Depiction of Men and Females in Disney Disney is a billion dollar market that is hiding things between the innocence of their characters. As kids growing up we don’t realize what these shows are telling us or showing us but as we get older and watch these movies and shows we see the bigger picture and the way these Disney characters are represented. I don’t believe many people know what the big problem with Disney is, but I do believe that more parents need to take into account what they are having their kids watch and grow up with. Females get very depicted in Disney, the main character’s that are “bad” or “good”. Usually the “good” girl characters are made to be very attractive. They usually have big breasts, very thin waistline, long …show more content…
For example, “ what we often don’t talk about when discussing Disney’s representation of men is the converse of Disney’s damsel in distress trope. Disney’s men often claim the spotlight even when the story being told is not theirs. Cinderella, Snow White, and Sleeping Beauty are all movies titled after their female characters and yet it is men who are thrust into the role of heroes” (Leek). In Disney shows also shown in the documentary “ Mickey Mouse Monopoly” the females usually always use their bodies to seduce the men to do what they want them to do or distract them. This depiction of females is very wrong due to the fact that younger kids watching these shows look up to these characters as a figure that they should be when they grow up. Showing younger girls that you have to have a skinny waist to be attractive and that it’s okay to seduce guys to get what they want in life. For example, “arguably, young children’s self-image is influenced by how they perceive their identities in texts both verbal and visual. Hence, media that girls are exposed to at a tender age play a major in shaping their gender ideologies” (Hairianto). I don’t believe disney is showing little girls a great representation of what they should be like. As for the men it’s just the same, the “good” men are always the most good looking guys with, white skin, blonde hair, and incredibly big muscles. It is incredible to see how the females in these types of shoes only go for those guys,
In the article, “Little Girls or Little Women? The Disney Princess Effect” originally published on October 3, 2011 from the Christian Science Monitor, author Stephanie Hanes persuades parents that social media and advertisements are the reasons behind their daughter's wanting to mature too soon. Hanes shapes her argument by using logos and pathos techniques, and using considerate organization of the information. Throughout the article, Hanes makes it evident that the audience of intent is the parents of young girls by referring to other sources such as Disney Princess Recovery: Bringing Sexy Back for a Full Refund, a blog by Mary Finucane, Cinderella Ate My Daughter, a book by Peggy Orenstein, and "What's Wrong With Cinderella?", an essay in New York Times, also by Orenstein. The authors of these sources are mothers sharing their attempts to steer their daughters away from Disney Princesses because of the negative effect it brings on their maturing.
Media Studies 120 Mr. C. Ball Shrek: Critical Lenses & Intertextuality assignments Feminist Ideology What are the stereotypical roles in the world today for men and women? Do we look back at TV shows and films and receive messages about “how it is supposed to be?” What do we think when we see strong, assertive women?
The minds of children are like sponges, absorbing everything they hear, touch, and see. They are consciously taught ideas in school and participate in subconscious learning of moral behaviors and attitudes outside of the classroom. Disney is undeniably a large part of most children’s subconscious learning. Regardless of the movie, children are internalizing stereotypes of what princesses and princes do and what they look like. Before 2009, the stereotypical princess was a character being of lighter skin, dependent on men, and being of privileged descent.
Gillam & Wooden (2010) analyzed the male portrayal of Disney men (e.g. Buzz Lightyear and Woody). For starters, Buzz Lightyear is seen as an “alpha male” in his desire to have dominance, authority, and in his competitive nature. His masculinity is challenged when he is unable to legitimately fix himself after he falls. Woody on the other hand is less masculine. He is a scrawny guy compared to the muscular Buzz.
Alternate Views on Disney Princess Culture Monika Bartyzel wrote an article called Girls on Film: The real problem with the Disney Princess Brand asserts Disney Princess motion pictures are pernicious to young ladies since they do not grasp diversity among their princess’s persona and beauty throughout their line of movies. Their films spread the message to younglings that the single way a princess could ever discover bliss happiness is through conforming to a distorted old fashioned restricted womanism. Crystal Liechty, on the other hand, claims that there is nothing erroneous with the Disney Princess Culture, in fact Disney princess films convey awesome messages to little children, for example, in the event that one is kind and tries their
Logos creates a sense of urgency in the reader’s head that they need to monitor their child’s behavior. One of the credible sources Hanes uses is from a University of Central Florida poll, which found that, “50 percent of 3-6 year old girls worry they’re fat” (*). Hanes argues this statistic could be stemmed from the Disney Princesses image. The princesses have a particular shape and size that has created a standard for body image. The author uses these facts to show her audience that if parents continue to allow their children to view these images, their child will desire to be just like the Disney Princesses.
Regardless of your views of Disney princesses, it’s important to view and assess the impact it has on a person’s knowledge, values, reason, mind, and language. Disney has a large role in how children perceive how women should act and how men should act in their daily lives, especially when interacting with one another. Dawn Elizabeth England, a family studies professor at Arizona State University, outlines that gender role depictions of the prince and princess characters were examined in her work with a focus on their behavioral characteristics and climactic outcomes in the films. England suggest that the prince and princess characters differ in their portrayal of traditionally masculine and feminine characteristics, these gender role portrayals are complex, and trends towards equality between gender roles are not linear over time. Although both the male and female roles have changed over
The Little Mermaid which was produced in 1989, was the first Disney movie to challenge the traditional gender roles, for the fact that Ariel wanted to explore, and was more independent and assertive in her desires than the earlier princesses of the 1930’s and 50s films. Also the prince in The Little Mermaid went against traditional gender roles as well, simply because he was more affectionate and loving than his prince counterparts in other Disney films. “Both the male and female roles have changed over time, but overall the male characters evinced less change then the female characters and were more androgynous throughout.” (Descartes & England, pg.566). Disney movies have been for a long time a strong media target for children, and can serve as a way to address stereotypical gender roles (Leaper, 2000).
Boys watch these disney films and focus on the princes and kings in the movies. Another example is King Triton also in The Little Mermaid, he is muscular, tanned, and holds a lot of power. This gives boys the images that while girls are supposed to be thin, men have to be muscular and huge, while also holding power over others. The male leads having power is a negative side effect in the movies, the bigger the body the more the power. In the Beauty and the Beast Belle is the Beasts prisoner, this movie shows that it’s acceptable to yell and keep a female as a prisoner.
Disneyfication is based upon the ideals of the Walt Disney Corporation that were presented in the time leading up to the Renaissance of the late 1980s. These films all present women as damsels in distress left waiting for a man to come save them. Even movies that are not about Princesses, like The Aristocats, perpetuate this idea within their plots, and it is about cats. Disneyfied communities expect women to emulate Snow White and Cinderella, to be quiet and docile, and to work hard only in the house while the men do all of the real work. Even when Disney began to feature strong women who could kind of save themselves, like Jasmine, Esmeralda, and Megara, Disneyfied societies clung onto the misogynistic ideals of the past.
Gill disagrees “About 20% of the reviews studied focus solely on the heroines’ appearances rather than their personalities and do so in a way that is more demeaning than complimentary” (Gill 763). The author also emphasizes how Disney movies like to show that the women always end up needing a prince to “save them” and depend on. The article also goes in to detail on how movies stereotype each princess to look perfect, portray innocence and have the same main goal; finding their prince charming. (Gill) states, “By subtly influencing society’s view of Disney princess in a way that implies they are stereotypically feminine, these media weaken the perception of the princesses’ strengths and focus instead on traits such as beauty and domesticity” (Gill
As young girls, we weren’t aware of the effect Disney princesses had on our self-image, view on love and our stance in society. When we were younger, our models-to-be were always Disney princesses. To us, they represented physical beauty and what someday we hoped to look like.
They are bombarded with notions of right and wrong, and taught that external appearance is the single most important factor that determines the worth of an individual. Even though Disney movies are always presented to the public in a virtuous manner, the sad truth is that the images given to us are anything but innocent. Women are often scantily clad, and numerous features are highly sexualized- a waist smaller than the width of their head, big eyes, long and fluttering eyelashes, high pitched and meek voices, large breasts, long hair and seductive expressions are only a gist of the many ways the creators damage both the male and female notion of a true woman. Jasmine from Aladdin, and Ariel from the Little Mermaid are good examples. What’s more, even when the characters are animals (Miss Bunny from Bambi), these features are not spared!
Putnam explains that when her daughter asks questions about gender norms (boys having long hair, etc...), she knows that this is because of influences like Disney that establish and reestablish ‘correct’ gender standards in many of their films.
So far and so, even personas in the cartoons children watch are so definitive. The distinction created between the types of cartoons boys are “supposed” to watch and girls are supposed to is so great that men who want to watch cartoons like Barbie have to do it in secrecy. As goes for expression, they have to do everything that deviates from the norm in secrecy. Whether it is liking a boy band or closet homosexuality, the emotions and actions the culture of masculinity restricts is far too great. It’s too austere.