “secure in her father’s arms” similar to the initial memory gives the poem a similar cyclical structure, as Harwood in her moment of death finds comfort in these memories of nature. The water motif reemerges in the poem’s final lines, as “peace of this day will shine/like light on the face of the waters.”
Throughout this poem, Robert Frost uses extended metaphors to convey that every human has a path that causes them to constantly make choices that will continue to shape their lives. In the first lines of the poem, Frost states, “Two roads diverged in a yellow wood/ And sorry I could not travel both” (Lines 1-2). Immediately, the idea is established that the speaker has to make a decision.
It is as if the hunters or the critics are so fixated in finding the meaning of the poem that they threaten to kill the doe- thus destroying the beauty and meaning of the
The road is considered to be a symbol of his multiple life decisions. When you first read the poem your first instinct is to think that the “traveler” just needs to pick a path to take; but it has a greater meaning. The fact that Frost chose to use this symbol to portray the message makes us have a clear idea of what he is going through. Towards the end of the poem, Frost shows signs of regret because of the road he chose, it shows us how in life a decision can really impact your life and can shape who you are as a person and what type of person you become. The use of symbolism in this poem is basically what leads you into understanding what it’s really trying to say.
In the poem, “The Road Not Taken,” Robert Frost uses beautifully crafted metaphors, imagery, and tone to convey a theme that all people are presented with choices in life, some of which are life-altering, so one should heavily way the options in order to make the best choices possible. Frost uses metaphors to develop the theme that life 's journey sometimes presents difficult choices, and the future is many times determined by these choices. Throughout the poem, Frost uses these metaphors to illustrate life 's path and the fork in the road to represent an opportunity to make a choice. One of the most salient metaphors in the poem is the fork in the road. Frost describes the split as, “Two roads diverged in a yellow wood, and sorry I could not travel both (“The Road Not Taken,” lines 1-2).
Frost utilizes analogous imagery throughout his poems; specifically in this poem, he uses natural imagery like the woods and roads to signify these themes. The woods represent indecision and instinct. Everywhere in literature, the plots of novels and poems alike contain characters lost in the woods. Similarly, in “The Road Not Taken”, the woods represent indecision while an adrift traveler wanders lost in the woods (Rukhaya). Frost repeatedly uses this symbol, and “the image...has represented indecision in Frost’s other poems…
Though the poet tries to create a happy mood at the beginning through her use of rhyme: “fell through the fields” and “the turn of the wheels” as well as reference to the “mother singing”, all is not happy. The word "fell" in the gives a sense of something sad and uncomfortable happening. This sense of sadness is heightened by one of the brothers “bawling Home, Home” and another crying. There is the use of personification in describing the journey: “the miles rushed back to the city” which expresses poet's own desire to go back, and the clever use of a list which takes us back to the place she has just left: “the city, the street, the house, the vacant rooms where we didn’t live